Forwarded from Hidden History
Ein Großneffe von Napoleon I. gründete 1908 das Bureau of Investigation, das später zum FBI wurde🇺🇸
Charles Joseph Bonaparte, der Großneffe von Kaiser Napoleon Bonaparte, gilt als Gründer der US-amerikanischen Bundespolizei FBI.
Am 26. Juli 1908 gründete er als Attorney General (Generalstaatsanwalt) das Bureau of Investigation, das 1935 zum FBI wurde.
Bonaparte stellte mit Mitteln des Justizministeriums 34 Mitarbeiter, darunter einige Veteranen des Secret Service, für die neue Ermittlungsbehörde ein. Ihr erster "Chef" (der Titel lautet jetzt "Direktor") war Stanley Finch.
👉Hidden History👈
Charles Joseph Bonaparte, der Großneffe von Kaiser Napoleon Bonaparte, gilt als Gründer der US-amerikanischen Bundespolizei FBI.
Am 26. Juli 1908 gründete er als Attorney General (Generalstaatsanwalt) das Bureau of Investigation, das 1935 zum FBI wurde.
Bonaparte stellte mit Mitteln des Justizministeriums 34 Mitarbeiter, darunter einige Veteranen des Secret Service, für die neue Ermittlungsbehörde ein. Ihr erster "Chef" (der Titel lautet jetzt "Direktor") war Stanley Finch.
👉Hidden History👈
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 Introcycle, anno 1976. L'invenzione di Eduard Melnikov: il fuoristrada non è un ostacolo, accelerazione fino a 60 km/h.
E questo decenni prima dell'hype sugli hoverboard.
🇭🇲 Introcycle, 1976. Eduard Melnikov's invention: off-road terrain is no obstacle, acceleration up to 60 km/h.
And this was decades before the hype surrounding hoverboards.
🇧🇷 Introcycle, ano de 1976. A invenção de Eduard Melnikov: o terreno acidentado não é um obstáculo, aceleração até 60 km/h.
E isso décadas antes da moda dos hoverboards.
🇫🇷 Introcycle, année 1976. L'invention d'Eduard Melnikov : le tout-terrain n'est pas un obstacle, accélération jusqu'à 60 km/h.
Et cela, plusieurs décennies avant l'engouement pour les hoverboards.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
E questo decenni prima dell'hype sugli hoverboard.
🇭🇲 Introcycle, 1976. Eduard Melnikov's invention: off-road terrain is no obstacle, acceleration up to 60 km/h.
And this was decades before the hype surrounding hoverboards.
🇧🇷 Introcycle, ano de 1976. A invenção de Eduard Melnikov: o terreno acidentado não é um obstáculo, aceleração até 60 km/h.
E isso décadas antes da moda dos hoverboards.
🇫🇷 Introcycle, année 1976. L'invention d'Eduard Melnikov : le tout-terrain n'est pas un obstacle, accélération jusqu'à 60 km/h.
Et cela, plusieurs décennies avant l'engouement pour les hoverboards.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤11👍6🙏1
Forwarded from Slavic World
Alyosha Popovich
Alyosha Popovich is one of the three main bogatyrs (epic heroes) in Russian folklore, alongside Ilya Muromets and Dobrynya Nikitich. Unlike his stronger companions, Alyosha is known for his cleverness, wit, and sharp tongue. He is typically portrayed as the youngest and most mischievous of the trio. His name means "Alyosha, son of a priest," hinting at his clerical background. One of his most famous feats is defeating the dragon-like monster Tugarin Zmeyevich, using trickery rather than brute force. Alyosha appears in numerous Russian byliny (oral epic poems) and is featured in books, films, and animated adaptations. Though often humorous, he is also a skilled warrior and loyal to Prince Vladimir of Kiev.
Picture: Alyosha Popovich and Yelena Krasa (Boris Olshansky, 2003)
👉Slavic World👈
Alyosha Popovich is one of the three main bogatyrs (epic heroes) in Russian folklore, alongside Ilya Muromets and Dobrynya Nikitich. Unlike his stronger companions, Alyosha is known for his cleverness, wit, and sharp tongue. He is typically portrayed as the youngest and most mischievous of the trio. His name means "Alyosha, son of a priest," hinting at his clerical background. One of his most famous feats is defeating the dragon-like monster Tugarin Zmeyevich, using trickery rather than brute force. Alyosha appears in numerous Russian byliny (oral epic poems) and is featured in books, films, and animated adaptations. Though often humorous, he is also a skilled warrior and loyal to Prince Vladimir of Kiev.
