POLYEND - MEDUSA
The Medusa is a collaboration, by Polyend and Dreadbox!
"Medusa hybrid synthesizer is a fruit of the collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality."
Features:
Three synchronizable analog oscillators with the choice of four classic wave types for each of them. One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP). FM frequency modulation separately for oscillators and filter. Noise generator with colour shaping. Three wavetable digital oscillators. Three different play modes: monophonic, paraphonic x3, paraphonic x6. Audio input lets you use the power of Medusa with external audio sources.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control. Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign. Mixer for all seven paths of independent analog, digital and noise voices. Separate volume control for headphone and main audio outputs. Implemented MIDI protocol with bi-directional USB and DIN input, output and through.
#Analog #Digital #Wavetable #Noise #DADSR #MIDI #AudioIn
polyend.com
The Medusa is a collaboration, by Polyend and Dreadbox!
"Medusa hybrid synthesizer is a fruit of the collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality."
Features:
Three synchronizable analog oscillators with the choice of four classic wave types for each of them. One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP). FM frequency modulation separately for oscillators and filter. Noise generator with colour shaping. Three wavetable digital oscillators. Three different play modes: monophonic, paraphonic x3, paraphonic x6. Audio input lets you use the power of Medusa with external audio sources.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control. Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign. Mixer for all seven paths of independent analog, digital and noise voices. Separate volume control for headphone and main audio outputs. Implemented MIDI protocol with bi-directional USB and DIN input, output and through.
#Analog #Digital #Wavetable #Noise #DADSR #MIDI #AudioIn
polyend.com
JOHN BOWEN - SOLARIS TT / 1U
John Bowen, was showing, a desktop - version and a voice - expansion (rack, 1u), at this year's Winter - NAMM.
The table - top version, is identically to the regular version (without joystick, wheels, etc.). While, the voice - expansion, has got no, physical, edit - options at all, ecxept an volume - knob (maybe, a display) but a software - editor.
The Solaris, is a completely digital synthesizer, with a lot of options. It has, implemented, 64 wave - tables, of the Waldorf - Microwave.
Main - features:
°4 oscillator, each with several types available: MultiMode, WaveTable, CEM, WAV (sample playback), VS (single cycle waves), Mini
°4 filter, each with selectable in - puts: Multi - mode low - pass, 24, 18, 12, 6 dB, high - pass 24, 18, 12, 6 dB, band - pass 24 dB, comb (2 types), state - variable 12 dB LP, HP, BP & BR, SSM low - pass 24 dB , mini (ladder) low - pass 24 dB, vocal - formant
°2 vector - mixer, 2 rotors (special 4 - step wave - shape sequences), 2 AM sections (including ring - mod)
°6 DADSR, 1 8 - stage loopable envelope
°4 free LFOs, 1 vibrato LFO. Each LFO featuring delayed start, fade in and fade out times, key - sync and phase - control
°Phaser, chorus/flanger, delay, 3 - band EQ effects
You can, pre - order, the TT - version now, for a 50% deposit ($1600). Also, taking pre - orderings, for the voice - expansion (introductory pricing: $1599)
www.johnbowen.com/
#JohnBowen #Solaris #Digital #WaveTable #SamplePlayback #FilterTypes #DADSR #LFO #LoopableEnvelope #Rotor #VectorMixer #Effects
John Bowen, was showing, a desktop - version and a voice - expansion (rack, 1u), at this year's Winter - NAMM.
The table - top version, is identically to the regular version (without joystick, wheels, etc.). While, the voice - expansion, has got no, physical, edit - options at all, ecxept an volume - knob (maybe, a display) but a software - editor.
The Solaris, is a completely digital synthesizer, with a lot of options. It has, implemented, 64 wave - tables, of the Waldorf - Microwave.
