Artifacts from Moundville include finely made pottery, engraved stone, copper plates, shell beads, and carved figurines.
@TARTARIAthetruth
@TARTARIAthetruth
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 E se fosse il paesaggio a scegliere i nostri occhi, così come ognuno di noi sceglie la persona con cui sorridere insieme?
(Fabrizio Caramagna)
Buongiorno anime belle🤣 💯 👱♀️
🇭🇲 What if it were the landscape that chose our eyes, just as each of us chooses the person with whom we smile together?
(Fabrizio Caramagna)
Good morning, beautiful souls 🏔
🇧🇷 E se fosse a paisagem a escolher os nossos olhos, assim como cada um de nós escolhe a pessoa com quem sorrir juntos?
(Fabrizio Caramagna)
Bom dia, belas almas 🏞
🇫🇷 Et si c'était le paysage qui choisissait nos yeux, tout comme chacun de nous choisit la personne avec laquelle sourire ?
(Fabrizio Caramagna)
Bonjour, belles âmes 🏕
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
(Fabrizio Caramagna)
Buongiorno anime belle
🇭🇲 What if it were the landscape that chose our eyes, just as each of us chooses the person with whom we smile together?
(Fabrizio Caramagna)
Good morning, beautiful souls 🏔
🇧🇷 E se fosse a paisagem a escolher os nossos olhos, assim como cada um de nós escolhe a pessoa com quem sorrir juntos?
(Fabrizio Caramagna)
Bom dia, belas almas 🏞
🇫🇷 Et si c'était le paysage qui choisissait nos yeux, tout comme chacun de nous choisit la personne avec laquelle sourire ?
(Fabrizio Caramagna)
Bonjour, belles âmes 🏕
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Presumibilmente un forte della Prima Guerra Mondiale in Francia...
Ma cosa succederebbe se ti dicessi che questo "forte" è molto più antico e che tutta la "catena montuosa" era una struttura del Mondo Antico e il "forte" è semplicemente ciò che ne è rimasto.
🇭🇲 Presumably a fort from the First World War in France...
But what if I told you that this 'fort' is much older and that the entire 'mountain range' was a structure from the Ancient World and the 'fort' is simply what remains of it.
🇧🇷 Presumivelmente, um forte da Primeira Guerra Mundial na França...
Mas e se eu lhe dissesse que esse “forte” é muito mais antigo e que toda a “cadeia montanhosa” era uma estrutura do Mundo Antigo e o “forte” é simplesmente o que restou dela?
🇫🇷 Probablement un fort de la Première Guerre mondiale en France...
Mais que se passerait-il si je vous disais que ce « fort » est beaucoup plus ancien et que toute la « chaîne de montagnes » était une structure du monde antique et que le « fort » n'est que ce qu'il en reste.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Ma cosa succederebbe se ti dicessi che questo "forte" è molto più antico e che tutta la "catena montuosa" era una struttura del Mondo Antico e il "forte" è semplicemente ciò che ne è rimasto.
🇭🇲 Presumably a fort from the First World War in France...
But what if I told you that this 'fort' is much older and that the entire 'mountain range' was a structure from the Ancient World and the 'fort' is simply what remains of it.
🇧🇷 Presumivelmente, um forte da Primeira Guerra Mundial na França...
Mas e se eu lhe dissesse que esse “forte” é muito mais antigo e que toda a “cadeia montanhosa” era uma estrutura do Mundo Antigo e o “forte” é simplesmente o que restou dela?
🇫🇷 Probablement un fort de la Première Guerre mondiale en France...
Mais que se passerait-il si je vous disais que ce « fort » est beaucoup plus ancien et que toute la « chaîne de montagnes » était une structure du monde antique et que le « fort » n'est que ce qu'il en reste.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
👍10❤6⚡1
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
🇮🇹 Unicorno — un animale cancellato
Centinaia di incisioni, stemmi e monete raffigurano la stessa creatura — un cavallo con un corno.
Non sono fantasie. È una ripetizione sistematica da diversi paesi e epoche. Non venivano disegnati per bellezza — venivano registrati come fatto.
Se riconosciamo l'esistenza del cavallo, perché l'esistenza del cavallo unicorno è considerata impossibile? Perché nella storia non deve esserci spazio per ciò che non si adatta al modello ufficiale.