Picture: Alyosha Popovich and Yelena Krasa (Boris Olshansky, 2003)
👉Slavic World👈
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Forwarded from Historia Occulta
Caravan Routes and Lost Princes
The word serendipity was coined in 1754 by Horace Walpole, after reading a Persian fairy tale adapted into English as The Three Princes of Serendip. In a letter to a friend, Walpole explained how the princes “were always making discoveries, by accidents and sagacity, of things which they were not in quest of.” He needed a word for that precise kind of unexpected insight, and so he created one.
Serendip was the Persian name for Sri Lanka, passed into Arabic as Sarandīb and ultimately derived from the Sanskrit Siṃhaladvīpa. Arab geographers, Persian poets, and medieval mapmakers had long imagined it as both a literal island and a symbol of hidden abundance—an entrepôt where spices, gems, and stories passed hands. When Walpole pulled the word into English, he stripped it of its geographic context, but kept its symbolic shape: unexpected discovery, informed by subtle insight.
That transformation—from real place to concept, from mapped island to a structure of perception—didn’t erase the past. It folded it in. Serendipity still carries the faint outline of sea routes, translated manuscripts, and the old belief that certain kinds of discovery happen only when you’re not looking directly at them.
Follow @historiaocculta
The word serendipity was coined in 1754 by Horace Walpole, after reading a Persian fairy tale adapted into English as The Three Princes of Serendip. In a letter to a friend, Walpole explained how the princes “were always making discoveries, by accidents and sagacity, of things which they were not in quest of.” He needed a word for that precise kind of unexpected insight, and so he created one.
Serendip was the Persian name for Sri Lanka, passed into Arabic as Sarandīb and ultimately derived from the Sanskrit Siṃhaladvīpa. Arab geographers, Persian poets, and medieval mapmakers had long imagined it as both a literal island and a symbol of hidden abundance—an entrepôt where spices, gems, and stories passed hands. When Walpole pulled the word into English, he stripped it of its geographic context, but kept its symbolic shape: unexpected discovery, informed by subtle insight.
That transformation—from real place to concept, from mapped island to a structure of perception—didn’t erase the past. It folded it in. Serendipity still carries the faint outline of sea routes, translated manuscripts, and the old belief that certain kinds of discovery happen only when you’re not looking directly at them.
Follow @historiaocculta
👍7❤1
Forwarded from TARTARIA HISPANICA
🇬🇧 Mercury: Metal of the Gods or a Forgotten Technology?
Mercury is the only metal that is liquid at room temperature. Today it is declared toxic, banned in Medicine, removed from thermometers, and prohibited from transportation without special permits. But…
Previously, Mercury was everywhere:
- In Medicine: sublimate, calomel, amalgams, ointments.
- In Construction: amalgam was used in mirrors and domes (including St. Isaac's Cathedral in St. Petersburg).
- In Mechanics: as a base for rotating platforms and compensators replacing bearings.
- In Optics: Mercury mirrors provided ultra-precise reflection for star observation and laser calculations.
Now the question: where did they get it in such volumes?
- Natural sources are extremely rare. The main mineral is Cinnabar (HgS), mined deep and dangerously.
- Mercury was used in colossal amounts for Gold amalgamation. Up to 100 tons were used just for the St. Isaac's dome.
- Production and delivery of such masses in the 18th-19th centuries without heavy Chemical Industry is highly doubtful.
Today it is banned. Not because it is "dangerous," but because it conducts heat, energy, and possibly information differently than other substances. Understanding this could take us beyond 19th-century physics.
Join us
@Точка связи миров
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Mercury is the only metal that is liquid at room temperature. Today it is declared toxic, banned in Medicine, removed from thermometers, and prohibited from transportation without special permits. But…
Previously, Mercury was everywhere:
- In Medicine: sublimate, calomel, amalgams, ointments.
- In Construction: amalgam was used in mirrors and domes (including St. Isaac's Cathedral in St. Petersburg).
- In Mechanics: as a base for rotating platforms and compensators replacing bearings.
- In Optics: Mercury mirrors provided ultra-precise reflection for star observation and laser calculations.
Now the question: where did they get it in such volumes?
- Natural sources are extremely rare. The main mineral is Cinnabar (HgS), mined deep and dangerously.
- Mercury was used in colossal amounts for Gold amalgamation. Up to 100 tons were used just for the St. Isaac's dome.
- Production and delivery of such masses in the 18th-19th centuries without heavy Chemical Industry is highly doubtful.