Main - features:
°4 oscillator, each with several types available: MultiMode, WaveTable, CEM, WAV (sample playback), VS (single cycle waves), Mini
°4 filter, each with selectable in - puts: Multi - mode low - pass, 24, 18, 12, 6 dB, high - pass 24, 18, 12, 6 dB, band - pass 24 dB, comb (2 types), state - variable 12 dB LP, HP, BP & BR, SSM low - pass 24 dB , mini (ladder) low - pass 24 dB, vocal - formant
°2 vector - mixer, 2 rotors (special 4 - step wave - shape sequences), 2 AM sections (including ring - mod)
°6 DADSR, 1 8 - stage loopable envelope
°4 free LFOs, 1 vibrato LFO. Each LFO featuring delayed start, fade in and fade out times, key - sync and phase - control
°Phaser, chorus/flanger, delay, 3 - band EQ effects
You can, pre - order, the TT - version now, for a 50% deposit ($1600). Also, taking pre - orderings, for the voice - expansion (introductory pricing: $1599)
www.johnbowen.com/
#JohnBowen #Solaris #Digital #WaveTable #SamplePlayback #FilterTypes #DADSR #LFO #LoopableEnvelope #Rotor #VectorMixer #Effects
Johnbowen
John Bowen Synth Design
John Bowen Synth Design home of the Solaris Synths and Zarg Music Scope plugins
ARTURIA - POLYBRUTE
Arturia's new instrument, the Polybrute, is an analog and polyphonic synthesizer with the ability to morph between two states, of the same sound.
It has six voices with two oscillator, per voice. You can split the keyboard, into two zones, and set a different MIDI - channel, to each of them. So, the Polybrute has a two voice multi - timbrality.
Another outstanding features, is the Morphée - controller, which is three - dimensional (touch and pressure).
There are two different filter, three envelopes, three LFO, a modulation - matrix, digital effects, a sequencer, arpeggiator, MIDI, USB and analog - clock connections.
Features:
°6 voices of polyphony
°Mono, unison, poly - voicing
°Single, split, layer - mode
°61 - keys with velocity and aftertouch
°Pitchbend, mod - wheel, ribbon - controller
°Morphée touch and pressure sensitive 3D controller
°Sound - morphing capability, part A and B for each preset
°Two analog VCO's (saw, triangle + metalizer, square + pulse width)
°Sub - oscillator
°Linear FM
°Hard - sync
°Noise - generator
°Continuous tone, from rumble noise to white noise
°Osc - and noise - mixer with filter - routing
°12 dB / oct (Steiner Parker) filter
°Continuous LP > Notch > HP > BP morphing
°Cut - off, resonance, Brute factor
°24 dB / oct ladder - filter with distortion
°Two ADSR
°One DADSR
°Looping capability
°LFO1 and LFO2 with waveform selection
°LFO3 with waveform - shaping, using shape and symmetry
°rate - control & tempo - sync
°Various retrigger options
°Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...
°Delay : 9 algorithms including BBD, digital delay, ...
°Reverb : 9 algorithms including hall, plate, spring, shimmer, ...
°768 preset - slots
°12 x 32 modulation - matrix
°64 - step polyphonic - sequencer
°Notes, accent, slide per step
°3 tracks of automation
°Arpeggiator and matrix - arpeggiator
°Stereo audio - output
°MIDI and USB i/o + analog clock i/o
°2 expression and 1 sustain pedal - inputs
Price: €2499 and it will be, in stores, in a few weeks.
www.arturia.com
#Arturia #Polybrute #Analog #Polyphonic #Morphing #Effects #Sequencer #LFO #DADSR #ADSR #FM #Sync #Arpeggiator #ModMatrix #StereoOut #SubOscillator
Arturia's new instrument, the Polybrute, is an analog and polyphonic synthesizer with the ability to morph between two states, of the same sound.
It has six voices with two oscillator, per voice. You can split the keyboard, into two zones, and set a different MIDI - channel, to each of them. So, the Polybrute has a two voice multi - timbrality.
Another outstanding features, is the Morphée - controller, which is three - dimensional (touch and pressure).
There are two different filter, three envelopes, three LFO, a modulation - matrix, digital effects, a sequencer, arpeggiator, MIDI, USB and analog - clock connections.
Features:
°6 voices of polyphony
°Mono, unison, poly - voicing
°Single, split, layer - mode
°61 - keys with velocity and aftertouch
°Pitchbend, mod - wheel, ribbon - controller
°Morphée touch and pressure sensitive 3D controller
°Sound - morphing capability, part A and B for each preset
°Two analog VCO's (saw, triangle + metalizer, square + pulse width)
°Sub - oscillator
°Linear FM
°Hard - sync
°Noise - generator
°Continuous tone, from rumble noise to white noise
°Osc - and noise - mixer with filter - routing
°12 dB / oct (Steiner Parker) filter
°Continuous LP > Notch > HP > BP morphing
°Cut - off, resonance, Brute factor
°24 dB / oct ladder - filter with distortion
°Two ADSR
°One DADSR
°Looping capability
°LFO1 and LFO2 with waveform selection
°LFO3 with waveform - shaping, using shape and symmetry
°rate - control & tempo - sync
°Various retrigger options
°Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...
