Forwarded from HISTORIA MUNDI©
Mehr als ein Tempel
Der Ranakpur-Tempel im südlichen Rajasthan ist ein zwischen 1437 und 1457 n. Chr. auf Geheiß des Jain-Kaufmanns Dharna Shah und im Auftrag des Rajputen-Herrschers Rana Kumbha errichteter Tempel, der politische Ambitionen mit religiöser Hingabe verbindet. Der weiße Marmor, aus Steinbrüchen bei Udaipur herangeschafft und per Elefant und Holzschlitten transportiert, glitzert im Sonnenlicht und verleiht der Anlage eine fast überirdische Leuchtkraft.
Innerhalb des weit verzweigten Mandapa-Ensembles stehen 1 444 einzeln entworfene Säulen, die zwischen drei und zwölf Meter hoch aufragen. Keine Filigranarbeit wiederholt sich hier zweimal – jede Säule wurde geschliffen, dann von spezialisierten Jain-Künstlern detailliert geschnitzt. Die Genauigkeit aller Elemente ist so präzise, dass auf Mörtel verzichtet wurde.
Zur Weihe soll Rana Kumbha beim Anblick der filigranen Lichtspiele ausgerufen haben: „Nie habe ich in Indien ein Wunderwerk aus Stein erblickt, das so lebendig atmet.“
👉HISTORIA MUNDI👈
Der Ranakpur-Tempel im südlichen Rajasthan ist ein zwischen 1437 und 1457 n. Chr. auf Geheiß des Jain-Kaufmanns Dharna Shah und im Auftrag des Rajputen-Herrschers Rana Kumbha errichteter Tempel, der politische Ambitionen mit religiöser Hingabe verbindet. Der weiße Marmor, aus Steinbrüchen bei Udaipur herangeschafft und per Elefant und Holzschlitten transportiert, glitzert im Sonnenlicht und verleiht der Anlage eine fast überirdische Leuchtkraft.
Innerhalb des weit verzweigten Mandapa-Ensembles stehen 1 444 einzeln entworfene Säulen, die zwischen drei und zwölf Meter hoch aufragen. Keine Filigranarbeit wiederholt sich hier zweimal – jede Säule wurde geschliffen, dann von spezialisierten Jain-Künstlern detailliert geschnitzt. Die Genauigkeit aller Elemente ist so präzise, dass auf Mörtel verzichtet wurde.
Zur Weihe soll Rana Kumbha beim Anblick der filigranen Lichtspiele ausgerufen haben: „Nie habe ich in Indien ein Wunderwerk aus Stein erblickt, das so lebendig atmet.“
👉HISTORIA MUNDI👈
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Forwarded from TARTARIA HISPANICA
🇬🇧 A Mind the City Could No Longer Absorb
Hypatia taught in the open air of Alexandria—Mathematics, Astronomy, and the Platonic tradition, carried not by doctrine but by demonstration. Her father, Theon, had edited Euclid and observed eclipses; she went further, writing commentaries on Diophantus and constructing astrolabes. Her reputation drew students from across the empire—senators, governors, future bishops. Even in a city thick with rivalry, her authority held.
But the city was changing. Cyril, bishop of Alexandria, sought to centralize power under the Church, while the imperial governor Orestes resisted the erosion of Roman administration. Hypatia had no public office, yet her counsel to Orestes and her standing as a philosopher made her a liability. In 415 CE, during Lent, she was seized by a Christian mob—stripped, beaten, and killed with shards of tile. Her body was burned. The state did not intervene. No trial followed.
Her death did not end Philosophy in Alexandria, but it did mark a rupture. The city had once made space for unaffiliated minds—those whose influence came from knowledge rather than position. After Hypatia, that ground grew harder to stand on. The surviving letters—requests for instruments, reflections on the soul, appeals for guidance—do not explain her end. They only show how deeply she had been integrated into a civic world that no longer knew how to contain her.
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Hypatia taught in the open air of Alexandria—Mathematics, Astronomy, and the Platonic tradition, carried not by doctrine but by demonstration. Her father, Theon, had edited Euclid and observed eclipses; she went further, writing commentaries on Diophantus and constructing astrolabes. Her reputation drew students from across the empire—senators, governors, future bishops. Even in a city thick with rivalry, her authority held.
But the city was changing. Cyril, bishop of Alexandria, sought to centralize power under the Church, while the imperial governor Orestes resisted the erosion of Roman administration. Hypatia had no public office, yet her counsel to Orestes and her standing as a philosopher made her a liability. In 415 CE, during Lent, she was seized by a Christian mob—stripped, beaten, and killed with shards of tile. Her body was burned. The state did not intervene. No trial followed.
