Forwarded from TARTARIA HISPANICA
🇬🇧 Tartariae Imperium / Empire of Tartary 1596
The Tartariae Imperium, first appearing in Magini’s Geographiae Universae tum Veteris tum Novae Absolutissimum in 1596, is a fantastic illustration that shows the Tartarian land mass and covers much of the area we now call Russia. And as all maps do, this has some interesting geographic locations.
Antonio was a well known and respected cartographer, astrologer and mathematician. He was born in Padua, Italy and studied philosophy in Bologna. He went on to beat Galileo Galilei for the chair of mathematics at the same university before he died in 1617. He had an accomplished life, publishing works on trigonometry and even inventing his own calculator. One of his passions and legacy was to create an atlas of Italy which was printed posthumously in 1620.
Firstly, the most obvious interest is the presence of Alaska on a map from 1596. The official history for Alaska varies, but it is widely accepted that Europeans were not aware of Alaska until the Great Northern Expedition, when Vitus Bering, along with Aleksei Chirikov, sighted the southern coast of Alaska on July 15, 1741. This sighting occurred near present-day Kayak Island and marked the first confirmed European sighting of Alaska.
Read more in here: https://tartariabritannica.com/blog/tartariae-imperium-empire-of-tartary-1596/
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The Tartariae Imperium, first appearing in Magini’s Geographiae Universae tum Veteris tum Novae Absolutissimum in 1596, is a fantastic illustration that shows the Tartarian land mass and covers much of the area we now call Russia. And as all maps do, this has some interesting geographic locations.
Antonio was a well known and respected cartographer, astrologer and mathematician. He was born in Padua, Italy and studied philosophy in Bologna. He went on to beat Galileo Galilei for the chair of mathematics at the same university before he died in 1617. He had an accomplished life, publishing works on trigonometry and even inventing his own calculator. One of his passions and legacy was to create an atlas of Italy which was printed posthumously in 1620.
Firstly, the most obvious interest is the presence of Alaska on a map from 1596. The official history for Alaska varies, but it is widely accepted that Europeans were not aware of Alaska until the Great Northern Expedition, when Vitus Bering, along with Aleksei Chirikov, sighted the southern coast of Alaska on July 15, 1741. This sighting occurred near present-day Kayak Island and marked the first confirmed European sighting of Alaska.
Read more in here: https://tartariabritannica.com/blog/tartariae-imperium-empire-of-tartary-1596/
Join us
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Forwarded from TARTARIA HISPANICA
🇬🇧 "Keep your spirit out of the fashion trends and above the criticism of the fools on duty. Only then you will be able to keep your judgment clear for the fight."
Pedro Varela
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Pedro Varela
Join us
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 Essere come il mare, che incessantemente trabocca da se stesso senza mai svuotarsi di una sola goccia.
(Fabrizio Caramagna)
Buongiorno anime belle🤩
🇭🇲 Be like the sea, which constantly overflows without ever losing a single drop.
(Fabrizio Caramagna)
Good morning, beautiful souls🤩
🇧🇷 Ser como o mar, que transborda incessantemente sem nunca esvaziar uma única gota.
(Fabrizio Caramagna)
Bom dia, belas almas🤩
🇫🇷 Être comme la mer, qui déborde sans cesse d'elle-même sans jamais se vider d'une seule goutte.
(Fabrizio Caramagna)
Bonjour, belles âmes🤩
✨✨✨🙏✨✨✨
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(Fabrizio Caramagna)
Buongiorno anime belle
🇭🇲 Be like the sea, which constantly overflows without ever losing a single drop.
(Fabrizio Caramagna)
Good morning, beautiful souls
🇧🇷 Ser como o mar, que transborda incessantemente sem nunca esvaziar uma única gota.
(Fabrizio Caramagna)
Bom dia, belas almas
🇫🇷 Être comme la mer, qui déborde sans cesse d'elle-même sans jamais se vider d'une seule goutte.
(Fabrizio Caramagna)
Bonjour, belles âmes
✨✨✨🙏✨✨✨
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@TARTARIAthetruth
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 L'architettura del Vecchio Mondo
Come hanno potuto gli uomini costruire qualcosa del genere con nient'altro che strumenti primitivi?