🇭🇲 Unicorn — an extinct animal
Hundreds of engravings, coats of arms and coins depict the same creature — a horse with a horn.
These are not fantasies. It is a systematic repetition from different countries and eras. They were not drawn for beauty — they were recorded as fact.
If we recognise the existence of the horse, why is the existence of the unicorn considered impossible? Because in history there must be no room for anything that does not fit the official model.
🇧🇷 Unicórnio — um animal extinto
Centenas de gravuras, brasões e moedas retratam a mesma criatura — um cavalo com um chifre.
Não são fantasias. É uma repetição sistemática de diferentes países e épocas. Não eram desenhados por beleza — eram registrados como fato.
Se reconhecemos a existência do cavalo, por que a existência do cavalo unicórnio é considerada impossível? Porque na história não deve haver espaço para o que não se encaixa no modelo oficial.
🇫🇷 La licorne — un animal disparu
Des centaines de gravures, d'armoiries et de pièces de monnaie représentent la même créature — un cheval avec une corne.
Ce ne sont pas des fantasmes. Il s'agit d'une répétition systématique dans différents pays et à différentes époques. Elles n'étaient pas dessinées pour leur beauté — elles étaient enregistrées comme un fait.
Si nous reconnaissons l'existence du cheval, pourquoi l'existence de la licorne est-elle considérée comme impossible ? Parce que dans l'histoire, il ne doit pas y avoir de place pour ce qui ne correspond pas au modèle officiel.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Centinaia di incisioni, stemmi e monete raffigurano la stessa creatura — un cavallo con un corno.
Non sono fantasie. È una ripetizione sistematica da diversi paesi e epoche. Non venivano disegnati per bellezza — venivano registrati come fatto.
Se riconosciamo l'esistenza del cavallo, perché l'esistenza del cavallo unicorno è considerata impossibile? Perché nella storia non deve esserci spazio per ciò che non si adatta al modello ufficiale.
🇭🇲 Unicorn — an extinct animal
Hundreds of engravings, coats of arms and coins depict the same creature — a horse with a horn.
These are not fantasies. It is a systematic repetition from different countries and eras. They were not drawn for beauty — they were recorded as fact.
If we recognise the existence of the horse, why is the existence of the unicorn considered impossible? Because in history there must be no room for anything that does not fit the official model.
🇧🇷 Unicórnio — um animal extinto
Centenas de gravuras, brasões e moedas retratam a mesma criatura — um cavalo com um chifre.
Não são fantasias. É uma repetição sistemática de diferentes países e épocas. Não eram desenhados por beleza — eram registrados como fato.
Se reconhecemos a existência do cavalo, por que a existência do cavalo unicórnio é considerada impossível? Porque na história não deve haver espaço para o que não se encaixa no modelo oficial.
🇫🇷 La licorne — un animal disparu
Des centaines de gravures, d'armoiries et de pièces de monnaie représentent la même créature — un cheval avec une corne.
Ce ne sont pas des fantasmes. Il s'agit d'une répétition systématique dans différents pays et à différentes époques. Elles n'étaient pas dessinées pour leur beauté — elles étaient enregistrées comme un fait.
Si nous reconnaissons l'existence du cheval, pourquoi l'existence de la licorne est-elle considérée comme impossible ? Parce que dans l'histoire, il ne doit pas y avoir de place pour ce qui ne correspond pas au modèle officiel.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
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Forwarded from TARTARIA HISPANICA
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🇬🇧 The Sound Stones
Pinuccio Sciola (1942-2016) was a Sardinian artist, sculptor, and muralist best known for his groundbreaking work with "sound stones." In the 1990s, Sciola discovered a fascinating property in certain limestone and basalt rocks: they resonate when rubbed or gently struck.
Join us
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@TARTARIA in my CITY 🏰
Pinuccio Sciola (1942-2016) was a Sardinian artist, sculptor, and muralist best known for his groundbreaking work with "sound stones." In the 1990s, Sciola discovered a fascinating property in certain limestone and basalt rocks: they resonate when rubbed or gently struck.