°Delay : 9 algorithms including BBD, digital delay, ...
°Reverb : 9 algorithms including hall, plate, spring, shimmer, ...
°768 preset - slots
°12 x 32 modulation - matrix
°64 - step polyphonic - sequencer
°Notes, accent, slide per step
°3 tracks of automation
°Arpeggiator and matrix - arpeggiator
°Stereo audio - output
°MIDI and USB i/o + analog clock i/o
°2 expression and 1 sustain pedal - inputs
Price: €2499 and it will be, in stores, in a few weeks.
www.arturia.com
#Arturia #Polybrute #Analog #Polyphonic #Morphing #Effects #Sequencer #LFO #DADSR #ADSR #FM #Sync #Arpeggiator #ModMatrix #StereoOut #SubOscillator
ARTURIA - POLYBRUTE (MUSICAL DEMONSTRATION)
Marc Doty, is giving a little inside view of the sound - range, of the Polybrute.
https://www.youtube.com/watch?v=on1gP5J0_NA
#Arturia #Polybrute #Morphing #Analog #SoundScapes #LFO #DADSR #ADSR #FM #Sync #Sequencer #ModMatrix #Apeggiator #Polyphonic #AnalogClock #USB
Marc Doty, is giving a little inside view of the sound - range, of the Polybrute.
https://www.youtube.com/watch?v=on1gP5J0_NA
#Arturia #Polybrute #Morphing #Analog #SoundScapes #LFO #DADSR #ADSR #FM #Sync #Sequencer #ModMatrix #Apeggiator #Polyphonic #AnalogClock #USB
YouTube
01 Arturia Polybrute Musical Demonstration
Here is a musical demonstration of some of the sounds the Arturia PolyBrute is capable of. All music is written, performed, and recorded by Marc Doty.
Sequential - Take 5
Now, that the Take 5 is revealed, we know that it is an analog (oscillator, filter, amp. Envelopes are digital - controlled), with a polyphony of five.
The Take 5 has no multi - timbrality. The polyphonic step - sequencer is providing just 64 steps. And there are only 128 user - patch memory - places.
Some cool specs are the variable wave - shape (except sub - oscillator), oscillator - sync, FM, 5 - stage envelopes, self - resonating filter, configurable unison - mode (1 to 5 voices), modulation - matrix (16 slots), digital - effects and an overdrive - circuit.
Also nice, is the factory - mode (or non - factory mode). Using a switch, all parameter are using the front - panel settings.
The Take 5 has the so called vintage - knob, which is producing parameter - variation, so the different voices don't sound exactly the same.
And it is coming with a complete MIDI - trio (in / out / thru) of 5 - pole sockets.
Specifications:
°Two analog VCO, per voice.
°Continuously variable wave - shape (sine, sawtooth, variable - width pulse), per oscillator.
°Hard sync: Oscillator 1 is syncing to oscillator 2.
°Sub - octave generator (oscillator 1 / square - wave), per voice.
°Keyboard - tracking on / off, for each oscillator.
°Front - panel frequency - modulation.
°Mixer with oscillator 1 - amount, oscillator 1 sub - octave amount, oscillator 2 - amount, white noise / pink noise - amount.
°Four - pole, resonant, low - pass filter, per voice, based on Prophet - 5 Rev 4 - design.
°Filter can be driven into self - oscillation, with the Resonance Control.
°Bi - polar filter - envelope amount.
Two 5 - stage envelope - generator (ADSR + delay), with variable routing (filter, amplifier, auxiliary).
°Velocity - modulation, of each envelope - amount.
°Envelopes freely assignable, to multiple modulation - destinations.
°Five wave - shapes: Triangle, sawtooth, reverse sawtooth, square and random (sample and hold).
°Clock - sync (internal or external MIDI - clock).
°Freely assignable, to multiple modulation - destinations.
°One dedicated reverb, with damping, pre - delay, decay and tone.
°One multi - effect with stereo - delay, BBD - delay, tape - delay, chorus, flanger, phaser, ring - modulation, vintage rotating speaker, distortion, high - pass filter.
°Dedicated overdrive - effect.
°Vintage - knob, is recreating the characteristics of vintage synthesizer, by introducing parameter variations, from voice to voice.
°Channel - aftertouch, with bi - polar amount.
°Aftertouch, freely assignable to multiple modulation - destinations.
°Master - clock, with tap - tempo.
°BPM - control and display.