La verità è che non l'hanno costruito, ma semplicemente riscoperto ...
🇭🇲 The architecture of the Old World
How could men have built something like this with nothing but primitive tools?
The truth is that they didn't build it, but simply rediscovered it...
🇧🇷 A arquitetura do Velho Mundo
Como os homens conseguiram construir algo assim com nada mais do que ferramentas primitivas?
A verdade é que eles não construíram, mas simplesmente redescobriram...
🇫🇷 L'architecture du Vieux Monde
Comment les hommes ont-ils pu construire une telle chose avec rien d'autre que des outils primitifs ?
La vérité est qu'ils ne l'ont pas construite, mais simplement redécouverte...
✨✨✨🙏✨✨✨
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Come hanno potuto gli uomini costruire qualcosa del genere con nient'altro che strumenti primitivi?
La verità è che non l'hanno costruito, ma semplicemente riscoperto ...
🇭🇲 The architecture of the Old World
How could men have built something like this with nothing but primitive tools?
The truth is that they didn't build it, but simply rediscovered it...
🇧🇷 A arquitetura do Velho Mundo
Como os homens conseguiram construir algo assim com nada mais do que ferramentas primitivas?
A verdade é que eles não construíram, mas simplesmente redescobriram...
🇫🇷 L'architecture du Vieux Monde
Comment les hommes ont-ils pu construire une telle chose avec rien d'autre que des outils primitifs ?
La vérité est qu'ils ne l'ont pas construite, mais simplement redécouverte...
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 La ruota panoramica di Chicago del 1893
Era alta oltre 80 metri, poteva ospitare 60 persone in un unico vagone e impiegava 10 minuti per una rotazione completa!
In totale potevano salire contemporaneamente 2160 passeggeri!
Fu demolita più tardi, nel 1906, senza una motivazione precisa.
Nel 2007 fu scoperto l'asse della ruota, pesante 70 tonnellate e lunga 45 piedi, sepolto vicino al luogo della demolizione.
Tecnologia incredibile del Vecchio Mondo, semplicemente sepolta e dimenticata...
🇭🇲 The Chicago Ferris wheel of 1893
It was over 80 metres high, could accommodate 60 people in a single carriage and took 10 minutes to complete a full rotation!
A total of 2,160 passengers could ride at the same time!
It was later demolished in 1906 for no apparent reason.
In 2007, the wheel's axle, weighing 70 tonnes and measuring 45 feet in length, was discovered buried near the demolition site.
Incredible Old World technology, simply buried and forgotten...
🇧🇷 A roda gigante de Chicago de 1893
Tinha mais de 80 metros de altura, podia acomodar 60 pessoas em um único vagão e levava 10 minutos para dar uma volta completa!
No total, podia transportar 2160 passageiros ao mesmo tempo!
Foi demolida mais tarde, em 1906, sem uma razão específica.
Em 2007, foi descoberto o eixo da roda, pesando 70 toneladas e medindo 13 metros de comprimento, enterrado perto do local da demolição.
Tecnologia incrível do Velho Mundo, simplesmente enterrada e esquecida...
🇫🇷 La grande roue de Chicago de 1893
Elle mesurait plus de 80 mètres de haut, pouvait accueillir 60 personnes dans un seul wagon et effectuait un tour complet en 10 minutes !
Au total, elle pouvait accueillir 2 160 passagers à la fois !
Elle fut démolie plus tard, en 1906, sans raison précise.
En 2007, l'axe de la roue, pesant 70 tonnes et mesurant 45 pieds de long, fut découvert près du lieu de démolition.
Une technologie incroyable de l'Ancien Monde, simplement enterrée et oubliée...
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Era alta oltre 80 metri, poteva ospitare 60 persone in un unico vagone e impiegava 10 minuti per una rotazione completa!
In totale potevano salire contemporaneamente 2160 passeggeri!
Fu demolita più tardi, nel 1906, senza una motivazione precisa.
Nel 2007 fu scoperto l'asse della ruota, pesante 70 tonnellate e lunga 45 piedi, sepolto vicino al luogo della demolizione.
