Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 Lo scienziato Bharadwaja Maharishi, ha descritto i tipi di aerei
Il trattato chiamato "Vimanika Shastra" è così antico che è stato scritto nella lingua bramina, il sanscrito.
Alla fine del XIX secolo, questo libro fu classificato come mitologico. L'aviazione a quel tempo era agli inizi.
Gli scienziati moderni, dopo aver studiato il Vimanika Shastra, hanno affermato inequivocabilmente che questo lavoro non ha nulla a che fare con le fiabe, è un lavoro tecnico ben scritto.
🇦🇺 The scientist Bharadwaja Maharishi, described the types of planes
The treatise called 'Vimanika Shastra' is so old that it was written in the Brahmin language, Sanskrit.
At the end of the 19th century, this book was classified as mythological. Aviation at that time was in its infancy.
Modern scientists, after studying the Vimanika Shastra, have stated unequivocally that this work has nothing to do with fairy tales, it is a well-written technical work.
🇧🇷 O cientista Bharadwaja Maharishi descreveu os tipos de planos
O tratado chamado "Vimanika Shastra" é tão antigo que foi escrito no idioma brâmane, o sânscrito.
No final do século XIX, esse livro foi classificado como mitológico. Naquela época, a aviação estava em sua infância.
Os cientistas modernos, após estudarem o Vimanika Shastra, declararam inequivocamente que essa obra não tem nada a ver com contos de fadas, é um trabalho técnico bem escrito.
🇫🇷 Le scientifique Bharadwaja Maharishi a décrit les types de plans.
Le traité appelé "Vimanika Shastra" est si ancien qu'il a été écrit en sanskrit, la langue des brahmanes.
À la fin du 19e siècle, ce livre a été classé comme mythologique. À cette époque, l'aviation n'en était qu'à ses balbutiements.
Les scientifiques modernes, après avoir étudié le Vimanika Shastra, ont déclaré sans équivoque que cet ouvrage n'a rien à voir avec les contes de fées, mais qu'il s'agit d'un ouvrage technique bien écrit.
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Il trattato chiamato "Vimanika Shastra" è così antico che è stato scritto nella lingua bramina, il sanscrito.
Alla fine del XIX secolo, questo libro fu classificato come mitologico. L'aviazione a quel tempo era agli inizi.
Gli scienziati moderni, dopo aver studiato il Vimanika Shastra, hanno affermato inequivocabilmente che questo lavoro non ha nulla a che fare con le fiabe, è un lavoro tecnico ben scritto.
🇦🇺 The scientist Bharadwaja Maharishi, described the types of planes
The treatise called 'Vimanika Shastra' is so old that it was written in the Brahmin language, Sanskrit.
At the end of the 19th century, this book was classified as mythological. Aviation at that time was in its infancy.
Modern scientists, after studying the Vimanika Shastra, have stated unequivocally that this work has nothing to do with fairy tales, it is a well-written technical work.
🇧🇷 O cientista Bharadwaja Maharishi descreveu os tipos de planos
O tratado chamado "Vimanika Shastra" é tão antigo que foi escrito no idioma brâmane, o sânscrito.
No final do século XIX, esse livro foi classificado como mitológico. Naquela época, a aviação estava em sua infância.
Os cientistas modernos, após estudarem o Vimanika Shastra, declararam inequivocamente que essa obra não tem nada a ver com contos de fadas, é um trabalho técnico bem escrito.
🇫🇷 Le scientifique Bharadwaja Maharishi a décrit les types de plans.
Le traité appelé "Vimanika Shastra" est si ancien qu'il a été écrit en sanskrit, la langue des brahmanes.
À la fin du 19e siècle, ce livre a été classé comme mythologique. À cette époque, l'aviation n'en était qu'à ses balbutiements.
Les scientifiques modernes, après avoir étudié le Vimanika Shastra, ont déclaré sans équivoque que cet ouvrage n'a rien à voir avec les contes de fées, mais qu'il s'agit d'un ouvrage technique bien écrit.
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https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 L'elettricità atmosferica nelle riviste scientifiche dei secoli passati.
🇦🇺 Atmospheric electricity in scientific journals of past centuries.
🇧🇷 Eletricidade atmosférica em revistas científicas dos últimos séculos.
🇫🇷 L'électricité atmosphérique dans les revues scientifiques des siècles passés.
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https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
🇦🇺 Atmospheric electricity in scientific journals of past centuries.
🇧🇷 Eletricidade atmosférica em revistas científicas dos últimos séculos.
🇫🇷 L'électricité atmosphérique dans les revues scientifiques des siècles passés.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from TARTARIA HISPANICA
🇪🇸 Ruinas sumergidas frente a la costa de Pozzuoli, Nápoles
Se trata de un templo de planta rectangular, descubierto gracias a un minucioso trabajo de documentación fotogramétrica aérea.