Today it is banned. Not because it is "dangerous," but because it conducts heat, energy, and possibly information differently than other substances. Understanding this could take us beyond 19th-century physics.
Join us
@Точка связи миров
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from TARTARIA HISPANICA
🇬🇧 The Root; the Plants Brain
The root system, which is the set of all the roots of a plant, is one of its most important and vital parts, because it works like a “motor pump” which absorbs and pushes towards the leaves, through the stem and branches, water, mineral nutrients, activators and promoters of chemical reactions (enzymes, coenzymes and hormones), and most importantly, maintains the physiological balance throughout the plant.
So, the next time you are looking at your plants, remember that the green leaves, showy flowers and abundant fruits are due to the root system, which is the true “brain” of the plant.
The rhizosphere is the place where the relationships between the set of microecological life and the root system (roots and absorbent hairs) are presented, including the tissues that wrap the tips of the roots or growth zones. This area is where the absorption and pumping of nutrients and water into the leaves occurs.
An example of this is that almost all plant root systems are associated with mycorrhizae, which mobilize nutrients to the rhizosphere. In turn, the plant excretes (that is, it urinates) by its roots simple substances resulting from its physiological processes, which are used by soil microorganisms as a food source to avoid competition with other microorganisms.
These emit antibiotics into the rhizosphere, which exert an indirect protection in this area, by "repelling", so to speak, pathogenic agents, which is very useful to maintain the good health of the roots and therefore of the soil and plants.
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The root system, which is the set of all the roots of a plant, is one of its most important and vital parts, because it works like a “motor pump” which absorbs and pushes towards the leaves, through the stem and branches, water, mineral nutrients, activators and promoters of chemical reactions (enzymes, coenzymes and hormones), and most importantly, maintains the physiological balance throughout the plant.
So, the next time you are looking at your plants, remember that the green leaves, showy flowers and abundant fruits are due to the root system, which is the true “brain” of the plant.
The rhizosphere is the place where the relationships between the set of microecological life and the root system (roots and absorbent hairs) are presented, including the tissues that wrap the tips of the roots or growth zones. This area is where the absorption and pumping of nutrients and water into the leaves occurs.
An example of this is that almost all plant root systems are associated with mycorrhizae, which mobilize nutrients to the rhizosphere. In turn, the plant excretes (that is, it urinates) by its roots simple substances resulting from its physiological processes, which are used by soil microorganisms as a food source to avoid competition with other microorganisms.
These emit antibiotics into the rhizosphere, which exert an indirect protection in this area, by "repelling", so to speak, pathogenic agents, which is very useful to maintain the good health of the roots and therefore of the soil and plants.
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
❤18👍5🙏4⚡2
The Mysterious Forgotten Pyramids of Caral
In the middle of the Peruvian desert, about 124 miles from Lima, stands the ancient city of Caral—one of the oldest known urban centers in the Americas. Dating back roughly 5,000 years, contemporary with the great civilizations of Mesopotamia and Egypt, Caral is home to monumental pyramids that were forgotten for millennia. Rediscovered in the 1990s by Peruvian archaeologist Ruth Shady, the city reveals a highly advanced civilization marked by a complex social system, remarkable astronomical and architectural knowledge, and no evidence of warfare or weapons.
Caral includes circular plazas, terraced pyramids, and dwellings laid out according to a thoughtful urban plan. Discoveries suggest a peaceful society focused on trade, religion, and science. Musical instruments made from bone, textiles, and symbolic representations strengthen this theory. Yet despite its significance, Caral remains largely unknown to the public, overshadowed by more famous sites such as Machu Picchu. Why such historical amnesia ? Is it neglect—or a deliberate effort to obscure truths about the age and sophistication of pre-Columbian civilizations ?
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
In the middle of the Peruvian desert, about 124 miles from Lima, stands the ancient city of Caral—one of the oldest known urban centers in the Americas. Dating back roughly 5,000 years, contemporary with the great civilizations of Mesopotamia and Egypt, Caral is home to monumental pyramids that were forgotten for millennia. Rediscovered in the 1990s by Peruvian archaeologist Ruth Shady, the city reveals a highly advanced civilization marked by a complex social system, remarkable astronomical and architectural knowledge, and no evidence of warfare or weapons.
Caral includes circular plazas, terraced pyramids, and dwellings laid out according to a thoughtful urban plan. Discoveries suggest a peaceful society focused on trade, religion, and science. Musical instruments made from bone, textiles, and symbolic representations strengthen this theory. Yet despite its significance, Caral remains largely unknown to the public, overshadowed by more famous sites such as Machu Picchu. Why such historical amnesia ? Is it neglect—or a deliberate effort to obscure truths about the age and sophistication of pre-Columbian civilizations ?