Tecnologia incredibile del Vecchio Mondo, semplicemente sepolta e dimenticata...
🇭🇲 The Chicago Ferris wheel of 1893
It was over 80 metres high, could accommodate 60 people in a single carriage and took 10 minutes to complete a full rotation!
A total of 2,160 passengers could ride at the same time!
It was later demolished in 1906 for no apparent reason.
In 2007, the wheel's axle, weighing 70 tonnes and measuring 45 feet in length, was discovered buried near the demolition site.
Incredible Old World technology, simply buried and forgotten...
🇧🇷 A roda gigante de Chicago de 1893
Tinha mais de 80 metros de altura, podia acomodar 60 pessoas em um único vagão e levava 10 minutos para dar uma volta completa!
No total, podia transportar 2160 passageiros ao mesmo tempo!
Foi demolida mais tarde, em 1906, sem uma razão específica.
Em 2007, foi descoberto o eixo da roda, pesando 70 toneladas e medindo 13 metros de comprimento, enterrado perto do local da demolição.
Tecnologia incrível do Velho Mundo, simplesmente enterrada e esquecida...
🇫🇷 La grande roue de Chicago de 1893
Elle mesurait plus de 80 mètres de haut, pouvait accueillir 60 personnes dans un seul wagon et effectuait un tour complet en 10 minutes !
Au total, elle pouvait accueillir 2 160 passagers à la fois !
Elle fut démolie plus tard, en 1906, sans raison précise.
En 2007, l'axe de la roue, pesant 70 tonnes et mesurant 45 pieds de long, fut découvert près du lieu de démolition.
Une technologie incroyable de l'Ancien Monde, simplement enterrée et oubliée...
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from HISTORIA MUNDI (LEGATVS LEGIONIS)
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Der Bau eines Fundaments auf weichem Boden nach Vitruvius
Die Römer bevorzugten es, das Fundament zu bauen, indem sie bis zum harten Untergrund hinabgruben. Vitruvius erkannte jedoch, dass dies nicht immer möglich ist.
Ein praktisches Beispiel für dieses Prinzip ist oben im Fall von Venedig zu sehen, das effektiv auf einem Fundament nach römischer Art steht, das aus dicht gepackten Holzpfählen besteht, die verkohlt und in den Boden gerammt wurden.
👉HISTORIA MUNDI👈
Die Römer bevorzugten es, das Fundament zu bauen, indem sie bis zum harten Untergrund hinabgruben. Vitruvius erkannte jedoch, dass dies nicht immer möglich ist.
„Wenn kein fester Boden vorhanden ist und der Boden locker oder sumpfig ist, muss der Standort ausgehoben und geräumt werden, und zuvor verkohlte Erlen-, Oliven- oder Eichenpfähle müssen mit einer Maschine so dicht wie möglich nebeneinander eingeschlagen und die Zwischenräume zwischen den Pfählen mit Asche aufgefüllt werden. Auf einem solchen Untergrund können die schwersten Fundamente errichtet werden.“
– Vitruvius
Ein praktisches Beispiel für dieses Prinzip ist oben im Fall von Venedig zu sehen, das effektiv auf einem Fundament nach römischer Art steht, das aus dicht gepackten Holzpfählen besteht, die verkohlt und in den Boden gerammt wurden.
👉HISTORIA MUNDI👈
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Forwarded from TARTARIA HISPANICA
🇬🇧 Philosophy, Truth and Totality in Republic 485a-486d
Philosophy cannot afford to omit any part of reality. To conform oneself and voluntarily renounce some of its portions is inadmissible, because the lover of Truth loves that which is whole and complete. Truth can never be partial, relative or subjective; it is, by nature, total, unconditional and absolute.
Therefore, any attachment to the particular and small constitutes a form of meanness, since paying attention to the relative stands as an obstacle for the soul that aspires to the totality and the all of the divine and the human.
There is nothing more akin to wisdom than truth, and it is precisely that which the philosopher, the lover of wisdom, loves. Therefore, his effort lies in staying high as the eagle in the contemplation of that which collects causally and mainly to all things, to that which is not conditioned by any of the conditions that affect any affective agency. For him, not even human life or death are important, because the codependency of both life and death signify the limitation of one to the other, its partiality and its absence of therefore totality.
