Forwarded from HISTORIA MUNDI© (LEGATVS LEGIONIS)
Bathu-ki-Ladi – Versunkene Tempel
Ihr außergewöhnliches Merkmal: Acht Monate im Jahr liegen die Tempel vollständig unter Wasser. Sie wurden in den 1970er-Jahren durch die Flutung des Maharana Pratap Sagar, einem künstlichen Stausee, überflutet – entstanden infolge des Baus des Pong-Damms. Während der etwa viermonatigen Trockenzeit (Februar bis Mai) sind die Tempel zu Fuß erreichbar; in der übrigen Zeit (Juni bis Januar), während der Monsun- und Hochwasserperioden, bringen Boote Besucher vom Festland in die Nähe des Tempelkomplexes.
Die Bathu-ki-Ladi-Tempel befinden sich im Kangra-Distrikt des nordindischen Bundesstaates Himachal Pradesh.
🏛️ HISTORIA MUNDI 🏛️
Ihr außergewöhnliches Merkmal: Acht Monate im Jahr liegen die Tempel vollständig unter Wasser. Sie wurden in den 1970er-Jahren durch die Flutung des Maharana Pratap Sagar, einem künstlichen Stausee, überflutet – entstanden infolge des Baus des Pong-Damms. Während der etwa viermonatigen Trockenzeit (Februar bis Mai) sind die Tempel zu Fuß erreichbar; in der übrigen Zeit (Juni bis Januar), während der Monsun- und Hochwasserperioden, bringen Boote Besucher vom Festland in die Nähe des Tempelkomplexes.
Die Bathu-ki-Ladi-Tempel befinden sich im Kangra-Distrikt des nordindischen Bundesstaates Himachal Pradesh.
🏛️ HISTORIA MUNDI 🏛️
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Forwarded from Dystopia Now!
Beaux Arts - just an excuse. I don't buy the Art 'movement' thing. Did everyone just die in WW2 who had any ART skills whatsoever? No chance of Beaux Arts, Art Deco or Art Nouveau post-war but everything was easy before? Nope. Don't buy it. No one has any reason to.
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Forwarded from TARTARIA HISPANICA
🇬🇧 The Vespa
The iconic Italian scooter was born in 1946. Piaggio, initially an aerospace company, sought to reinvent itself due to the need for inexpensive, reliable transportation in Italy, which was struggling to rebuild after the World War II. Designed by Corradino D'Ascanio, quickly gained popularity across Europe and beyond, becoming a symbol of Italian design and a cultural phenomenon.
Corradino was an aircraft engineer, who incorporated elements like the step-through frame, which allowed both men and women to ride comfortably. The name "Vespa" (Italian for "wasp") was chosen due to the scooter's shape and buzzing engine sound.
It's popularity spread rapidly, leading to production in multiple countries and the formation of numerous Vespa clubs, becaming more than just a mode of transportation; a symbol of Italian style, freedom, and a cultural icon embraced by various subcultures, like the Mods in the UK.
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The iconic Italian scooter was born in 1946. Piaggio, initially an aerospace company, sought to reinvent itself due to the need for inexpensive, reliable transportation in Italy, which was struggling to rebuild after the World War II. Designed by Corradino D'Ascanio, quickly gained popularity across Europe and beyond, becoming a symbol of Italian design and a cultural phenomenon.
Corradino was an aircraft engineer, who incorporated elements like the step-through frame, which allowed both men and women to ride comfortably. The name "Vespa" (Italian for "wasp") was chosen due to the scooter's shape and buzzing engine sound.
It's popularity spread rapidly, leading to production in multiple countries and the formation of numerous Vespa clubs, becaming more than just a mode of transportation; a symbol of Italian style, freedom, and a cultural icon embraced by various subcultures, like the Mods in the UK.
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@TARTARIA in my CITY 🏰
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Forwarded from TARTARIA HISPANICA
🇬🇧 "Already in the Rigveda an idea appears that became fundamental for the religious life of the Indo-Europeans; the idea of Order. Order is understood as Logos and as the cooperation of the human forces with the divine.
Order as the essence of the Indo-European universe exists both in this world and in the hereafter. It forms the source from which the visible and invisible cosmos proceeds. The symbols of both overlap, and the former on the plane of natural becoming designate that which on the plane of Being becomes only that which is natural.
This Order, which manifests itself in the balance of the manifested universe, for the Indo-European is both an intuition and a horizon for physical and spiritual development."