La técnica constructiva es típicamente romana y se encuentra en un estado de conservación sorprendente.
Los arqueólogos también encontraron altares de mármol en el yacimiento.
🇬🇧 Submerged ruins off the coast of Pozzuoli, Naples
It is a rectangular temple, discovered thanks to a thorough work of aerial photogrammetric documentation.
The construction technique is typically Roman and is in a surprising state of preservation.
Archaeologists also found marble altars at the site.
Join us
@ВЕТРЫ ИСТОРИИ 🎏 🇸🇮
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Se trata de un templo de planta rectangular, descubierto gracias a un minucioso trabajo de documentación fotogramétrica aérea.
La técnica constructiva es típicamente romana y se encuentra en un estado de conservación sorprendente.
Los arqueólogos también encontraron altares de mármol en el yacimiento.
🇬🇧 Submerged ruins off the coast of Pozzuoli, Naples
It is a rectangular temple, discovered thanks to a thorough work of aerial photogrammetric documentation.
The construction technique is typically Roman and is in a surprising state of preservation.
Archaeologists also found marble altars at the site.
Join us
@ВЕТРЫ ИСТОРИИ 🎏 🇸🇮
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from ⏰ 𝐷𝑢 𝐿𝑎𝑏𝑦𝑟𝑖𝑛𝑡ℎ𝑒 𝑎𝑢𝑥 𝐻𝑦𝑝𝑜𝑡ℎ𝑒𝑠𝑒𝑠 🍀
L’avenue mégalithique Hartashen, cachée au plus profond du terrain accidenté de l’Arménie, est l’une des merveilles antiques oubliées du monde. Considéré comme vieux de 6 000 à 8 000 ans, ce site mystérieux est constitué d'imposants monolithes de pierre, méticuleusement alignés dans le paysage. Était-ce un chemin cérémonial ? Un ancien observatoire ? Son véritable objectif reste un mystère.
Contrairement à Stonehenge ou à d’autres sites célèbres, Hartashen a échappé aux projecteurs de l’archéologie traditionnelle, ses secrets étant toujours enfouis sous le sol. Les pierres imposantes, qui veillent sur le paysage, font allusion à une civilisation oubliée avec une compréhension sophistiquée de l'espace et des rituels. Pourtant, malgré son âge et son importance potentielle, Hartashen reste en grande partie non fouillé et inexploré.
C’est avec l’aide de tous que nous pouvons faire de grandes choses.
Soyons tous ensemble pour aller plus haut et défier les lois de la physique.
🇬🇧 The Hartashen megalithic avenue, hidden deep in Armenia's rugged terrain, is one of the world's forgotten ancient wonders. Believed to be between 6,000 and 8,000 years old, this mysterious site is made up of imposing stone monoliths, meticulously aligned across the landscape. Was it a ceremonial path? An ancient observatory? Its true purpose remains a mystery.
Unlike Stonehenge and other famous sites, Hartashen has escaped the spotlight of traditional archaeology, its secrets still buried beneath the ground. The imposing stones, which watch over the landscape, hint at a forgotten civilization with a sophisticated understanding of space and ritual. Yet, despite its age and potential importance, Hartashen remains largely unexcavated and unexplored.
It's with everyone's help that we can do great things.
Let's work together to reach higher and defy the laws of physics.
Rejoins nous dans le
Labyrinthe aux Hypothèses
Contrairement à Stonehenge ou à d’autres sites célèbres, Hartashen a échappé aux projecteurs de l’archéologie traditionnelle, ses secrets étant toujours enfouis sous le sol. Les pierres imposantes, qui veillent sur le paysage, font allusion à une civilisation oubliée avec une compréhension sophistiquée de l'espace et des rituels. Pourtant, malgré son âge et son importance potentielle, Hartashen reste en grande partie non fouillé et inexploré.
C’est avec l’aide de tous que nous pouvons faire de grandes choses.
Soyons tous ensemble pour aller plus haut et défier les lois de la physique.
🇬🇧 The Hartashen megalithic avenue, hidden deep in Armenia's rugged terrain, is one of the world's forgotten ancient wonders. Believed to be between 6,000 and 8,000 years old, this mysterious site is made up of imposing stone monoliths, meticulously aligned across the landscape. Was it a ceremonial path? An ancient observatory? Its true purpose remains a mystery.
Unlike Stonehenge and other famous sites, Hartashen has escaped the spotlight of traditional archaeology, its secrets still buried beneath the ground. The imposing stones, which watch over the landscape, hint at a forgotten civilization with a sophisticated understanding of space and ritual. Yet, despite its age and potential importance, Hartashen remains largely unexcavated and unexplored.