Join us
@r_Damnthatsinteresting
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from TARTARIA HISPANICA
🇬🇧 In Old Documents, When Recording Dates with Letters and Numbers, the First Letters were Separated by Dots
In Albrecht Dürer's engraving, the Latin letter "I" is separated by dots on both sides so that it is not accidentally confused with numbers. Therefore, Dürer's engraving is dated not 1524, but the year 524 AD.
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In Albrecht Dürer's engraving, the Latin letter "I" is separated by dots on both sides so that it is not accidentally confused with numbers. Therefore, Dürer's engraving is dated not 1524, but the year 524 AD.
Join us
@Точка связи миров
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from TARTARIA HISPANICA
🇬🇧 Marked for Return, Bound to the Threshold
The notion that cats possess nine lives isn’t born from whimsy—it is an inheritance from cultures that marked the feline not as pet, but as threshold guardian. In ancient Egypt, the cat was sacred to Bastet, protector of hearth and home, but also a being of liminality. Able to pass between worlds, it stood at the intersection of domesticity and the divine, life and afterlife. A cat’s survival through injury, its uncanny balance, and its inscrutable behavior were not curiosities—they were read as signs of protection, alignment, or unnatural favor.
The number nine carries mathematical and symbolic weight. In Greek tradition, it was a number of completion—three threes, a triad of triads. The Ennead of Heliopolis counted nine gods at the core of creation. In Norse cosmology, there are nine worlds rooted in Yggdrasil. Within this numerical symmetry, the cat became a vessel of mystery: one body, many returns. Not immortality, but recurrence.
The persistence of the nine-lives motif in medieval and early modern Europe speaks not to superstition but to recognition. Sailors brought cats aboard for protection against vermin and, quietly, misfortune. Folklore gave them surplus lives not as fantasy, but as accounting—tracking the number of times they survived what should have ended them.
Join us
@Historia Occulta
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The notion that cats possess nine lives isn’t born from whimsy—it is an inheritance from cultures that marked the feline not as pet, but as threshold guardian. In ancient Egypt, the cat was sacred to Bastet, protector of hearth and home, but also a being of liminality. Able to pass between worlds, it stood at the intersection of domesticity and the divine, life and afterlife. A cat’s survival through injury, its uncanny balance, and its inscrutable behavior were not curiosities—they were read as signs of protection, alignment, or unnatural favor.
The number nine carries mathematical and symbolic weight. In Greek tradition, it was a number of completion—three threes, a triad of triads. The Ennead of Heliopolis counted nine gods at the core of creation. In Norse cosmology, there are nine worlds rooted in Yggdrasil. Within this numerical symmetry, the cat became a vessel of mystery: one body, many returns. Not immortality, but recurrence.
The persistence of the nine-lives motif in medieval and early modern Europe speaks not to superstition but to recognition. Sailors brought cats aboard for protection against vermin and, quietly, misfortune. Folklore gave them surplus lives not as fantasy, but as accounting—tracking the number of times they survived what should have ended them.
Join us
@Historia Occulta
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Le riconosci le persone invase da un sogno. Sono quelle che hanno una luce che fa vibrare gli occhi.
(Fabrizio Caramagna)
Buona serata anime belle❤️
🇭🇲 You can recognise people who are consumed by a dream. They are the ones whose eyes sparkle with a special light.
(Fabrizio Caramagna)
Have a good evening, beautiful souls💕
🇧🇷 Você reconhece as pessoas invadidas por um sonho. São aquelas que têm um brilho que faz os olhos vibrarem.
(Fabrizio Caramagna)
Boa noite, belas almas❤️
🇫🇷 On reconnaît les personnes envahies par un rêve. Ce sont celles qui ont une lumière qui fait vibrer leurs yeux.
(Fabrizio Caramagna)
Bonne soirée, belles âmes💕
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
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@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
(Fabrizio Caramagna)
Buona serata anime belle
🇭🇲 You can recognise people who are consumed by a dream. They are the ones whose eyes sparkle with a special light.
(Fabrizio Caramagna)
Have a good evening, beautiful souls
🇧🇷 Você reconhece as pessoas invadidas por um sonho. São aquelas que têm um brilho que faz os olhos vibrarem.
(Fabrizio Caramagna)
Boa noite, belas almas
🇫🇷 On reconnaît les personnes envahies par un rêve. Ce sont celles qui ont une lumière qui fait vibrer leurs yeux.