The Birth of Europe; the Emergence of the Indo-Europeans, Teresa Cuenca Cabañas
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Order as the essence of the Indo-European universe exists both in this world and in the hereafter. It forms the source from which the visible and invisible cosmos proceeds. The symbols of both overlap, and the former on the plane of natural becoming designate that which on the plane of Being becomes only that which is natural.
This Order, which manifests itself in the balance of the manifested universe, for the Indo-European is both an intuition and a horizon for physical and spiritual development."
The Birth of Europe; the Emergence of the Indo-Europeans, Teresa Cuenca Cabañas
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@ODAL
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@TARTARIA in my CITY 🏰
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Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Se cerchi di mettere uno spirito libero in gabbia, scoprirai che anche le gabbie possono volare.
(Fabrizio Caramagna)
Buona serata anime belle 🕊
🇭🇲 If you try to cage a free spirit, you will discover that even cages can fly.
(Fabrizio Caramagna)
Have a good evening, beautiful souls 🕊
🇧🇷 Se você tentar colocar um espírito livre numa gaiola, descobrirá que até as gaiolas podem voar.
(Fabrizio Caramagna)
Boa noite, belas almas 🕊
🇫🇷 Si vous essayez d'enfermer un esprit libre dans une cage, vous découvrirez que même les cages peuvent voler.
(Fabrizio Caramagna)
Bonne soirée, belles âmes 🕊
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
(Fabrizio Caramagna)
Buona serata anime belle 🕊
🇭🇲 If you try to cage a free spirit, you will discover that even cages can fly.
(Fabrizio Caramagna)
Have a good evening, beautiful souls 🕊
🇧🇷 Se você tentar colocar um espírito livre numa gaiola, descobrirá que até as gaiolas podem voar.
(Fabrizio Caramagna)
Boa noite, belas almas 🕊
🇫🇷 Si vous essayez d'enfermer un esprit libre dans une cage, vous découvrirez que même les cages peuvent voler.
(Fabrizio Caramagna)
Bonne soirée, belles âmes 🕊
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤9🕊4👍2
Forwarded from TARTARIA HISPANICA
🇬🇧 The Submerged City of Lake Issyk-Kul
In the depths of this lake in Kyrgyzstan, a submerged city was explored with the help of the Russian underwater drone "Trionix-6M". It is located at a depth of up to 5 m and at a distance of up to one kilometer from the shore.
The ground work concluded with the creation of an accurate digital map of the tumuli of the Semenovsky Gorge and with detailed aerial photographs of the coast near the village Toru-Aygyr.
"The ancient settlement arose in the tenth century and existed until the thirteenth century. However, it subsequently disappeared for reasons that are still difficult to determine," explains the head of the expedition, the researcher of the Institute of Archaeology of the Russian Academy of Sciences, Maksim Menshikov.
Scientists propose different theories about what happened to the city. The first is that there was a tectonic damming and the water level rose. The second is a seismic catastrophe, as a result of which the city sank into the lake. During the expedition, remains of trees that were growing there when the city was submerged were found.
The processed information will help scientists to obtain accurate data on what kind of catastrophe occurred and when.
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@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
In the depths of this lake in Kyrgyzstan, a submerged city was explored with the help of the Russian underwater drone "Trionix-6M". It is located at a depth of up to 5 m and at a distance of up to one kilometer from the shore.
The ground work concluded with the creation of an accurate digital map of the tumuli of the Semenovsky Gorge and with detailed aerial photographs of the coast near the village Toru-Aygyr.
"The ancient settlement arose in the tenth century and existed until the thirteenth century. However, it subsequently disappeared for reasons that are still difficult to determine," explains the head of the expedition, the researcher of the Institute of Archaeology of the Russian Academy of Sciences, Maksim Menshikov.
Scientists propose different theories about what happened to the city. The first is that there was a tectonic damming and the water level rose. The second is a seismic catastrophe, as a result of which the city sank into the lake. During the expedition, remains of trees that were growing there when the city was submerged were found.
The processed information will help scientists to obtain accurate data on what kind of catastrophe occurred and when.
Join us
@ВЕТРЫ ИСТОРИИ
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
👍13❤4
Forwarded from TARTARIA HISPANICA
🇬🇧 "It seems that it is time to die within oneself, in silence and eternal virtue. It is indeed a very uncomfortable situation to be talking to a human wall every day. Sometimes it seems to me a lack of self-respect.