It's with everyone's help that we can do great things.
Let's work together to reach higher and defy the laws of physics.
Rejoins nous dans le
Labyrinthe aux Hypothèses
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Forwarded from ⏰ 𝐷𝑢 𝐿𝑎𝑏𝑦𝑟𝑖𝑛𝑡ℎ𝑒 𝑎𝑢𝑥 𝐻𝑦𝑝𝑜𝑡ℎ𝑒𝑠𝑒𝑠 🍀
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Cristal Baschet, un instrument développé dans les années 50 par les frères Baschet (Bernard et François) qui se sont spécialisés dans la création de sculptures capables de produire de la musique, c'est pourquoi cet instrument non seulement sonne mais ressemble aussi à un instrument d'une autre planète.
Le fonctionnement est le même que celui de la plupart des instruments en verre, avec de l'eau, en frottant le verre avec les doigts mouillés, la vibration est transmise au résonateur en métal qui amplifie ensuite les vibrations.
🇬🇧 Cristal Baschet, an instrument developed in the 50s by the brothers Baschet (Bernard and Francois) who specialized in creating sculptures that could produce music, that’s why this instruments not only sounds but also looks like it could be from another planet.
The way it works it’s like most glass instruments, with water, by rubbing the glass with wet fingers the vibration is transmitted to the metal resonator that then amplifies the vibrations.
Rejoins nous dans le
Labyrinthe aux Hypothèses
Le fonctionnement est le même que celui de la plupart des instruments en verre, avec de l'eau, en frottant le verre avec les doigts mouillés, la vibration est transmise au résonateur en métal qui amplifie ensuite les vibrations.
🇬🇧 Cristal Baschet, an instrument developed in the 50s by the brothers Baschet (Bernard and Francois) who specialized in creating sculptures that could produce music, that’s why this instruments not only sounds but also looks like it could be from another planet.
The way it works it’s like most glass instruments, with water, by rubbing the glass with wet fingers the vibration is transmitted to the metal resonator that then amplifies the vibrations.
Rejoins nous dans le
Labyrinthe aux Hypothèses
Si tu apprécies ce post diffuse le 🙏
👉 la petite flèche👉
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Forwarded from TARTARIA HISPANICA
🇪🇸 El corazón es un órgano de percepción en espiral
Recientemente, se ha descubierto que el corazón no es una masa muscular, sino más bien una "banda miocárdica helicoidal" que se ha enrollado en espiral sobre sí misma, creando su forma única con cámaras separadas.
De hecho, las células sanguíneas giran sobre sus propios ejes de rotación individuales.
Son celdas giratorias más pequeñas en un vórtice giratorio más grande.
Esto nos aleja de la idea de que es una simple bomba mecánica.
🇬🇧 The heart is a spirallling organ of perception
The heart itself has recently been discovered not to be a mass of muscle, but rather a ‘helicoidal myocardial band’ that has spiralled in upon itself, creating its unique shape and its separate chambers.
Blood cell’s in fact spin on their own individual axes of rotation.
They are smaller spinning cells in a larger spinning vortex.
This takes us away from the idea that it is a simple mechanical pump.
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Recientemente, se ha descubierto que el corazón no es una masa muscular, sino más bien una "banda miocárdica helicoidal" que se ha enrollado en espiral sobre sí misma, creando su forma única con cámaras separadas.
De hecho, las células sanguíneas giran sobre sus propios ejes de rotación individuales.
Son celdas giratorias más pequeñas en un vórtice giratorio más grande.
Esto nos aleja de la idea de que es una simple bomba mecánica.
🇬🇧 The heart is a spirallling organ of perception
The heart itself has recently been discovered not to be a mass of muscle, but rather a ‘helicoidal myocardial band’ that has spiralled in upon itself, creating its unique shape and its separate chambers.
Blood cell’s in fact spin on their own individual axes of rotation.
They are smaller spinning cells in a larger spinning vortex.
This takes us away from the idea that it is a simple mechanical pump.
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from Slavic World
Anna of Świdnica
Anna of Świdnica, born in 1339, was the only Piast princess to become Roman Empress. As the granddaughter of Władysław Łokietek, she had deep roots in the Piast dynasty. Her marriage to Charles IV in 1353 made her Roman Empress and Queen of Bohemia. This marriage strengthened the political and territorial ties between the Piast and Luxembourg dynasties. Her triumphal entry into the Eternal City symbolised not only her personal achievement, but also the importance of her dynasty in European history.