(Fabrizio Caramagna)
Bonne soirée, belles âmes
✨✨✨🙏✨✨✨
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https://tttttt.me/galliactica
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@TARTARIAthetruth
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Forwarded from Arkham Farms (Hollis)
Michael Tsarion | On Calvinism
The covert devices of the elite to reduce individuals to their limbic survival brain:
When in survival mode, individuals are easy to collectivize and herd towards pre-ordained goals
They create the conditions for fear, they create the propaganda for where safety lies and suddenly what seemed like a noble cause turns out to be between guard rails with the faceless herd headed into the slaughter house.
A much better story is the one where the individual subdues their base instincts, they become aware of who they are, and begin to solve problems creatively, and selflessly.
The inspired individual is the first to smell a rat in a top hat preaching the external struggle is more important than the internal one.
What is offered in life to the inspired individual is far more rewarding than the one lead by the nose into the collective.
https://youtu.be/BAHrqFUpl3I?
The covert devices of the elite to reduce individuals to their limbic survival brain:
When in survival mode, individuals are easy to collectivize and herd towards pre-ordained goals
They create the conditions for fear, they create the propaganda for where safety lies and suddenly what seemed like a noble cause turns out to be between guard rails with the faceless herd headed into the slaughter house.
A much better story is the one where the individual subdues their base instincts, they become aware of who they are, and begin to solve problems creatively, and selflessly.
The inspired individual is the first to smell a rat in a top hat preaching the external struggle is more important than the internal one.
What is offered in life to the inspired individual is far more rewarding than the one lead by the nose into the collective.
https://youtu.be/BAHrqFUpl3I?
YouTube
Michael Tsarion - RIR 091203 pt2 Calvinism, Roots of Tyranny
http://www.michaeltsarion.com/
https://unslaved.com/
https://www.facebook.com/unslavedpodcast/
https://unslaved.com/
https://www.facebook.com/unslavedpodcast/
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Forwarded from Slavic World
Niklot
Niklot (†August 1160) was a prince of the Slavic Obotrites and ancestor of the House of Mecklenburg, which would rule the region for centuries.
He became chief of the Obotrite confederacy, including the Kissini and the Circipani, between the years 1130 and 1131 and remained in this position until his death in 1160. For nearly 30 years he resisted Saxon princes, especially Henry the Lion during the Wendish Crusade.
Although Niklot resisted the siege of his fortress at Dobin, he was forced to pay tribute to the Christian crusaders. He subsequently arranged peaceful terms with Adolf of Holstein, Duke Henry the Lion of Saxony and Henry of Ratzeburg.
Niklot died defending Orla in 1160 during Henry the Lion's invasion of his lands. Despite his defeat, he became a symbol of Slavic resistance against German and Christian domination.
He had a brother Lubemar and three sons Prislav, Wertislav and Pribislav. Pribislav was the founder of the princely dynasty that ruled Mecklenburg until 1918.
👉Slavic World👈
Niklot (†August 1160) was a prince of the Slavic Obotrites and ancestor of the House of Mecklenburg, which would rule the region for centuries.
He became chief of the Obotrite confederacy, including the Kissini and the Circipani, between the years 1130 and 1131 and remained in this position until his death in 1160. For nearly 30 years he resisted Saxon princes, especially Henry the Lion during the Wendish Crusade.
Although Niklot resisted the siege of his fortress at Dobin, he was forced to pay tribute to the Christian crusaders. He subsequently arranged peaceful terms with Adolf of Holstein, Duke Henry the Lion of Saxony and Henry of Ratzeburg.
Niklot died defending Orla in 1160 during Henry the Lion's invasion of his lands. Despite his defeat, he became a symbol of Slavic resistance against German and Christian domination.
He had a brother Lubemar and three sons Prislav, Wertislav and Pribislav. Pribislav was the founder of the princely dynasty that ruled Mecklenburg until 1918.
👉Slavic World👈
❤8👍3
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
🇮🇹 Carro etrusco di Monteleone, VI secolo a.C. Italia.
Il carro era progettato per essere trainato da due cavalli.
Sulla pannello frontale è raffigurato Achille, a cui sua madre, Teti, consegna le armi. Il telaio e gli ornamenti del carro sono decorati con immagini dettagliate di animali e creature mitologiche.