Her death did not end Philosophy in Alexandria, but it did mark a rupture. The city had once made space for unaffiliated minds—those whose influence came from knowledge rather than position. After Hypatia, that ground grew harder to stand on. The surviving letters—requests for instruments, reflections on the soul, appeals for guidance—do not explain her end. They only show how deeply she had been integrated into a civic world that no longer knew how to contain her.
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Forwarded from Slavic World
A priest conducts mass among the bombed ruins of St Casimir's Church of the Franciscan convent on Zakroczymska Street in Warsaw, Poland, August 1945 🇵🇱
The convent and the magnificent church had been bombed by the German Luftwaffe about a year earlier on 31 August 1944, killing four priests and 35 nuns and around 1,000 civilians.
👉Slavic World👈
The convent and the magnificent church had been bombed by the German Luftwaffe about a year earlier on 31 August 1944, killing four priests and 35 nuns and around 1,000 civilians.
👉Slavic World👈
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Ci sono due tipi di uomini, mi spiegava lei mentre camminavamo sulla riva del mare: coloro che sono barche e hanno la passione per l’orizzonte e la libertà, e coloro che sono porti e amano la sicurezza e la realtà.
– Dimentichi i fari
– Ah no, i fari sono donna. Le donne sono da sempre luce e punto di riferimento nel mondo.
(Fabrizio Caramagna)
Buona serata anime belle🤩
🇭🇲 There are two types of men, she explained to me as we walked along the seashore: those who are boats and have a passion for the horizon and freedom, and those who are ports and love security and reality.
– You're forgetting lighthouses.
– Oh no, lighthouses are women. Women have always been a source of light and a point of reference in the world.
(Fabrizio Caramagna)
Have a good evening, beautiful souls🤩
🇧🇷 Existem dois tipos de homens, explicou-me ela enquanto caminhávamos à beira-mar: aqueles que são barcos e têm paixão pelo horizonte e pela liberdade, e aqueles que são portos e amam a segurança e a realidade.
– Esquece os faróis
– Ah não, os faróis são mulheres. As mulheres sempre foram luz e ponto de referência no mundo.
(Fabrizio Caramagna)
Boa noite, belas almas🤩
🇫🇷 Il existe deux types d'hommes, m'expliquait-elle alors que nous marchions au bord de la mer : ceux qui sont des bateaux et qui ont la passion de l'horizon et de la liberté, et ceux qui sont des ports et qui aiment la sécurité et la réalité.
– Tu oublies les phares
– Ah non, les phares sont des femmes. Les femmes ont toujours été une lumière et un point de repère dans le monde.
(Fabrizio Caramagna)
Bonne soirée, belles âmes🤩
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– Dimentichi i fari
– Ah no, i fari sono donna. Le donne sono da sempre luce e punto di riferimento nel mondo.
(Fabrizio Caramagna)
Buona serata anime belle
🇭🇲 There are two types of men, she explained to me as we walked along the seashore: those who are boats and have a passion for the horizon and freedom, and those who are ports and love security and reality.
– You're forgetting lighthouses.
– Oh no, lighthouses are women. Women have always been a source of light and a point of reference in the world.
(Fabrizio Caramagna)
Have a good evening, beautiful souls
🇧🇷 Existem dois tipos de homens, explicou-me ela enquanto caminhávamos à beira-mar: aqueles que são barcos e têm paixão pelo horizonte e pela liberdade, e aqueles que são portos e amam a segurança e a realidade.
– Esquece os faróis
– Ah não, os faróis são mulheres. As mulheres sempre foram luz e ponto de referência no mundo.
(Fabrizio Caramagna)
Boa noite, belas almas
🇫🇷 Il existe deux types d'hommes, m'expliquait-elle alors que nous marchions au bord de la mer : ceux qui sont des bateaux et qui ont la passion de l'horizon et de la liberté, et ceux qui sont des ports et qui aiment la sécurité et la réalité.
– Tu oublies les phares
– Ah non, les phares sont des femmes. Les femmes ont toujours été une lumière et un point de repère dans le monde.
(Fabrizio Caramagna)
Bonne soirée, belles âmes
✨✨✨🙏✨✨✨
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@TARTARIAthetruth
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Forwarded from TARTARIA HISPANICA
🇬🇧 Ancient Artifacts of Iran
High in the mountains of Iran, there are the ruins of the ancient city of Bishapur. Here, in the Chogan Gorge, there is the Shapur Cave, which its entrance is a statue of King Shapur of the Sassanid dynasty, 7m high.