With the correct perspective of the facts, we somewhat resemble the Nuremberg kamaradas. We are under siege, prisoners of the enemy's system. However, our ethics remain intact. All around are the walls of the prison, the silence of an impassive cosmos in front of the injustice he has seen during millions of aeons, because those aeons are the undaunted and abominable eyes of the Demiurge, the eternal hatred towards the freedom of the uncreated spirit. He, senselessly and stagnantly contemplates the process of putrefaction of every living being, holding the illusion of matter and the deception of created consciousness.
The Sun and the Moon are still shining, like mute witnesses of a tragedy. What a cold and indifferent nature that of the cosmos!
Oh, we have to be colder than her if we want to transcend her. To strip ourselves of all our expectations, to accept the end of time, to accept that there will not be another reich, nor will our banners continue to be paraded before the decomposition of the demiurgic world. They only parade in the blood of our lineage, where we live. Let's not get confused, what's dead is dead..."
As
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
With the correct perspective of the facts, we somewhat resemble the Nuremberg kamaradas. We are under siege, prisoners of the enemy's system. However, our ethics remain intact. All around are the walls of the prison, the silence of an impassive cosmos in front of the injustice he has seen during millions of aeons, because those aeons are the undaunted and abominable eyes of the Demiurge, the eternal hatred towards the freedom of the uncreated spirit. He, senselessly and stagnantly contemplates the process of putrefaction of every living being, holding the illusion of matter and the deception of created consciousness.
The Sun and the Moon are still shining, like mute witnesses of a tragedy. What a cold and indifferent nature that of the cosmos!
Oh, we have to be colder than her if we want to transcend her. To strip ourselves of all our expectations, to accept the end of time, to accept that there will not be another reich, nor will our banners continue to be paraded before the decomposition of the demiurgic world. They only parade in the blood of our lineage, where we live. Let's not get confused, what's dead is dead..."
As
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
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Forwarded from HISTORIA MUNDI©
Das vergessene Kolonialreich
Im 18. und 19. Jahrhundert war das Omanische Sultanat eine mächtige See‐ und Handelsmacht, die die Portugiesen aus dem Indischen Ozean verdrängte und unter der Yaʿaruba‐Dynastie Häfen von Bandar Abbas bis Mombasa kontrollierte.
Unter Sultan Said bin Sultan (reg. 1804 – 1856) erreichte das Reich seinen Höhepunkt: Maskat wurde zum Knotenpunkt für Handel und Diplomatie, und auf der Insel Sansibar florierte die Kultur und der Gewürzhandel.
Nach Saids Tod im Jahr 1856 teilte sich das Imperium in zwei Sultanate – Maskat und Sansibar – und geriet bald unter britischen Einfluss. Heute zählt man Oman selten zu den einstigen Kolonialmächten, dabei prägte sein maritimes Netzwerk sowohl Ostafrika als auch Südostasien nachhaltig.
Zwischen 1800 und 1870 wurden jährlich bis zu 20.000 Sklaven über Sansibar in das Omanische Kolonialreich verschleppt.
Die Abschaffung der Sklaverei erfolgte erst 1970 unter Sultan Qaboos bin Said.
👉HISTORIA MUNDI👈
Im 18. und 19. Jahrhundert war das Omanische Sultanat eine mächtige See‐ und Handelsmacht, die die Portugiesen aus dem Indischen Ozean verdrängte und unter der Yaʿaruba‐Dynastie Häfen von Bandar Abbas bis Mombasa kontrollierte.
Unter Sultan Said bin Sultan (reg. 1804 – 1856) erreichte das Reich seinen Höhepunkt: Maskat wurde zum Knotenpunkt für Handel und Diplomatie, und auf der Insel Sansibar florierte die Kultur und der Gewürzhandel.
Nach Saids Tod im Jahr 1856 teilte sich das Imperium in zwei Sultanate – Maskat und Sansibar – und geriet bald unter britischen Einfluss. Heute zählt man Oman selten zu den einstigen Kolonialmächten, dabei prägte sein maritimes Netzwerk sowohl Ostafrika als auch Südostasien nachhaltig.
Zwischen 1800 und 1870 wurden jährlich bis zu 20.000 Sklaven über Sansibar in das Omanische Kolonialreich verschleppt.
Die Abschaffung der Sklaverei erfolgte erst 1970 unter Sultan Qaboos bin Said.
👉HISTORIA MUNDI👈
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