Orienting the feeling, the opinion, the knowledge, the being and the existence to the Truth is what defines the soul life of the one who loves wisdom. He does not forget anything because his memory is the most excellent, the one that remembers that which exceeds and that is, moreover, the only principle of all things.
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Philosophy cannot afford to omit any part of reality. To conform oneself and voluntarily renounce some of its portions is inadmissible, because the lover of Truth loves that which is whole and complete. Truth can never be partial, relative or subjective; it is, by nature, total, unconditional and absolute.
Therefore, any attachment to the particular and small constitutes a form of meanness, since paying attention to the relative stands as an obstacle for the soul that aspires to the totality and the all of the divine and the human.
There is nothing more akin to wisdom than truth, and it is precisely that which the philosopher, the lover of wisdom, loves. Therefore, his effort lies in staying high as the eagle in the contemplation of that which collects causally and mainly to all things, to that which is not conditioned by any of the conditions that affect any affective agency. For him, not even human life or death are important, because the codependency of both life and death signify the limitation of one to the other, its partiality and its absence of therefore totality.
Orienting the feeling, the opinion, the knowledge, the being and the existence to the Truth is what defines the soul life of the one who loves wisdom. He does not forget anything because his memory is the most excellent, the one that remembers that which exceeds and that is, moreover, the only principle of all things.
Join us
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Forwarded from TARTARIA HISPANICA
🇬🇧 Peñón Blanco, Durango, México
This site is located in the north of the Los Llanos and Los Valles area. Apart from that mountain with the shape of a petrified remnant of a uprooted tree, the rock formation of symmetrical geometry that suggests the idea of also being a remnant of a melted and petrified building is striking.
Gracias Jeremy González
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
This site is located in the north of the Los Llanos and Los Valles area. Apart from that mountain with the shape of a petrified remnant of a uprooted tree, the rock formation of symmetrical geometry that suggests the idea of also being a remnant of a melted and petrified building is striking.
Gracias Jeremy González
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from TARTARIA HISPANICA
🇬🇧 Fighting, always
In the midst of setbacks, never consider the futility of the struggle. We act because it is shameful to give up, and it is better to fall fighting than to give up.
We are the generation that was not born to reap, but to sow on scorched earth. Our duty is silent and firm: to keep the flame of our identity alive in a world that seeks to dissolve it at all costs. We live in times of uprooting, of dissolving multiculturalism, and therefore we must cling to the essentials: to the memory of our blood, to the tradition of our ancestors, to the vitalism of our culture and to the values that gave meaning to our history. It is not nostalgia or longing, but continuity. We have a duty to be the bridge between what we were and what we still can — and should — be.
It is our task to clean up the ruins, reaffirm our roots and mark the footprints so that those who come after know where to follow. When our children look back, they will see a generation that did not surrender, that did not betray its blood, that resisted with dignity. That they see that we do not give up will be, in part, our triumph. It is not we who chose this fight, but it is our turn to give it, and we will give it knowing that our struggle is for all those who have not yet been born and deserve a homeland that welcomes them with identity and honor.
Join us
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@TARTARIA in my CITY 🏰
In the midst of setbacks, never consider the futility of the struggle. We act because it is shameful to give up, and it is better to fall fighting than to give up.
We are the generation that was not born to reap, but to sow on scorched earth. Our duty is silent and firm: to keep the flame of our identity alive in a world that seeks to dissolve it at all costs. We live in times of uprooting, of dissolving multiculturalism, and therefore we must cling to the essentials: to the memory of our blood, to the tradition of our ancestors, to the vitalism of our culture and to the values that gave meaning to our history. It is not nostalgia or longing, but continuity. We have a duty to be the bridge between what we were and what we still can — and should — be.
It is our task to clean up the ruins, reaffirm our roots and mark the footprints so that those who come after know where to follow. When our children look back, they will see a generation that did not surrender, that did not betray its blood, that resisted with dignity. That they see that we do not give up will be, in part, our triumph. It is not we who chose this fight, but it is our turn to give it, and we will give it knowing that our struggle is for all those who have not yet been born and deserve a homeland that welcomes them with identity and honor.