°MIDI - clock sync.
°Arpeggiator (up, down, up + down, random, assign modes), syncable to MIDI - clock.
°Re - latching arpeggiation.
°Polyphonic step - sequencer, with up to 64 steps, with ties and rests.
°Full - sized, semi -weighted, 3.5 - octave premium keyboard by Fatar, with velocity and aftertouch.
°Spring - loaded pitch - wheel, with selectable range per program, with independently adjustable upper and lower pitch - wheel range transpose - controls.
°Low - split mode, creating two independent performance - zones, with different octave - ranges.
°Hold - switch, latching held notes on.
°Polyphonic glide (portamento).
°Unison - mode (monophonic), with configurable voice - count, from one to all five voices and key - modes.
°Factory - switch: When off, the front panel is live ("what you see is what you hear").
°128 user - and 128 factory - presets.
°1 MIDI - in, 1 MIDI - out and 1 MIDI - thru port ( 5 - pole)
°USB - port for bidirectional MIDI - communication.
°1 Sustain / foot - switch input.
°1 Expression - pedal input.
°Main stereo - output (2 x 1/4″ phone jack).
°Headphone - out (stereo 1/4″ phone jack).
Price: €1299
www.sequential.com
#Sequential #TakeFive #VCO #VCF #DADSR #FM #Sync #SubOSC #FX #ModMatrix #Sequencer #VintageMode #Overdrive #MIDI #USB #LFO #Arpeggiator #Unison #FactorySwitch
Now, that the Take 5 is revealed, we know that it is an analog (oscillator, filter, amp. Envelopes are digital - controlled), with a polyphony of five.
The Take 5 has no multi - timbrality. The polyphonic step - sequencer is providing just 64 steps. And there are only 128 user - patch memory - places.
Some cool specs are the variable wave - shape (except sub - oscillator), oscillator - sync, FM, 5 - stage envelopes, self - resonating filter, configurable unison - mode (1 to 5 voices), modulation - matrix (16 slots), digital - effects and an overdrive - circuit.
Also nice, is the factory - mode (or non - factory mode). Using a switch, all parameter are using the front - panel settings.
The Take 5 has the so called vintage - knob, which is producing parameter - variation, so the different voices don't sound exactly the same.
And it is coming with a complete MIDI - trio (in / out / thru) of 5 - pole sockets.
Specifications:
°Two analog VCO, per voice.
°Continuously variable wave - shape (sine, sawtooth, variable - width pulse), per oscillator.
°Hard sync: Oscillator 1 is syncing to oscillator 2.
°Sub - octave generator (oscillator 1 / square - wave), per voice.
°Keyboard - tracking on / off, for each oscillator.
°Front - panel frequency - modulation.
°Mixer with oscillator 1 - amount, oscillator 1 sub - octave amount, oscillator 2 - amount, white noise / pink noise - amount.
°Four - pole, resonant, low - pass filter, per voice, based on Prophet - 5 Rev 4 - design.
°Filter can be driven into self - oscillation, with the Resonance Control.
°Bi - polar filter - envelope amount.
Two 5 - stage envelope - generator (ADSR + delay), with variable routing (filter, amplifier, auxiliary).
°Velocity - modulation, of each envelope - amount.
°Envelopes freely assignable, to multiple modulation - destinations.
°Five wave - shapes: Triangle, sawtooth, reverse sawtooth, square and random (sample and hold).
°Clock - sync (internal or external MIDI - clock).
°Freely assignable, to multiple modulation - destinations.
°One dedicated reverb, with damping, pre - delay, decay and tone.
°One multi - effect with stereo - delay, BBD - delay, tape - delay, chorus, flanger, phaser, ring - modulation, vintage rotating speaker, distortion, high - pass filter.
°Dedicated overdrive - effect.
°Vintage - knob, is recreating the characteristics of vintage synthesizer, by introducing parameter variations, from voice to voice.
°Channel - aftertouch, with bi - polar amount.
°Aftertouch, freely assignable to multiple modulation - destinations.
°Master - clock, with tap - tempo.
°BPM - control and display.
°MIDI - clock sync.
°Arpeggiator (up, down, up + down, random, assign modes), syncable to MIDI - clock.
°Re - latching arpeggiation.
°Polyphonic step - sequencer, with up to 64 steps, with ties and rests.
°Full - sized, semi -weighted, 3.5 - octave premium keyboard by Fatar, with velocity and aftertouch.
°Spring - loaded pitch - wheel, with selectable range per program, with independently adjustable upper and lower pitch - wheel range transpose - controls.