In Naksh-e-Rustam, Fars Province, there is a flat notch in the rock, on which are carved three strange squares. It is believed that this excavation is the lower part of an unfinished tomb, as there are many rock-cut cross-shaped (most of them) tombs of ancient Persian kings nearby.
The inscription on the Behistun Rock cannot be read with the naked eye. The inscription and reliefs are approximately 7 meters high and 22 meters wide, located at an altitude of 105 meters. The bas-relief depicts King Darius, who is protected by the Zoroastrian deity Ahura Mazda in a winged chariot.
About four years ago, it was suggested that all similar megalithic structures around the world were actually constructed in the 19th century. Many people still think this way. They don't consider the complexity of the work or the amount of effort involved.
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High in the mountains of Iran, there are the ruins of the ancient city of Bishapur. Here, in the Chogan Gorge, there is the Shapur Cave, which its entrance is a statue of King Shapur of the Sassanid dynasty, 7m high.
In Naksh-e-Rustam, Fars Province, there is a flat notch in the rock, on which are carved three strange squares. It is believed that this excavation is the lower part of an unfinished tomb, as there are many rock-cut cross-shaped (most of them) tombs of ancient Persian kings nearby.
The inscription on the Behistun Rock cannot be read with the naked eye. The inscription and reliefs are approximately 7 meters high and 22 meters wide, located at an altitude of 105 meters. The bas-relief depicts King Darius, who is protected by the Zoroastrian deity Ahura Mazda in a winged chariot.
About four years ago, it was suggested that all similar megalithic structures around the world were actually constructed in the 19th century. Many people still think this way. They don't consider the complexity of the work or the amount of effort involved.
Join us
@COREY GOODE
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Ho visto sogni inciampare, ferirsi, rialzarsi, schiantarsi, riprendersi, accasciarsi, stringersi forte a qualcosa, rialzarsi di nuovo e finalmente volare.
(Fabrizio Caramagna)
Buongiorno anime belle🤩
🇭🇲 I have seen dreams stumble, hurt themselves, get back up, crash, recover, collapse, cling tightly to something, get back up again and finally fly.
(Fabrizio Caramagna)
Good morning, beautiful souls🤩
🇧🇷 Eu vi sonhos tropeçarem, se machucarem, se levantarem, se espatifarem, se recuperarem, se derrubarem, se agarrarem com força a algo, se levantarem novamente e finalmente voarem.
(Fabrizio Caramagna)
Bom dia, belas almas🤩
🇫🇷 J'ai vu des rêves trébucher, se blesser, se relever, s'écraser, se remettre, s'effondrer, s'accrocher fermement à quelque chose, se relever à nouveau et enfin s'envoler.
(Fabrizio Caramagna)
Bonjour, belles âmes🤩
✨✨✨🙏✨✨✨
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(Fabrizio Caramagna)
Buongiorno anime belle
🇭🇲 I have seen dreams stumble, hurt themselves, get back up, crash, recover, collapse, cling tightly to something, get back up again and finally fly.
(Fabrizio Caramagna)
Good morning, beautiful souls
🇧🇷 Eu vi sonhos tropeçarem, se machucarem, se levantarem, se espatifarem, se recuperarem, se derrubarem, se agarrarem com força a algo, se levantarem novamente e finalmente voarem.
(Fabrizio Caramagna)
Bom dia, belas almas
🇫🇷 J'ai vu des rêves trébucher, se blesser, se relever, s'écraser, se remettre, s'effondrer, s'accrocher fermement à quelque chose, se relever à nouveau et enfin s'envoler.
(Fabrizio Caramagna)
Bonjour, belles âmes
✨✨✨🙏✨✨✨
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Forwarded from HISTORIA MUNDI©
Ya Te Veo – Der fleischfressende Baum
In mittelamerikanischen Überlieferungen taucht immer wieder der „Ya Te Veo“ (span. „Ich sehe dich“) auf – ein Baum, der seine Opfer mit rauem Flüstern in Versuchung führt. Wer nachts nahe genug kommt, hört die Worte, erst verlockend, dann bedrohlich. Wer stehen bleibt, wird angeblich von mächtigen Zweigen umschlungen und getötet.