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
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Christ before Pilate (Matthew XXVII, 11) Anonymous 1491
Here you can observe Giants at their actual size. As a bonus, an intriguing detail reveals their benevolent nature : notice the small windows at the very top of the building. They indicate that “normal” humans lived on that floor, suggesting that these giants not only coexisted with us, but valued us enough to place us—quite literally—above themselves..
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
Here you can observe Giants at their actual size. As a bonus, an intriguing detail reveals their benevolent nature : notice the small windows at the very top of the building. They indicate that “normal” humans lived on that floor, suggesting that these giants not only coexisted with us, but valued us enough to place us—quite literally—above themselves..
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
👍11❤5🤣2
Forwarded from Arkham Farms (Hollis)
Martin calling out the sperg rage spirits that seem to be heavy in the air right now
I love this guy, always lifts the vibe
We seem to both be feeling the Elephants this week as well lol
https://www.youtube.com/live/pXTnWE9_FDA
I love this guy, always lifts the vibe
We seem to both be feeling the Elephants this week as well lol
https://www.youtube.com/live/pXTnWE9_FDA
YouTube
The Elephant in the Room! The Awakening Collective Memory! 🤯
#reset #thegreatreset #antiquitech #hiddenhistory #oldworld #starforts #martinliedtke #tartary #pheoniciens #memory #flatearthbritish
Long before digital grids, and so called 'Global' Finance, Humanity lived in the rhythm of Earth.
Architecture sang, Cities…
Long before digital grids, and so called 'Global' Finance, Humanity lived in the rhythm of Earth.
Architecture sang, Cities…
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Egyptologists, carve us a vase !
How did the ancient Egyptians manage, over 5,000 years ago, to create vases and sculptures of remarkable finesse from extremely hard materials like diorite, quartz or basalt… when even today, our best artisans and engineers struggle to reproduce them ?
Officially, they are said to have used tools made of copper or bronze, or even hard wood. And yet, these materials are far too soft to carve quartz or granite, whose hardness rivals that of diamond. Even Flinders Petrie, father of modern archaeology, admitted that the exact methods remained a mystery, and that only a few very rare minerals—or diamond itself—could be suitable for this kind of work. But were diamonds known and exploited at that time ? There’s no proof. And what if these objects weren’t merely artworks, but remnants of a forgotten technology, a vanished civilization, or knowledge now erased ? From shale disks to perfectly symmetrical rock crystal vases, everything seems to suggest mechanical, even industrial precision.
So one question arises : if Ancient Egyptians were capable of such feats with simple chisels… why can’t we replicate them today, despite our modern tools ?
Photo 1 : An Egyptian jar made of black basalt, Predynastic period (Nagada I) / 1st Dynasty, approx. 3100–2450 BCE
Photo 2 : Vase in porphyry diorite from Predynastic ancient Egypt, approx. 3650 BCE
Photo 3 : Quartz crystal vase, Old Kingdom, circa 2345–2181 BCE
Photo 4 : Flinders Petrie, father of modern archaeology, 1853–1942
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
How did the ancient Egyptians manage, over 5,000 years ago, to create vases and sculptures of remarkable finesse from extremely hard materials like diorite, quartz or basalt… when even today, our best artisans and engineers struggle to reproduce them ?
Officially, they are said to have used tools made of copper or bronze, or even hard wood. And yet, these materials are far too soft to carve quartz or granite, whose hardness rivals that of diamond. Even Flinders Petrie, father of modern archaeology, admitted that the exact methods remained a mystery, and that only a few very rare minerals—or diamond itself—could be suitable for this kind of work. But were diamonds known and exploited at that time ? There’s no proof. And what if these objects weren’t merely artworks, but remnants of a forgotten technology, a vanished civilization, or knowledge now erased ? From shale disks to perfectly symmetrical rock crystal vases, everything seems to suggest mechanical, even industrial precision.
So one question arises : if Ancient Egyptians were capable of such feats with simple chisels… why can’t we replicate them today, despite our modern tools ?
Photo 1 : An Egyptian jar made of black basalt, Predynastic period (Nagada I) / 1st Dynasty, approx. 3100–2450 BCE
Photo 2 : Vase in porphyry diorite from Predynastic ancient Egypt, approx. 3650 BCE
Photo 3 : Quartz crystal vase, Old Kingdom, circa 2345–2181 BCE
Photo 4 : Flinders Petrie, father of modern archaeology, 1853–1942
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
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The Blemmyes !