Anna played a decisive role in European diplomacy and politics. Her death in 1362 was a great loss for the empire. Anna left a lasting impression on history and is often recognised for her political foresight and diplomatic influence. Her story is a testament to the power and influence of the Piast dynasty in Central Europe.
👉Slavic World
Anna of Świdnica, born in 1339, was the only Piast princess to become Roman Empress. As the granddaughter of Władysław Łokietek, she had deep roots in the Piast dynasty. Her marriage to Charles IV in 1353 made her Roman Empress and Queen of Bohemia. This marriage strengthened the political and territorial ties between the Piast and Luxembourg dynasties. Her triumphal entry into the Eternal City symbolised not only her personal achievement, but also the importance of her dynasty in European history.
Anna played a decisive role in European diplomacy and politics. Her death in 1362 was a great loss for the empire. Anna left a lasting impression on history and is often recognised for her political foresight and diplomatic influence. Her story is a testament to the power and influence of the Piast dynasty in Central Europe.
👉Slavic World
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Abusir : Evidence of Advanced Technology in Ancient Egypt
The impressive drill marks found at Abusir suggest that the ancient Egyptians employed advanced techniques to work granite with precision akin to modern technology. Some researchers argue that this level of refinement could only have been achieved using sophisticated tools, far surpassing the copper saws and sand traditionally associated with this period. These marks raise questions about forgotten knowledge and suggest the possibility of lost technology shared by ancient civilizations around the world.
Telegram Channel :
https://tttttt.me/NMHistoire
YouTube Channel :
https://www.youtube.com/@notremysterieusehistoire../featured
The impressive drill marks found at Abusir suggest that the ancient Egyptians employed advanced techniques to work granite with precision akin to modern technology. Some researchers argue that this level of refinement could only have been achieved using sophisticated tools, far surpassing the copper saws and sand traditionally associated with this period. These marks raise questions about forgotten knowledge and suggest the possibility of lost technology shared by ancient civilizations around the world.
Telegram Channel :
https://tttttt.me/NMHistoire
YouTube Channel :
https://www.youtube.com/@notremysterieusehistoire../featured
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Giants in Sardinia ? Mysteries of Ancient Sculptures and Sanctuaries
In Sardinia, monumental sculptures and massive tombs intrigue researchers. The statues of Mont'e Prama, reaching up to 2.7 meters (8.9 feet) tall, and the so-called "Giant Tombs" reflect the Nuragic civilization's impressive stone craftsmanship. The precision-cut sacred well of Santa Cristina suggests the use of advanced technology that defies traditional explanations. These structures raise fascinating questions about the ancient inhabitants' technical abilities and the possible existence of giants.
Telegram Channel :
https://tttttt.me/NMHistoire
YouTube Channel :
https://www.youtube.com/@notremysterieusehistoire../featured
In Sardinia, monumental sculptures and massive tombs intrigue researchers. The statues of Mont'e Prama, reaching up to 2.7 meters (8.9 feet) tall, and the so-called "Giant Tombs" reflect the Nuragic civilization's impressive stone craftsmanship. The precision-cut sacred well of Santa Cristina suggests the use of advanced technology that defies traditional explanations. These structures raise fascinating questions about the ancient inhabitants' technical abilities and the possible existence of giants.
Telegram Channel :
https://tttttt.me/NMHistoire
YouTube Channel :
https://www.youtube.com/@notremysterieusehistoire../featured
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The “Legendary” Islands of Welsh Folklore Turn Out to Be Real Special Issue # 8
- Lost islands cited in Welsh folklore and poetry are plausible, according to a new study of coastal geography and a medieval map.
- Storm Hannah discovers the “sunken” underwater forest of Borth. A prehistoric forest, buried under water and sand more than 4,500 years ago, discovered by Storm Hannah.
To find out more about this fascinating subject, don’t miss our show :
The “Legendary” Islands of Welsh Folklore Turn Out to Be Real Special Issue # 8
https://youtu.be/InRVitb7RjI?si=tz59YlCJRWBG9oVL
Telegram Channel :
https://tttttt.me/NMHistoire
- Lost islands cited in Welsh folklore and poetry are plausible, according to a new study of coastal geography and a medieval map.
- Storm Hannah discovers the “sunken” underwater forest of Borth. A prehistoric forest, buried under water and sand more than 4,500 years ago, discovered by Storm Hannah.
To find out more about this fascinating subject, don’t miss our show :
The “Legendary” Islands of Welsh Folklore Turn Out to Be Real Special Issue # 8
https://youtu.be/InRVitb7RjI?si=tz59YlCJRWBG9oVL
Telegram Channel :
https://tttttt.me/NMHistoire
YouTube
Les îles « Légendaires » du Folklore Gallois s’avèrent Réelles Hors-série # 8
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