Forwarded from Old World
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 In amore non si possiede che donando. Più si offre se stessi e più si è ricchi dell’altro.
(Fabrizio Caramagna)
Buongiorno anime belle 💙
🇦🇺 In love one possesses only by giving. The more one offers oneself, the richer one is in the other.
(Fabrizio Caramagna)
Good morning beautiful souls 💙
🇧🇷 No amor, a pessoa só possui se doar. Quanto mais alguém se oferece, mais rico é o outro.
(Fabrizio Caramagna)
Bom dia, belas almas 💙
🇫🇷 Dans l'amour, on ne possède qu'en donnant. Plus on s'offre, plus on s'enrichit de l'autre.
(Fabrizio Caramagna)
Bonjour belles âmes 💙
✨✨✨🙏✨✨✨
IO SONO ANIMA
sentiero di consapevolezza ✨🕉
(Fabrizio Caramagna)
Buongiorno anime belle 💙
🇦🇺 In love one possesses only by giving. The more one offers oneself, the richer one is in the other.
(Fabrizio Caramagna)
Good morning beautiful souls 💙
🇧🇷 No amor, a pessoa só possui se doar. Quanto mais alguém se oferece, mais rico é o outro.
(Fabrizio Caramagna)
Bom dia, belas almas 💙
🇫🇷 Dans l'amour, on ne possède qu'en donnant. Plus on s'offre, plus on s'enrichit de l'autre.
(Fabrizio Caramagna)
Bonjour belles âmes 💙
✨✨✨🙏✨✨✨
IO SONO ANIMA
sentiero di consapevolezza ✨🕉
❤7👍4
Forwarded from The Paranormies Present (HawG - it's the Jews®️)
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Drone views of a cloudy day in Mont Saint-Michel
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Sir Gawain and the Green Knight - Full audiobook with text and music
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Sir Gawain and the Green Knight - Full audiobook
Altrusian Grace Media Presents: Sir Gawain and the Green Knight audiobook, a late 14th-century Middle English chivalric romance. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs, the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel,[1] it draws on Welsh, Irish and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess.
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
Altrusian Grace Media Presents: Sir Gawain and the Green Knight audiobook, a late 14th-century Middle English chivalric romance. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs, the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel,[1] it draws on Welsh, Irish and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess.
𝕬𝖗𝖐𝖍𝖆𝖒 𝕱𝖆𝖗𝖒𝖘
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
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🇮🇹 Il Museo Fabergé ospita uno straordinario rinoceronte meccanico . Si tratta di un vero automa, creato dagli artigiani dell'azienda tra il 1903 e il 1914.
Il rinoceronte è piccolo: 3,7 cm di altezza e 7,3 cm di lunghezza. È fatto di argento annerito. Il giocattolo si carica con una chiave, alla base delle zampe sono montate delle piccole ruote e, quando cammina, il rinoceronte scuote la testa e scodinzola.
🇦🇺 The Fabergé Museum houses an extraordinary mechanical rhinoceros . It is a real automaton, created by the company's craftsmen between 1903 and 1914.
The rhinoceros is small: 3.7 cm high and 7.3 cm long. It is made of blackened silver. The toy is wound with a key, small wheels are mounted at the base of the legs and, when it walks, the rhinoceros shakes its head and wags its tail.
🇧🇷 O Museu Fabergé abriga um extraordinário rinoceronte mecânico. Trata-se de um verdadeiro autômato, criado pelos artesãos da empresa entre 1903 e 1914.
O rinoceronte é pequeno: 3,7 cm de altura e 7,3 cm de comprimento. Ele é feito de prata enegrecida. O brinquedo é enrolado com uma chave, pequenas rodas são montadas na base das pernas e, quando anda, o rinoceronte balança a cabeça e abana a cauda.
🇫🇷 Le musée Fabergé abrite un extraordinaire rhinocéros mécanique. Il s'agit d'un véritable automate, créé par les artisans de la société entre 1903 et 1914.
Le rhinocéros est de petite taille : 3,7 cm de haut et 7,3 cm de long. Il est en argent noirci. Le jouet se remonte à l'aide d'une clé, de petites roues sont montées à la base des pattes et, lorsqu'il marche, le rhinocéros secoue la tête et remue la queue.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Il rinoceronte è piccolo: 3,7 cm di altezza e 7,3 cm di lunghezza. È fatto di argento annerito. Il giocattolo si carica con una chiave, alla base delle zampe sono montate delle piccole ruote e, quando cammina, il rinoceronte scuote la testa e scodinzola.
🇦🇺 The Fabergé Museum houses an extraordinary mechanical rhinoceros . It is a real automaton, created by the company's craftsmen between 1903 and 1914.
The rhinoceros is small: 3.7 cm high and 7.3 cm long. It is made of blackened silver. The toy is wound with a key, small wheels are mounted at the base of the legs and, when it walks, the rhinoceros shakes its head and wags its tail.
🇧🇷 O Museu Fabergé abriga um extraordinário rinoceronte mecânico. Trata-se de um verdadeiro autômato, criado pelos artesãos da empresa entre 1903 e 1914.
O rinoceronte é pequeno: 3,7 cm de altura e 7,3 cm de comprimento. Ele é feito de prata enegrecida. O brinquedo é enrolado com uma chave, pequenas rodas são montadas na base das pernas e, quando anda, o rinoceronte balança a cabeça e abana a cauda.
🇫🇷 Le musée Fabergé abrite un extraordinaire rhinocéros mécanique. Il s'agit d'un véritable automate, créé par les artisans de la société entre 1903 et 1914.
Le rhinocéros est de petite taille : 3,7 cm de haut et 7,3 cm de long. Il est en argent noirci. Le jouet se remonte à l'aide d'une clé, de petites roues sont montées à la base des pattes et, lorsqu'il marche, le rhinocéros secoue la tête et remue la queue.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from Historia Occulta
When Sound Becomes Structure
Cymatics is not a theory—it’s what happens when sound is made visible. Dust, sand, water, or powder placed on a vibrating plate begins to form patterns, not randomly, but with order. Each frequency produces a distinct shape. As the pitch increases, the forms become more complex. What begins as simple geometry evolves into something that feels architectural—almost alive.
The study isn’t new. The German physicist Ernst Chladni first observed these effects in the 18th century, drawing tones across metal plates with a violin bow. In the 1960s, Hans Jenny took it further—recording how matter responded not just to audible sound, but to pulses and harmonics. What he found wasn’t noise—it was language. Structured, repeatable, patterned with precision.
Cymatics doesn’t just show that sound has form. It shows that sound forms. That vibration doesn’t just move through matter—it organizes it. Which raises a quieter question, still unanswered: how much of the world we see has been shaped by what we do not hear?
Follow @historiaocculta
Cymatics is not a theory—it’s what happens when sound is made visible. Dust, sand, water, or powder placed on a vibrating plate begins to form patterns, not randomly, but with order. Each frequency produces a distinct shape. As the pitch increases, the forms become more complex. What begins as simple geometry evolves into something that feels architectural—almost alive.
The study isn’t new. The German physicist Ernst Chladni first observed these effects in the 18th century, drawing tones across metal plates with a violin bow. In the 1960s, Hans Jenny took it further—recording how matter responded not just to audible sound, but to pulses and harmonics. What he found wasn’t noise—it was language. Structured, repeatable, patterned with precision.
Cymatics doesn’t just show that sound has form. It shows that sound forms. That vibration doesn’t just move through matter—it organizes it. Which raises a quieter question, still unanswered: how much of the world we see has been shaped by what we do not hear?
Follow @historiaocculta
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