Musical Clock with Spinet and Organ
Veit Langenbucher and Samuel Bidermann, ca. 1625
Inside the ebony case of this musical clock is an extremely rare and important instrument consisting of a sixteen-note pipe organ and a sixteen-string spinet that may be played independently of the organ. Made by the renowned team of Samuel Bidermann and his son (also Samuel)--the father’s L-shaped pinning style appears in this work--and Viet Langenbucher, the extraordinary piece includes, in addition to the organ and spinet, a clock and five carved and colorfully clad commedia dell'arte figures that perform a circling dance in the clock's tower when the instruments sound to mark the hours.
The complex clock is perhaps the most musically elaborate automatic instrument to survive from the early seventeenth century. Its three airs, probably by composer Hans Leo Hassler (baptized 1564-1612), the elder Bidermann's teacher and once keeper of the knowledge of pinning barrels in Augsburg, are stored on the original pinned cylinder. Most cylinders and their tunes were replaced by subsequent generations, but this one was spared to provide us with an extremely rare musical document that allows us to hear the airs as they were played in the seventeenth century.
https://www.metmuseum.org/art/collection/search/503530
@TARTARIAthetruth
Veit Langenbucher and Samuel Bidermann, ca. 1625
Inside the ebony case of this musical clock is an extremely rare and important instrument consisting of a sixteen-note pipe organ and a sixteen-string spinet that may be played independently of the organ. Made by the renowned team of Samuel Bidermann and his son (also Samuel)--the father’s L-shaped pinning style appears in this work--and Viet Langenbucher, the extraordinary piece includes, in addition to the organ and spinet, a clock and five carved and colorfully clad commedia dell'arte figures that perform a circling dance in the clock's tower when the instruments sound to mark the hours.
The complex clock is perhaps the most musically elaborate automatic instrument to survive from the early seventeenth century. Its three airs, probably by composer Hans Leo Hassler (baptized 1564-1612), the elder Bidermann's teacher and once keeper of the knowledge of pinning barrels in Augsburg, are stored on the original pinned cylinder. Most cylinders and their tunes were replaced by subsequent generations, but this one was spared to provide us with an extremely rare musical document that allows us to hear the airs as they were played in the seventeenth century.
https://www.metmuseum.org/art/collection/search/503530
@TARTARIAthetruth
❤14👍6😍5
Forwarded from TARTARIA HISPANICA
🇬🇧 Crimean Pyramids: Traces of a Forgotten Civilization
The discovery of underground pyramids in Crimea is not a theory, but a fact that can change our understanding of the past. In 1999, geophysicist Vitaly Gokh announced the discovery of mysterious structures hidden underground.
According to him, these are traces of a highly developed civilization that existed long before the historical epochs known to us. These pyramids could be the key to unlocking forgotten pages of human History.
Join us
@Agent M & seine Lichtkrieger
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The discovery of underground pyramids in Crimea is not a theory, but a fact that can change our understanding of the past. In 1999, geophysicist Vitaly Gokh announced the discovery of mysterious structures hidden underground.
According to him, these are traces of a highly developed civilization that existed long before the historical epochs known to us. These pyramids could be the key to unlocking forgotten pages of human History.
Join us
@Agent M & seine Lichtkrieger
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
👍8⚡7❤6
Forwarded from TARTARIA HISPANICA
🇬🇧 "The reasonable man adapts himself to the world; the unreasonable man tries to adapt the world to himself. Thus, progress depends on the unreasonable man."
George Bernard Shaw
Join us
@Picos Pardos
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
George Bernard Shaw
Join us
@Picos Pardos
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
👍15❤4
Forwarded from TARTARIA HISPANICA
🇬🇧 The shepherds on stilts of Gascony
In the late 1800s, a discreet man with a camera was traveling the windswept plains of southwestern France. His name was Felix Arnaudin, and what he captured was a way of life that was already disappearing.
Among his most striking images were the shepherds of the Moors, perched on high wooden stilts. Dressed in thick wool coats and wide hats, these men were not artists, but the survivors of the swamps. Their stilts lifted them above the damp, uneven ground, allowing them to keep an eye on their herds and travel long distances across the soggy heather.
Through Arnaudin's lens, these shepherds appear as slender, spectral silhouettes on the flat horizon, figures shaped by wind, mud and patience. His solitude is almost sacred. Her poise, a silent defiance of the elements.
But progress was coming. The swamps dried up. Pine forests were planted. The roads were paved. The stilts were lowered, then forgotten.
Arnaudin knew what was disappearing. He dedicated his life to preserving the faces, stories and songs of his homeland. His photographs, now preserved in museums — are not just archives, they are elegies.