Auf den Bild sieht man die Darstellung eines Mannes, der von einem Yateveo verzehrt wird, einem fleischfressenden Baum, der sowohl in Afrika als auch in Mittelamerika angeblich vorkamm, aus Sea and Land von JW Buel (1887).
👉HISTORIA MUNDI👈
In mittelamerikanischen Überlieferungen taucht immer wieder der „Ya Te Veo“ (span. „Ich sehe dich“) auf – ein Baum, der seine Opfer mit rauem Flüstern in Versuchung führt. Wer nachts nahe genug kommt, hört die Worte, erst verlockend, dann bedrohlich. Wer stehen bleibt, wird angeblich von mächtigen Zweigen umschlungen und getötet.
Auf den Bild sieht man die Darstellung eines Mannes, der von einem Yateveo verzehrt wird, einem fleischfressenden Baum, der sowohl in Afrika als auch in Mittelamerika angeblich vorkamm, aus Sea and Land von JW Buel (1887).
👉HISTORIA MUNDI👈
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Una passeggiata tra alberi giganti...
Rispetto al Parco Nazionale delle Sequoie, le nostre foreste sembrano più dei prati. E questi sono alberi che esistono ancora oggi. Ora pensate agli alberi giganteschi di oltre 500 anni fa...
🇭🇲 A walk among giant trees...
Compared to Sequoia National Park, our forests look more like meadows. And these are trees that still exist today. Now think of the giant trees of over 500 years ago...
🇧🇷 Um passeio entre árvores gigantes...
Em comparação com o Parque Nacional das Sequoias, nossas florestas parecem mais prados. E essas árvores ainda existem hoje. Agora pense nas árvores gigantes de mais de 500 anos atrás...
🇫🇷 Une promenade parmi des arbres géants...
Comparées au parc national des séquoias, nos forêts ressemblent davantage à des prairies. Et ces arbres existent encore aujourd'hui. Imaginez maintenant les arbres géants d'il y a plus de 500 ans...
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https://tttttt.me/ioanima
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@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Rispetto al Parco Nazionale delle Sequoie, le nostre foreste sembrano più dei prati. E questi sono alberi che esistono ancora oggi. Ora pensate agli alberi giganteschi di oltre 500 anni fa...
🇭🇲 A walk among giant trees...
Compared to Sequoia National Park, our forests look more like meadows. And these are trees that still exist today. Now think of the giant trees of over 500 years ago...
🇧🇷 Um passeio entre árvores gigantes...
Em comparação com o Parque Nacional das Sequoias, nossas florestas parecem mais prados. E essas árvores ainda existem hoje. Agora pense nas árvores gigantes de mais de 500 anos atrás...
🇫🇷 Une promenade parmi des arbres géants...
Comparées au parc national des séquoias, nos forêts ressemblent davantage à des prairies. Et ces arbres existent encore aujourd'hui. Imaginez maintenant les arbres géants d'il y a plus de 500 ans...
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
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Forwarded from HISTORIA MUNDI©
Nordamerikas Giganten - Die Mammutbäume 🌲
Die Mammutbäume Nordamerikas zählen zu den höchsten und ältesten Bäume der Erde. Einst bedeckten sie weite Teile Kaliforniens, doch im Zuge des großen Goldrausches fielen tausende dieser Baumriesen der rücksichtslosen Abholzung zum Opfer. Heute überleben nur noch vereinzelte Bestände, die in Nationalparks unter strengem Naturschutz stehen, um dieses einzigartige Erbe der Urwälder zu bewahren.
🌲 HISTORIA MUNDI 🌲
Die Mammutbäume Nordamerikas zählen zu den höchsten und ältesten Bäume der Erde. Einst bedeckten sie weite Teile Kaliforniens, doch im Zuge des großen Goldrausches fielen tausende dieser Baumriesen der rücksichtslosen Abholzung zum Opfer. Heute überleben nur noch vereinzelte Bestände, die in Nationalparks unter strengem Naturschutz stehen, um dieses einzigartige Erbe der Urwälder zu bewahren.
🌲 HISTORIA MUNDI 🌲
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Forwarded from TARTARIA HISPANICA
🇬🇧 "The fifteen million Muslims who live in Europe today (fifteen!) are only the pioneers of the future waves. And believe me: more and more will come. They will demand more and more. Negotiating with them is impossible. To reason with them, unthinkable. To treat them with leniency or tolerance or hope, a suicide. And anyone who thinks otherwise is a poor fool."
New York, September 2001
Oriana Fallaci
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New York, September 2001
Oriana Fallaci
Join us
@Surfing the Kali Yuga
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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