๐„๐ฑ๐ฉ๐ฅ๐จ๐ซ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐“๐ซ๐ฎ๐ญ๐ก ๐Ÿ•Š
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Trying to make sense of the world in a world full of untruths.

๐–ก› A collection of things I find interesting โ€” exploring the realmโ€™s deeper truths.

Thank you for joining the journey ๐Ÿ•Š๏ธ
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Forwarded from Venusta Ars (๐๐€๐’๐“๐€๐„ ๐•๐ˆ๐‘)
Saint Margaret, by Israhel van Meckenem (German, c. 1445-1503), c. 1480/1490
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Forwarded from Venusta Ars (๐๐€๐’๐“๐€๐„ ๐•๐ˆ๐‘)
Saint Michael Slaying the Dragon, Martin Schongauer (German, c. 1450-1491), c. 1480/1490
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Forwarded from Lucas King
The architecture shows the central pillar, with the man above.. and the 7 stars.
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Sundial of Ahaz, leaf from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra.

Paris, France,
ca. 1360-1380.

With its fan-like shapes that seem to flutter across the page, this leaf exemplifies the medieval diagrammatic tradition at its best. What feels like elements lifted from a 20th century-century watercolor are in fact abstract sundials used to illustrate a fine point of 14th-century biblical exegesis.

The leaf comes from the landmark study of Nicholas of Lyra (1270-1349), Master of Theology of the University of Paris, which provided commentary on every book of the Bible. The story here, found in both Isaiah (38:1-8) and 2 Kings (20:1-11), recounts Godโ€™s willingness to turn the shadow of the sun back 10 degreesโ€”approximately one hour--as a sign to the Judean King Hezekiah. The illustrations on this leaf present two different ways of charting the miraculous reversal of time.


โœฝ ๐šƒ๐š‘๐šŽ ๐™ผ๐šŽ๐š ๐™ผ๐šž๐šœ๐šŽ๐šž๐š–

@explorationoftruth ๐Ÿ•Š๏ธ
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The 6000-7000 year old burial of a young woman and her newborn baby found in Vedbรฆk, Denmark.

The young woman, estimated to be around 20 years of age at the time of her death, and baby are believed to have died during childbirth.

Two hundred red deer teeth were found by the womanโ€™s head, and her head resting on a pillow of antlers. The baby was found buried on the wingtip of a whooper swan with a flint knife at its hip.

The child was placed on a specific part of the swan, an appendage that had a strong and important role in social interaction between swans, made up of the long primary and secondary feathers used to fletch arrows. The wing was placed in the grave not as a symbolic afterthought, but as a material acknowledgement of the intimate relationship between humans and whooper swans, the enmeshing of their worlds and the development of understanding both of themselves and of the surrounding world, through their continual and repeated engagements.


โœฝ ๐š‚๐š˜๐šž๐š›๐šŒ๐šŽ - ๐™ฐ๐š›๐šŒ๐š‘๐šŠ๐šŽ๐š˜๐š•๐š˜๐š๐š’๐šŒ๐šŠ๐š• ๐™ณ๐š’๐šŠ๐š•๐š˜๐š๐šž๐šŽ๐šœ

@explorationoftruth ๐Ÿ•Š๏ธ
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A_manifesto_for_a_social_zooarchaeology_Swans_and_other_beings_in.pdf
1.4 MB
The capture and killing of a swan, understood not as a resource but as a sentient social agent, would be an emotive and theatrical event, a very specific, sensorial and affective experience: the clamorous and terrified movements of a stricken swan or the cacophonous and tremulous swirl of sound emitted by desperate swans as they were trapped, would have made the occasion distinctive, poignant and memorable.


Prior to killing, humans may have believed they recognized specific individuals from previous engagements, possibly even from different years; with this memory comes an acknowledgement that they are, like humans, individual and sentient beings, adding considerable weight to the process of killing them. Moreover, these experiences would have contributed to the developing biographies of these known individual swans, created through past engagements.


Overton, N. J., & Hamilakis, Y. (2013). A manifesto for a social zooarchaeology. Swans and other beings in the Mesolithic. Archaeological Dialogues, 20(2), 111โ€“136. doi:10.1017/S1380203813000159

@explorationoftruth ๐Ÿ•Š๏ธ
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Forwarded from TARTARIA...Dimensionen.....Mystik...(Wolfgang"Kanal) (Wolfgang Alexander)
Tsingy de Bemaraha Madagaskar