According to certain rumors, various species of mythical headless men, in Antiquity and later, were said to inhabit remote regions of the world. They are variously known as akephaloi (Greek ἀκέφαλοι “those without a head”) or Blemmyes (Latin: Blemmyae; Greek: βλέμμυες) and described as lacking a head, with facial features on their chest.
They were first described as inhabitants of ancient Libya or the Nile system (Ethiopia). Later traditions confined their habitat to a particular island on the Brisone River or relocated them to India.
The Blemmyes are said to appear in two types : with eyes on the chest or with eyes on the shoulders. Epiphagi, a variant of the name for the headless people of the Brisone, is sometimes used as a term referring strictly to the shoulder-eyed type.
To learn more about this fascinating subject, don't miss our show :
https://youtu.be/JGXQ0AKrRks?si=ZDxXlN_NN-i00d85
Telegram channel : https://tttttt.me/NMHistoire
According to certain rumors, various species of mythical headless men, in Antiquity and later, were said to inhabit remote regions of the world. They are variously known as akephaloi (Greek ἀκέφαλοι “those without a head”) or Blemmyes (Latin: Blemmyae; Greek: βλέμμυες) and described as lacking a head, with facial features on their chest.
They were first described as inhabitants of ancient Libya or the Nile system (Ethiopia). Later traditions confined their habitat to a particular island on the Brisone River or relocated them to India.
The Blemmyes are said to appear in two types : with eyes on the chest or with eyes on the shoulders. Epiphagi, a variant of the name for the headless people of the Brisone, is sometimes used as a term referring strictly to the shoulder-eyed type.
To learn more about this fascinating subject, don't miss our show :
https://youtu.be/JGXQ0AKrRks?si=ZDxXlN_NN-i00d85
Telegram channel : https://tttttt.me/NMHistoire
❤9👍6🔥1🤡1
The Caesar Tower of Provins: Guardian of Medieval History
The Caesar Tower, located in Provins in Seine-et-Marne, is a towering keep from the 12th century, unique for its octagonal structure with a square base. Built on an artificial mound, this building served primarily as a military post and prison. Overlooking the upper town, it provided a strategic view over the Brie plain. Originally roofless, the tower was covered in the 16th century, and today houses two bells from the 17th century. Listed as a historic monument since 1846, the Caesar Tower is a symbol of medieval power, offering a fascinating testimony to the military architecture of the time.
Photo : Jean-Pol GRANDMONT
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
The Caesar Tower, located in Provins in Seine-et-Marne, is a towering keep from the 12th century, unique for its octagonal structure with a square base. Built on an artificial mound, this building served primarily as a military post and prison. Overlooking the upper town, it provided a strategic view over the Brie plain. Originally roofless, the tower was covered in the 16th century, and today houses two bells from the 17th century. Listed as a historic monument since 1846, the Caesar Tower is a symbol of medieval power, offering a fascinating testimony to the military architecture of the time.
Photo : Jean-Pol GRANDMONT
Telegram channel :
https://tttttt.me/NMHistoire
Youtube channel :
https://www.youtube.com/@notremysterieusehistoire../featured
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 Il cielo non è mai presso di sé. E’ spesso negli occhi di chi sogna.
(Fabrizio Caramagna)
Buongiorno anime belle🤩
🇭🇲 The sky is never close to us. It is often in the eyes of those who dream.
(Fabrizio Caramagna)
Good morning, beautiful souls🤩
🇧🇷 O céu nunca está perto de nós. Ele está frequentemente nos olhos daqueles que sonham.
(Fabrizio Caramagna)
Bom dia, belas almas🤩
🇫🇷 Le ciel n'est jamais près de soi. Il est souvent dans les yeux de ceux qui rêvent.
(Fabrizio Caramagna)
Bonjour, belles âmes🤩
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
(Fabrizio Caramagna)
Buongiorno anime belle
🇭🇲 The sky is never close to us. It is often in the eyes of those who dream.
(Fabrizio Caramagna)
Good morning, beautiful souls
🇧🇷 O céu nunca está perto de nós. Ele está frequentemente nos olhos daqueles que sonham.
(Fabrizio Caramagna)
Bom dia, belas almas
🇫🇷 Le ciel n'est jamais près de soi. Il est souvent dans les yeux de ceux qui rêvent.
(Fabrizio Caramagna)
Bonjour, belles âmes
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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