Der Bau eines Fundaments auf weichem Boden nach Vitruvius

Die Römer bevorzugten es, das Fundament zu bauen, indem sie bis zum harten Untergrund hinabgruben. Vitruvius erkannte jedoch, dass dies nicht immer möglich ist.

„Wenn kein fester Boden vorhanden ist und der Boden locker oder sumpfig ist, muss der Standort ausgehoben und geräumt werden, und zuvor verkohlte Erlen-, Oliven- oder Eichenpfähle müssen mit einer Maschine so dicht wie möglich nebeneinander eingeschlagen und die Zwischenräume zwischen den Pfählen mit Asche aufgefüllt werden. Auf einem solchen Untergrund können die schwersten Fundamente errichtet werden.“
– Vitruvius

Ein praktisches Beispiel für dieses Prinzip ist oben im Fall von Venedig zu sehen, das effektiv auf einem Fundament nach römischer Art steht, das aus dicht gepackten Holzpfählen besteht, die verkohlt und in den Boden gerammt wurden.

👉HISTORIA MUNDI👈

🇬🇧 Philosophy, Truth and Totality in Republic 485a-486d

Philosophy cannot afford to omit any part of reality. To conform oneself and voluntarily renounce some of its portions is inadmissible, because the lover of Truth loves that which is whole and complete. Truth can never be partial, relative or subjective; it is, by nature, total, unconditional and absolute.

Therefore, any attachment to the particular and small constitutes a form of meanness, since paying attention to the relative stands as an obstacle for the soul that aspires to the totality and the all of the divine and the human.

There is nothing more akin to wisdom than truth, and it is precisely that which the philosopher, the lover of wisdom, loves. Therefore, his effort lies in staying high as the eagle in the contemplation of that which collects causally and mainly to all things, to that which is not conditioned by any of the conditions that affect any affective agency. For him, not even human life or death are important, because the codependency of both life and death signify the limitation of one to the other, its partiality and its absence of therefore totality.

Orienting the feeling, the opinion, the knowledge, the being and the existence to the Truth is what defines the soul life of the one who loves wisdom. He does not forget anything because his memory is the most excellent, the one that remembers that which exceeds and that is, moreover, the only principle of all things.

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🇬🇧 Fighting, always

In the midst of setbacks, never consider the futility of the struggle. We act because it is shameful to give up, and it is better to fall fighting than to give up.

We are the generation that was not born to reap, but to sow on scorched earth. Our duty is silent and firm: to keep the flame of our identity alive in a world that seeks to dissolve it at all costs. We live in times of uprooting, of dissolving multiculturalism, and therefore we must cling to the essentials: to the memory of our blood, to the tradition of our ancestors, to the vitalism of our culture and to the values that gave meaning to our history. It is not nostalgia or longing, but continuity. We have a duty to be the bridge between what we were and what we still can — and should — be.

It is our task to clean up the ruins, reaffirm our roots and mark the footprints so that those who come after know where to follow. When our children look back, they will see a generation that did not surrender, that did not betray its blood, that resisted with dignity. That they see that we do not give up will be, in part, our triumph. It is not we who chose this fight, but it is our turn to give it, and we will give it knowing that our struggle is for all those who have not yet been born and deserve a homeland that welcomes them with identity and honor.

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🇮🇹 La vita è come un arcobaleno: ci vuole la pioggia e il sole per vederne i colori.

(Detto indiano)


Buongiorno anime belle 🌈


🇭🇲 Life is like a rainbow: it takes rain and sunshine to see its colours.

(Indian proverb)


Good morning, beautiful souls 🌈


🇧🇷 A vida é como um arco-íris: é preciso chuva e sol para ver suas cores.

(Provérbio indígena)


Bom dia, belas almas 🌈


🇫🇷 La vie est comme un arc-en-ciel : il faut la pluie et le soleil pour en voir les couleurs.

(Proverbe indien)


Bonjour, belles âmes 🌈


✨✨✨🙏✨✨✨


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🇮🇹 A volte sembra che le antiche civiltà possedessero tecnologie capaci di modificare lo stato fisico delle sostanze, inclusa la pietra, e di modellarla in qualsiasi forma desiderassero.

🇭🇲 Sometimes it seems that ancient civilisations possessed technologies capable of modifying the physical state of substances, including stone, and shaping them into any form they desired.

🇧🇷 Às vezes, parece que as civilizações antigas possuíam tecnologias capazes de alterar o estado físico das substâncias, incluindo a pedra, e moldá-la em qualquer forma que desejassem.

🇫🇷 Il semble parfois que les civilisations anciennes possédaient des technologies capables de modifier l'état physique des substances, y compris la pierre, et de la modeler à leur guise.


✨✨✨🙏✨✨✨


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🇬🇧 Glyphs Before the Floodline

By 5300 BCE, along the Danube’s winding banks, a culture thrived with an intricacy still difficult to classify. The Vinča—named after a Serbian village where traces first surfaced—built dense settlements of multi-room homes, practiced early metallurgy, and left behind artifacts so precise they seem anomalous by Neolithic standards. Clay figurines with elongated heads, sitting in composed, almost supervisory postures. Tools of copper centuries before the so-called Copper Age. And most curiously: signs.

Carved into pottery, these markings—over 700 distinct symbols—predate Sumerian writing by at least a thousand years. The signs are too systematic to dismiss as decoration, yet they haven’t been decisively translated. Archaeologists call them proto-writing, but the regularity of their appearance—grouped, repeated, embedded in ritual vessels—suggests not just communication, but continuity. Some appear near stylized figures in what seem to be formal poses, others beneath depictions of abstract animals or celestial patterns. They may not be a script in the Mesopotamian sense, but they do not look accidental.

The Vinča culture occupied a wide area—from modern-day Serbia to parts of Romania, Bulgaria, and Bosnia—during a period when most of Europe still moved through hunter-gatherer rhythms. Yet their cities, some estimated to house thousands, show urban planning, storage systems, and symbolic governance far ahead of their time. The cause of their decline remains unclear. Climatic shifts? Internal collapse? Cultural assimilation into Indo-European expansion? Whatever the answer, the signs were buried, the language forgotten, and a script that could reframe History remains untranslated—sitting silent in museum drawers across the Balkans.

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