°Low - split mode, creating two independent performance - zones, with different octave - ranges.
°Hold - switch, latching held notes on.
°Polyphonic glide (portamento).
°Unison - mode (monophonic), with configurable voice - count, from one to all five voices and key - modes.
°Factory - switch: When off, the front panel is live ("what you see is what you hear").
°128 user - and 128 factory - presets.
°1 MIDI - in, 1 MIDI - out and 1 MIDI - thru port ( 5 - pole)
°USB - port for bidirectional MIDI - communication.
°1 Sustain / foot - switch input.
°1 Expression - pedal input.
°Main stereo - output (2 x 1/4″ phone jack).
°Headphone - out (stereo 1/4″ phone jack).
Price: €1299
www.sequential.com
#Sequential #TakeFive #VCO #VCF #DADSR #FM #Sync #SubOSC #FX #ModMatrix #Sequencer #VintageMode #Overdrive #MIDI #USB #LFO #Arpeggiator #Unison #FactorySwitch
Sequential - Take 5 | The powerful portable synth
Product - teaser, of Sequential's Take 5.
https://youtu.be/ZNv27pVXr_4
#Sequential #TakeFive #Analog #VCF #DADSR #ModMatrix #Sequencer #Monophonic #Effects #Overdrive #MIDI #SubOSC #LFO #Unison
Product - teaser, of Sequential's Take 5.
https://youtu.be/ZNv27pVXr_4
#Sequential #TakeFive #Analog #VCF #DADSR #ModMatrix #Sequencer #Monophonic #Effects #Overdrive #MIDI #SubOSC #LFO #Unison
YouTube
Sequential Take 5 - The Powerful Portable Polysynth
The Take 5 is a powerful, portable analog polyphonic synthesizer.
Learn more : https://bit.ly/take-5-yt
Hear more audio demos: https://soundcloud.com/sequential_llc/sets/take-5-audio-demos
Soundtrack exclusively by Take 5. Yes, even the drums! Composed…
Learn more : https://bit.ly/take-5-yt
Hear more audio demos: https://soundcloud.com/sequential_llc/sets/take-5-audio-demos
Soundtrack exclusively by Take 5. Yes, even the drums! Composed…
Sequential - Take 5 | Sound Design Demo
Some of the factory - presets, produced by Inhalt, without any external effects.
https://youtu.be/1t1Sh0BX8-U
#Sequential #TakeFive #VCO #VCF #DADSR #Monophonic #Sequencer #FX #SubOSC #Arpeggiator #MIDI #FM #Sync #USB #FactoryPresets #Demo
Some of the factory - presets, produced by Inhalt, without any external effects.
https://youtu.be/1t1Sh0BX8-U
#Sequential #TakeFive #VCO #VCF #DADSR #Monophonic #Sequencer #FX #SubOSC #Arpeggiator #MIDI #FM #Sync #USB #FactoryPresets #Demo
YouTube
Sequential Take 5 INHALT Sound Design Demo
http://inhalt.bigcartel.com
http://www.instagram.com/inhalt.us/
http://www.instagram.com/infinitepowe...
http://facebook.com/inhalt.us
I had the great pleasure of working on yet another Sequential modern masterpiece, the Take 5. This is a long recording…
http://www.instagram.com/inhalt.us/
http://www.instagram.com/infinitepowe...
http://facebook.com/inhalt.us
I had the great pleasure of working on yet another Sequential modern masterpiece, the Take 5. This is a long recording…
Sequential - Take 5 | Audio - Demo
Soundcloud - playlist, of the Take 5, from Sequential's Soundcloud - account.
https://soundcloud.com/sequential_llc/sets/take-5-audio-demos
#Sequential #TakeFive #Analog #VCF #DADSR #LFO #USB #ModMatrix #Sequencer #Arpeggiator #MIDI #FX #VintageMode #AudioDemo
Soundcloud - playlist, of the Take 5, from Sequential's Soundcloud - account.
https://soundcloud.com/sequential_llc/sets/take-5-audio-demos
#Sequential #TakeFive #Analog #VCF #DADSR #LFO #USB #ModMatrix #Sequencer #Arpeggiator #MIDI #FX #VintageMode #AudioDemo
SoundCloud
Take 5 Audio Demos
Take 5 audio demos. All sounds come directly from the Take 5, only light limiting added after recording with no additional processing. Give and Take multitrack demo by Peter Dyer. Visit sequential.com