Thanks to him, the shepherds on stilts of Gascony are not forgotten. They remain, tall and motionless, engraved in silver and light, watching over a past too proud to disappear completely.
Join us
@En_travaux
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
In the late 1800s, a discreet man with a camera was traveling the windswept plains of southwestern France. His name was Felix Arnaudin, and what he captured was a way of life that was already disappearing.
Among his most striking images were the shepherds of the Moors, perched on high wooden stilts. Dressed in thick wool coats and wide hats, these men were not artists, but the survivors of the swamps. Their stilts lifted them above the damp, uneven ground, allowing them to keep an eye on their herds and travel long distances across the soggy heather.
Through Arnaudin's lens, these shepherds appear as slender, spectral silhouettes on the flat horizon, figures shaped by wind, mud and patience. His solitude is almost sacred. Her poise, a silent defiance of the elements.
But progress was coming. The swamps dried up. Pine forests were planted. The roads were paved. The stilts were lowered, then forgotten.
Arnaudin knew what was disappearing. He dedicated his life to preserving the faces, stories and songs of his homeland. His photographs, now preserved in museums — are not just archives, they are elegies.
Thanks to him, the shepherds on stilts of Gascony are not forgotten. They remain, tall and motionless, engraved in silver and light, watching over a past too proud to disappear completely.
Join us
@En_travaux
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
❤15👍6
Forwarded from 𝐄𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐓𝐫𝐮𝐭𝐡 🕊
This media is not supported in your browser
VIEW IN TELEGRAM
❤17👍10❤🔥5🤯3
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
This media is not supported in your browser
VIEW IN TELEGRAM
🇮🇹 Le armature del sultano Mustafa.
Il sultano Mustafa III fu un sovrano ottomano che regnò dal 1757 al 1774.
🇭🇲 The armour of Sultan Mustafa.
Sultan Mustafa III was an Ottoman ruler who reigned from 1757 to 1774.
🇧🇷 As armaduras do sultão Mustafa.
O sultão Mustafa III foi um soberano otomano que reinou de 1757 a 1774.
🇫🇷 Les armures du sultan Mustafa.
Le sultan Mustafa III était un souverain ottoman qui régna de 1757 à 1774.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Il sultano Mustafa III fu un sovrano ottomano che regnò dal 1757 al 1774.
🇭🇲 The armour of Sultan Mustafa.
Sultan Mustafa III was an Ottoman ruler who reigned from 1757 to 1774.
🇧🇷 As armaduras do sultão Mustafa.
O sultão Mustafa III foi um soberano otomano que reinou de 1757 a 1774.
🇫🇷 Les armures du sultan Mustafa.
Le sultan Mustafa III était un souverain ottoman qui régna de 1757 à 1774.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
👍11❤4❤🔥2🥰1
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 Cerchi misteriosi sono apparsi in un campo nel Wiltshire.
Strani motivi geometrici sono stati scoperti vicino a Ludwell. Le foto sono state rapidamente distribuite sui social network. Alcuni credono che questo sia il lavoro di appassionati, altri - un messaggio da una civiltà extraterrestre.
🇭🇲 Mysterious circles have appeared in a field in Wiltshire.
Strange geometric patterns have been discovered near Ludwell. Photos were quickly shared on social media. Some believe this is the work of enthusiasts, others believe it is a message from an extraterrestrial civilisation.
🇧🇷 Círculos misteriosos apareceram em um campo em Wiltshire.
Estranhos padrões geométricos foram descobertos perto de Ludwell. As fotos foram rapidamente divulgadas nas redes sociais. Alguns acreditam que isso seja obra de entusiastas, outros - uma mensagem de uma civilização extraterrestre.
🇫🇷 Des cercles mystérieux sont apparus dans un champ du Wiltshire.
D'étranges motifs géométriques ont été découverts près de Ludwell. Les photos ont rapidement été diffusées sur les réseaux sociaux. Certains pensent qu'il s'agit de l'œuvre d'amateurs, d'autres d'un message provenant d'une civilisation extraterrestre.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Strani motivi geometrici sono stati scoperti vicino a Ludwell. Le foto sono state rapidamente distribuite sui social network. Alcuni credono che questo sia il lavoro di appassionati, altri - un messaggio da una civiltà extraterrestre.
🇭🇲 Mysterious circles have appeared in a field in Wiltshire.
Strange geometric patterns have been discovered near Ludwell. Photos were quickly shared on social media. Some believe this is the work of enthusiasts, others believe it is a message from an extraterrestrial civilisation.