Il carro è stato trovato casualmente nel 1902 da un semplice contadino, e oggi è il più completo e meglio conservato tra i 300 carri antichi giunti fino a noi.
Attualmente l'oggetto si trova al Metropolitan Museum ed è una delle sue gemme.
🇦🇺 Etruscan chariot from Monteleone, 6th century BC, Italy.
The chariot was designed to be pulled by two horses.
The front panel depicts Achilles receiving weapons from his mother, Thetis. The frame and ornaments of the chariot are decorated with detailed images of animals and mythological creatures.
The chariot was found by chance in 1902 by a simple farmer, and today it is the most complete and best preserved of the 300 ancient chariots that have survived to this day.
The object is currently housed in the Metropolitan Museum and is one of its gems.
🇧🇷 Carro etrusco de Monteleone, século VI a.C. Itália.
O carro foi projetado para ser puxado por dois cavalos.
No painel frontal está representado Aquiles, a quem sua mãe, Tétis, entrega as armas. A estrutura e os ornamentos do carro são decorados com imagens detalhadas de animais e criaturas mitológicas.
A carruagem foi encontrada acidentalmente em 1902 por um simples camponês e hoje é a mais completa e melhor conservada entre as 300 carruagens antigas que chegaram até nós.
Atualmente, o objeto encontra-se no Metropolitan Museum e é uma de suas joias.
🇫🇷 Chariot étrusque de Monteleone, VIe siècle av. J.-C. Italie.
Le chariot était conçu pour être tiré par deux chevaux.
Sur le panneau avant est représenté Achille, à qui sa mère, Thétis, remet ses armes. Le châssis et les ornements du chariot sont décorés d'images détaillées d'animaux et de créatures mythologiques.
Le char a été découvert par hasard en 1902 par un simple paysan, et il est aujourd'hui le plus complet et le mieux conservé des 300 chars antiques qui nous sont parvenus.
Il se trouve actuellement au Metropolitan Museum, où il est l'un des joyaux de la collection.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Il carro era progettato per essere trainato da due cavalli.
Sulla pannello frontale è raffigurato Achille, a cui sua madre, Teti, consegna le armi. Il telaio e gli ornamenti del carro sono decorati con immagini dettagliate di animali e creature mitologiche.
Il carro è stato trovato casualmente nel 1902 da un semplice contadino, e oggi è il più completo e meglio conservato tra i 300 carri antichi giunti fino a noi.
Attualmente l'oggetto si trova al Metropolitan Museum ed è una delle sue gemme.
🇦🇺 Etruscan chariot from Monteleone, 6th century BC, Italy.
The chariot was designed to be pulled by two horses.
The front panel depicts Achilles receiving weapons from his mother, Thetis. The frame and ornaments of the chariot are decorated with detailed images of animals and mythological creatures.
The chariot was found by chance in 1902 by a simple farmer, and today it is the most complete and best preserved of the 300 ancient chariots that have survived to this day.
The object is currently housed in the Metropolitan Museum and is one of its gems.
🇧🇷 Carro etrusco de Monteleone, século VI a.C. Itália.
O carro foi projetado para ser puxado por dois cavalos.
No painel frontal está representado Aquiles, a quem sua mãe, Tétis, entrega as armas. A estrutura e os ornamentos do carro são decorados com imagens detalhadas de animais e criaturas mitológicas.
A carruagem foi encontrada acidentalmente em 1902 por um simples camponês e hoje é a mais completa e melhor conservada entre as 300 carruagens antigas que chegaram até nós.
Atualmente, o objeto encontra-se no Metropolitan Museum e é uma de suas joias.
🇫🇷 Chariot étrusque de Monteleone, VIe siècle av. J.-C. Italie.
Le chariot était conçu pour être tiré par deux chevaux.
Sur le panneau avant est représenté Achille, à qui sa mère, Thétis, remet ses armes. Le châssis et les ornements du chariot sont décorés d'images détaillées d'animaux et de créatures mythologiques.
Le char a été découvert par hasard en 1902 par un simple paysan, et il est aujourd'hui le plus complet et le mieux conservé des 300 chars antiques qui nous sont parvenus.
Il se trouve actuellement au Metropolitan Museum, où il est l'un des joyaux de la collection.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤5👍4