Join us
@Surfing the Kali Yuga
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 La vita è come un arcobaleno: ci vuole la pioggia e il sole per vederne i colori.
(Detto indiano)
Buongiorno anime belle 🌈
🇭🇲 Life is like a rainbow: it takes rain and sunshine to see its colours.
(Indian proverb)
Good morning, beautiful souls 🌈
🇧🇷 A vida é como um arco-íris: é preciso chuva e sol para ver suas cores.
(Provérbio indígena)
Bom dia, belas almas 🌈
🇫🇷 La vie est comme un arc-en-ciel : il faut la pluie et le soleil pour en voir les couleurs.
(Proverbe indien)
Bonjour, belles âmes 🌈
✨✨✨🙏✨✨✨
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(Detto indiano)
Buongiorno anime belle 🌈
🇭🇲 Life is like a rainbow: it takes rain and sunshine to see its colours.
(Indian proverb)
Good morning, beautiful souls 🌈
🇧🇷 A vida é como um arco-íris: é preciso chuva e sol para ver suas cores.
(Provérbio indígena)
Bom dia, belas almas 🌈
🇫🇷 La vie est comme un arc-en-ciel : il faut la pluie et le soleil pour en voir les couleurs.
(Proverbe indien)
Bonjour, belles âmes 🌈
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 Guardate questo piccione di lapislazzuli da Susa conservato al Louvre. Risale circa al 1150 a.C.
Il lapislazzuli, pietra preziosa e rara in Mesopotamia, veniva spesso usato per realizzare oggetti votivi, cioè oggetti decorativi offerti in dono alla divinità
🇭🇲 Look at this lapis lazuli pigeon from Susa, preserved in the Louvre. It dates back to around 1150 BC.
Lapis lazuli, a precious and rare stone in Mesopotamia, was often used to make votive objects, i.e. decorative objects offered as gifts to the gods.
🇧🇷 Observe este pombo de lápis-lazúli de Susa, conservado no Louvre. Data aproximadamente de 1150 a.C.
O lápis-lazúli, pedra preciosa e rara na Mesopotâmia, era frequentemente utilizado para criar objetos votivos, ou seja, objetos decorativos oferecidos como presente às divindades.
🇫🇷 Regardez ce pigeon en lapis-lazuli provenant de Susa et conservé au Louvre. Il date d'environ 1150 avant J.-C.
Le lapis-lazuli, pierre précieuse et rare en Mésopotamie, était souvent utilisé pour réaliser des objets votifs, c'est-à-dire des objets décoratifs offerts en cadeau aux divinités.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
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@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Il lapislazzuli, pietra preziosa e rara in Mesopotamia, veniva spesso usato per realizzare oggetti votivi, cioè oggetti decorativi offerti in dono alla divinità
🇭🇲 Look at this lapis lazuli pigeon from Susa, preserved in the Louvre. It dates back to around 1150 BC.
Lapis lazuli, a precious and rare stone in Mesopotamia, was often used to make votive objects, i.e. decorative objects offered as gifts to the gods.
🇧🇷 Observe este pombo de lápis-lazúli de Susa, conservado no Louvre. Data aproximadamente de 1150 a.C.
O lápis-lazúli, pedra preciosa e rara na Mesopotâmia, era frequentemente utilizado para criar objetos votivos, ou seja, objetos decorativos oferecidos como presente às divindades.
🇫🇷 Regardez ce pigeon en lapis-lazuli provenant de Susa et conservé au Louvre. Il date d'environ 1150 avant J.-C.
Le lapis-lazuli, pierre précieuse et rare en Mésopotamie, était souvent utilisé pour réaliser des objets votifs, c'est-à-dire des objets décoratifs offerts en cadeau aux divinités.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 A volte sembra che le antiche civiltà possedessero tecnologie capaci di modificare lo stato fisico delle sostanze, inclusa la pietra, e di modellarla in qualsiasi forma desiderassero.
🇭🇲 Sometimes it seems that ancient civilisations possessed technologies capable of modifying the physical state of substances, including stone, and shaping them into any form they desired.