🇧🇷 Círculos misteriosos apareceram em um campo em Wiltshire.
Estranhos padrões geométricos foram descobertos perto de Ludwell. As fotos foram rapidamente divulgadas nas redes sociais. Alguns acreditam que isso seja obra de entusiastas, outros - uma mensagem de uma civilização extraterrestre.
🇫🇷 Des cercles mystérieux sont apparus dans un champ du Wiltshire.
D'étranges motifs géométriques ont été découverts près de Ludwell. Les photos ont rapidement été diffusées sur les réseaux sociaux. Certains pensent qu'il s'agit de l'œuvre d'amateurs, d'autres d'un message provenant d'une civilisation extraterrestre.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤12🤔3
Forwarded from TARTARIA HISPANICA
🇬🇧 Mention of the Tartars and the American Tartary in the book A Letter to Edmund Burke, (Member of Parliament for the City of Bristol and Agent of the Colony of New York, etc.) in response to his printed speech, which was delivered in the House of Commons on March 22, 1775.
Join us
@ВЕТРЫ ИСТОРИИ
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Join us
@ВЕТРЫ ИСТОРИИ
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
❤7👍6👏4
Forwarded from TARTARIA HISPANICA
🇬🇧 The Theresianum diplomatic school, Vienna
The building is famous and historic... But the fact that it is almost two floors deep in the ground is striking!
Join us
@Точка связи миров
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The building is famous and historic... But the fact that it is almost two floors deep in the ground is striking!
Join us
@Точка связи миров
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
👍18😱4❤2🤔1
Forwarded from Arkham Farms (Hollis)
Media is too big
VIEW IN TELEGRAM
Tesseract Earth? | Lucius Aurelian
Going deep here...If ever a theory pushed the limits of what the human mind can comprehend...
How can we reconcile the truly strange and elusive nature of this place we live?
There are as many ways to engage it as there are spirits that inhabit it, some of which aren't constrained by time, and can manipulate material form and circumstance to degrees we can't begin to understand.
These are anomalies that the "computational simulation" model of our world falls short in accounting for.. along with the standard enclosed plane model many of us have settled on.
There are likewise many reasons to disregard earth as a static material ball on a steady course through the endless billions of lightyears of.. whatever...
There may be hints that our forebears left in their graphic memorials that point to something that more accurately nests our reality..
Frequency as location... the devas echoing forms.. the 3D cross... Metatron's cube... forms beyond the platonic solids... Mysteries our age has had little reason to engage with.
In the day to day, meeting responsibilities to others and keeping a level head, why bother with this type of thing?
Well.. if the "bandwidth" of our world is increasing... if the difference in reality goes from AM radio to "holodeck", at what stage would we plead for normalcy and predictability in the fabric of reality?
Who would we turn to for that sort of "security", and who may already anticipate and know how to oblige our request?💉 🤖
ἀμὴν λέγω ὑμῖν, ἐὰν μὴ στραφῆτε καὶ γένησθε ὡς τὰ παιδία, οὐ μὴ εἰσέλθητε εἰς τὴν βασιλείαν τῶν οὐρανῶν.
"Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven."
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
Going deep here...If ever a theory pushed the limits of what the human mind can comprehend...
How can we reconcile the truly strange and elusive nature of this place we live?
There are as many ways to engage it as there are spirits that inhabit it, some of which aren't constrained by time, and can manipulate material form and circumstance to degrees we can't begin to understand.
These are anomalies that the "computational simulation" model of our world falls short in accounting for.. along with the standard enclosed plane model many of us have settled on.
There are likewise many reasons to disregard earth as a static material ball on a steady course through the endless billions of lightyears of.. whatever...
There may be hints that our forebears left in their graphic memorials that point to something that more accurately nests our reality..
Frequency as location... the devas echoing forms.. the 3D cross... Metatron's cube... forms beyond the platonic solids... Mysteries our age has had little reason to engage with.
In the day to day, meeting responsibilities to others and keeping a level head, why bother with this type of thing?
Well.. if the "bandwidth" of our world is increasing... if the difference in reality goes from AM radio to "holodeck", at what stage would we plead for normalcy and predictability in the fabric of reality?
Who would we turn to for that sort of "security", and who may already anticipate and know how to oblige our request?
ἀμὴν λέγω ὑμῖν, ἐὰν μὴ στραφῆτε καὶ γένησθε ὡς τὰ παιδία, οὐ μὴ εἰσέλθητε εἰς τὴν βασιλείαν τῶν οὐρανῶν.
"Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven."
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
Please open Telegram to view this post
VIEW IN TELEGRAM
🔥7🤔6❤3👍3❤🔥2