Forwarded from TARTARIA Canada 🍁 (VPM)
The Bank Building, Victoria, British Columbia
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 Presentiamo alla vostra attenzione un'altra splendida opera di Fabergé. Un simpatico coniglio alto solo 35 mm, 1900
🇦🇺 We present to your attention another splendid work by Fabergé. A cute rabbit only 35 mm high, 1900
🇧🇷 Apresentamos a sua atenção outro trabalho esplêndido da Fabergé. Um lindo coelho de apenas 35 mm de altura, 1900
🇫🇷 Nous présentons à votre attention une autre œuvre splendide de Fabergé. Un joli lapin de seulement 35 mm de haut, 1900
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
🇦🇺 We present to your attention another splendid work by Fabergé. A cute rabbit only 35 mm high, 1900
🇧🇷 Apresentamos a sua atenção outro trabalho esplêndido da Fabergé. Um lindo coelho de apenas 35 mm de altura, 1900
🇫🇷 Nous présentons à votre attention une autre œuvre splendide de Fabergé. Un joli lapin de seulement 35 mm de haut, 1900
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 Vista aerea del castello di Dunrobin e del parco circostante, Scozia
Il castello acquisì il suo aspetto moderno nel 1850 grazie all'architetto Sir Charles Barry.
🇦🇺 Aerial view of Dunrobin Castle and surrounding parkland, Scotland
The castle acquired its modern appearance in 1850 thanks to the architect Sir Charles Barry.
🇧🇷 Vista aérea do Castelo de Dunrobin e do parque ao redor, Escócia
O castelo adquiriu sua aparência moderna em 1850 graças ao arquiteto Sir Charles Barry.
🇫🇷 Vue aérienne du château de Dunrobin et du parc environnant, Écosse
Le château a acquis son aspect moderne en 1850 grâce à l'architecte Sir Charles Barry.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Il castello acquisì il suo aspetto moderno nel 1850 grazie all'architetto Sir Charles Barry.
🇦🇺 Aerial view of Dunrobin Castle and surrounding parkland, Scotland
The castle acquired its modern appearance in 1850 thanks to the architect Sir Charles Barry.
🇧🇷 Vista aérea do Castelo de Dunrobin e do parque ao redor, Escócia
O castelo adquiriu sua aparência moderna em 1850 graças ao arquiteto Sir Charles Barry.
🇫🇷 Vue aérienne du château de Dunrobin et du parc environnant, Écosse
Le château a acquis son aspect moderne en 1850 grâce à l'architecte Sir Charles Barry.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Forwarded from Historia Occulta
The Eye That Didn’t Blink
Jeremy Bentham’s panopticon was never just a prison design. It was a system. One central watchtower. Ringed cells. Light arranged so that every prisoner could be seen at any time—yet never know when they were being watched. He developed the idea in 1786, and published it in 1791. The brilliance wasn’t in surveillance. It was in the possibility of it.
That was the point. If people believed they were visible, they would police themselves. No chains needed. No guards shouting orders. Just the architecture of control, quietly doing its work. Later thinkers saw what Bentham had built. Foucault called it the model for modern power—not violent, but internalized. Discipline through constant visibility.
And long after the physical prisons changed, the logic remained. Today, the structure doesn’t need walls. Visibility is ambient. The tower is nowhere. But the design still works—because the feeling it creates hasn’t changed.
Follow @historiaocculta
Jeremy Bentham’s panopticon was never just a prison design. It was a system. One central watchtower. Ringed cells. Light arranged so that every prisoner could be seen at any time—yet never know when they were being watched. He developed the idea in 1786, and published it in 1791. The brilliance wasn’t in surveillance. It was in the possibility of it.
That was the point. If people believed they were visible, they would police themselves. No chains needed. No guards shouting orders. Just the architecture of control, quietly doing its work. Later thinkers saw what Bentham had built. Foucault called it the model for modern power—not violent, but internalized. Discipline through constant visibility.
And long after the physical prisons changed, the logic remained. Today, the structure doesn’t need walls. Visibility is ambient. The tower is nowhere. But the design still works—because the feeling it creates hasn’t changed.
Follow @historiaocculta
The Abduction of Europa, 1632, by Rembrandt, oil on single oak panel, 64.6 × 78.7 cm, Getty Museum
During his long career Rembrandt rarely painted mythological subjects. Here he conveys a narrative story through dramatic gesture and visual effects. Bewildered, Europa grasps the bull's horn, digs her fingers into his neck, and turns back to look at her companions on the water's edge. One young woman falls to the ground and raises her arms in alarm, dropping the flower garland intended for the bull's neck into her lap, while her friend clasps her hands in consternation and watches helplessly. The carriage driver above rises to his feet and stares at the departing princess in horror.
