What the young Student in Painting ought in the first Place to learn
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What the young Student in Painting ought in the first Place to learn | HackerNoon
Accustom yourself to hold a plummet in your hand, that you may judge of the bearing of the parts.
What is principally to be observed in Figures.
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What is principally to be observed in Figures. | HackerNoon
Those which relax cease to appear in proportion as the others pull strongly and become apparent.
The long obscurity of the Dark Ages lifted over Italy
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The long obscurity of the Dark Ages lifted over Italy | HackerNoon
The union in Leonardo of reality to mystery has often been shared by genius in other fields.
Thoughts on Art and Life by da Vinci Leonardo - Table of Links
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Thoughts on Art and Life by da Vinci Leonardo - Table of Links | HackerNoon
Thoughts on Art and Life by da Vinci Leonardo is part of the HackerNoon Books Series. Read this book online for free on HackerNoon!
MOTION AND EQUIPOISE OF FIGURES.
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MOTION AND EQUIPOISE OF FIGURES. | HackerNoon
A man never ascends or descends, nor walks at all in any direction, without raising the heel of the back foot.
LINEAR PERSPECTIVE
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LINEAR PERSPECTIVE | HackerNoon
After that, trace upon paper what you have drawn on the glass, which tracing you may paint at pleasure, observing the aerial perspective.
INVENTION, or COMPOSITION
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INVENTION, or COMPOSITION | HackerNoon
The most remote will only be shading their eyes with their hands, as if hurt by the too great glare.
THOUGHTS ON SCIENCE
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THOUGHTS ON SCIENCE | HackerNoon
Unconscious life remains in what is dead, which when reunited to the stomach of living men, reacquires sentient and conscious life.
EXPRESSION and CHARACTER.
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EXPRESSION and CHARACTER. | HackerNoon
Those who laugh have them turned upwards, and the brows open and extended.
CONTRASTE AND EFFECT.
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CONTRASTE AND EFFECT. | HackerNoon
In general, all contraries give a particular force and brilliancy of effect by their opposition.
Of Objects placed on a light Ground, and why such a Practice is useful in Painting
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Of Objects placed on a light Ground, and why such a Practice is useful in Painting | HackerNoon
That part will be the brightest which receives the reflected light between angles the most nearly equal.
COLOURS and COLOURING
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COLOURS and COLOURING | HackerNoon
The lighter a colour is in its nature, the more so it will appear when removed to some distance; but with dark colours it is quite the reverse.
COLOURS IN REGARD TO LIGHT AND SHADOW
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COLOURS IN REGARD TO LIGHT AND SHADOW | HackerNoon
Whatever object you intend to represent is to be supposed situated in a particular light, and that entirely of your own choosing.
COLOURS IN REGARD TO BACK-GROUNDS
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COLOURS IN REGARD TO BACK-GROUNDS | HackerNoon
No colour appears uniform and equal in all its parts unless it terminate on a ground of the same colour.
CONTRASTE, HARMONY, AND REFLEXES, IN REGARD TO COLOURS
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CONTRASTE, HARMONY, AND REFLEXES, IN REGARD TO COLOURS | HackerNoon
The surface of those bodies will partake most of the colour of the object that reflects it, which receive that reflexion by the most nearly equal angles.
PERSPECTIVE OF COLOURS
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PERSPECTIVE OF COLOURS | HackerNoon
Let the colours vanish in proportion as the objects diminish in size, according to the distance.
AERIAL PERSPECTIVE
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AERIAL PERSPECTIVE | HackerNoon
I have seen a woman dressed in black, with a white veil over her head, which appeared twice as large as her shoulders covered with black.
Of Objects seen at a Distance
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Of Objects seen at a Distance | HackerNoon
This happens also when, on account of the rays of the setting or rising sun, a dark cloud appears higher than another which is light.
MISCELLANEOUS OBSERVATIONS
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MISCELLANEOUS OBSERVATIONS | HackerNoon
How many philosophers, born to great riches, have given them away, that they might not be retarded in their pursuits!