🇧🇷 Às vezes, parece que as civilizações antigas possuíam tecnologias capazes de alterar o estado físico das substâncias, incluindo a pedra, e moldá-la em qualquer forma que desejassem.
🇫🇷 Il semble parfois que les civilisations anciennes possédaient des technologies capables de modifier l'état physique des substances, y compris la pierre, et de la modeler à leur guise.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
🇭🇲 Sometimes it seems that ancient civilisations possessed technologies capable of modifying the physical state of substances, including stone, and shaping them into any form they desired.
🇧🇷 Às vezes, parece que as civilizações antigas possuíam tecnologias capazes de alterar o estado físico das substâncias, incluindo a pedra, e moldá-la em qualquer forma que desejassem.
🇫🇷 Il semble parfois que les civilisations anciennes possédaient des technologies capables de modifier l'état physique des substances, y compris la pierre, et de la modeler à leur guise.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
👍12💯5❤2
Forwarded from Slavic World
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Forwarded from TARTARIA HISPANICA
🇬🇧 Glyphs Before the Floodline
By 5300 BCE, along the Danube’s winding banks, a culture thrived with an intricacy still difficult to classify. The Vinča—named after a Serbian village where traces first surfaced—built dense settlements of multi-room homes, practiced early metallurgy, and left behind artifacts so precise they seem anomalous by Neolithic standards. Clay figurines with elongated heads, sitting in composed, almost supervisory postures. Tools of copper centuries before the so-called Copper Age. And most curiously: signs.
Carved into pottery, these markings—over 700 distinct symbols—predate Sumerian writing by at least a thousand years. The signs are too systematic to dismiss as decoration, yet they haven’t been decisively translated. Archaeologists call them proto-writing, but the regularity of their appearance—grouped, repeated, embedded in ritual vessels—suggests not just communication, but continuity. Some appear near stylized figures in what seem to be formal poses, others beneath depictions of abstract animals or celestial patterns. They may not be a script in the Mesopotamian sense, but they do not look accidental.
The Vinča culture occupied a wide area—from modern-day Serbia to parts of Romania, Bulgaria, and Bosnia—during a period when most of Europe still moved through hunter-gatherer rhythms. Yet their cities, some estimated to house thousands, show urban planning, storage systems, and symbolic governance far ahead of their time. The cause of their decline remains unclear. Climatic shifts? Internal collapse? Cultural assimilation into Indo-European expansion? Whatever the answer, the signs were buried, the language forgotten, and a script that could reframe History remains untranslated—sitting silent in museum drawers across the Balkans.
Join us
@Historia Occulta
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
By 5300 BCE, along the Danube’s winding banks, a culture thrived with an intricacy still difficult to classify. The Vinča—named after a Serbian village where traces first surfaced—built dense settlements of multi-room homes, practiced early metallurgy, and left behind artifacts so precise they seem anomalous by Neolithic standards. Clay figurines with elongated heads, sitting in composed, almost supervisory postures. Tools of copper centuries before the so-called Copper Age. And most curiously: signs.
Carved into pottery, these markings—over 700 distinct symbols—predate Sumerian writing by at least a thousand years. The signs are too systematic to dismiss as decoration, yet they haven’t been decisively translated. Archaeologists call them proto-writing, but the regularity of their appearance—grouped, repeated, embedded in ritual vessels—suggests not just communication, but continuity. Some appear near stylized figures in what seem to be formal poses, others beneath depictions of abstract animals or celestial patterns. They may not be a script in the Mesopotamian sense, but they do not look accidental.
The Vinča culture occupied a wide area—from modern-day Serbia to parts of Romania, Bulgaria, and Bosnia—during a period when most of Europe still moved through hunter-gatherer rhythms. Yet their cities, some estimated to house thousands, show urban planning, storage systems, and symbolic governance far ahead of their time. The cause of their decline remains unclear. Climatic shifts? Internal collapse? Cultural assimilation into Indo-European expansion? Whatever the answer, the signs were buried, the language forgotten, and a script that could reframe History remains untranslated—sitting silent in museum drawers across the Balkans.
Join us
@Historia Occulta
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
❤14👍2