In the background, a city shrouded in mist extends along the horizon, perhaps serving as an allusion to the ancient city of Tyre as well as to contemporary Amsterdam.The dark thicket of trees to the right contrasts with the pink and blue regions of the sea and sky. Sunlight breaks through the clouds and reflects off the water, but the sky behind the trees is dark and foreboding.
A master of visual effects, Rembrandt took pleasure in describing the varied textures of sumptuous costumes and glittering gold highlights on the carriage and dresses.
credit: @ThirstforBeauty
@TARTARIAthetruth
During his long career Rembrandt rarely painted mythological subjects. Here he conveys a narrative story through dramatic gesture and visual effects. Bewildered, Europa grasps the bull's horn, digs her fingers into his neck, and turns back to look at her companions on the water's edge. One young woman falls to the ground and raises her arms in alarm, dropping the flower garland intended for the bull's neck into her lap, while her friend clasps her hands in consternation and watches helplessly. The carriage driver above rises to his feet and stares at the departing princess in horror.
In the background, a city shrouded in mist extends along the horizon, perhaps serving as an allusion to the ancient city of Tyre as well as to contemporary Amsterdam.The dark thicket of trees to the right contrasts with the pink and blue regions of the sea and sky. Sunlight breaks through the clouds and reflects off the water, but the sky behind the trees is dark and foreboding.
A master of visual effects, Rembrandt took pleasure in describing the varied textures of sumptuous costumes and glittering gold highlights on the carriage and dresses.
credit: @ThirstforBeauty
@TARTARIAthetruth
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 Megaliti in Siberia.
🇦🇺 Megaliths in Siberia.
🇧🇷 Megalitos na Sibéria.
🇫🇷 Mégalithes en Sibérie.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
🇦🇺 Megaliths in Siberia.
🇧🇷 Megalitos na Sibéria.
🇫🇷 Mégalithes en Sibérie.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Forwarded from Arkham Farms (Hollis)
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Second Sun Observed On a YouTube Livestream
Second Sun Visible with Solar Telescope and DoubleStack H-Alpha Lens Filter
Experimenter claims he reproduced it in multiple geographic regions with 2nd sun appearing in different positions. Not due to lens refraction, flaring, etc.
If the experiment is real, it's one of those things that remind us of the deeper mysteries that influence our world and the real powers that be create their schemes based on all these variables.
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
Second Sun Visible with Solar Telescope and DoubleStack H-Alpha Lens Filter
Experimenter claims he reproduced it in multiple geographic regions with 2nd sun appearing in different positions. Not due to lens refraction, flaring, etc.
If the experiment is real, it's one of those things that remind us of the deeper mysteries that influence our world and the real powers that be create their schemes based on all these variables.
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
Forwarded from TARTARIA HISPANICA
🇬🇧 El Arco del Tiempo, Mexico
This 590 ft (180 m) high natural stone arch is one of the largest in the world of its kind located in the La Venta River canyon of Cintalapa, in the state of Chiapas.
The canyon is a 50 miles (80 km) long ravine with walls up to 1,312 ft (400 m) high and narrowness sometimes as low as 33 ft (10 m).
In it you can find caves and waterfalls on its walls and viewpoints. This arch was formally discovered in 1989 by Italian explorers.
It's funny to see the walls, they look like they were made with a 3D printer.
Gracias Jeremy González
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
This 590 ft (180 m) high natural stone arch is one of the largest in the world of its kind located in the La Venta River canyon of Cintalapa, in the state of Chiapas.
The canyon is a 50 miles (80 km) long ravine with walls up to 1,312 ft (400 m) high and narrowness sometimes as low as 33 ft (10 m).
In it you can find caves and waterfalls on its walls and viewpoints. This arch was formally discovered in 1989 by Italian explorers.
It's funny to see the walls, they look like they were made with a 3D printer.
Gracias Jeremy González
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Forwarded from TARTARIA HISPANICA
🇬🇧 What if everything we've been told about History is a lie?
Look around deception, corruption, and lawlessness are everywhere. Truth is hidden, History rewritten, and the past buried.
What if the Great Reset isn’t just economic, but a complete erasure of the past! What if events like the Mudflood and lost technology show we’re not where we think we are!
Join us
@Tartaria
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Look around deception, corruption, and lawlessness are everywhere. Truth is hidden, History rewritten, and the past buried.
What if the Great Reset isn’t just economic, but a complete erasure of the past! What if events like the Mudflood and lost technology show we’re not where we think we are!
Join us
@Tartaria
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