Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
🇮🇹 Forme interessanti per la programmazione delle oscillazioni dell'acqua, che assomigliano in modo inquietante agli schemi dei pannelli elettrici. Queste forme si trovano nei templi indiani, nei giardini labirintici, nella scheda madre del risonatore di Schumann, nei pavimenti delle chiese di quasi tutto il mondo.
🇭🇲 Interesting shapes for programming water oscillations, which eerily resemble electrical panel diagrams. These shapes can be found in Indian temples, labyrinthine gardens, the motherboard of the Schumann resonator, and the floors of churches almost everywhere in the world.
🇧🇷 Formas interessantes para a programação das oscilações da água, que se assemelham de forma inquietante aos esquemas dos painéis elétricos. Estas formas encontram-se nos templos indianos, nos jardins labirínticos, na placa-mãe do ressonador de Schumann, nos pisos das igrejas de quase todo o mundo.
🇫🇷 Des formes intéressantes pour la programmation des oscillations de l'eau, qui ressemblent de manière troublante aux schémas des panneaux électriques. On retrouve ces formes dans les temples indiens, les jardins labyrinthiques, la carte mère du résonateur de Schumann, les sols des églises de presque partout dans le monde.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
🇭🇲 Interesting shapes for programming water oscillations, which eerily resemble electrical panel diagrams. These shapes can be found in Indian temples, labyrinthine gardens, the motherboard of the Schumann resonator, and the floors of churches almost everywhere in the world.
🇧🇷 Formas interessantes para a programação das oscilações da água, que se assemelham de forma inquietante aos esquemas dos painéis elétricos. Estas formas encontram-se nos templos indianos, nos jardins labirínticos, na placa-mãe do ressonador de Schumann, nos pisos das igrejas de quase todo o mundo.
🇫🇷 Des formes intéressantes pour la programmation des oscillations de l'eau, qui ressemblent de manière troublante aux schémas des panneaux électriques. On retrouve ces formes dans les temples indiens, les jardins labyrinthiques, la carte mère du résonateur de Schumann, les sols des églises de presque partout dans le monde.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤10👍4
Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉
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🇮🇹 Tombe rupestri nella zona di Fethiye, Mugla
Le tombe rupestri nella zona di Fethiye, Mugla, sono tombe antiche scavate nella roccia. Si trovano nella città di Fethiye, nella provincia di Mugla, sulla costa turca del Mar Egeo.
🇭🇲 Rock tombs in the Fethiye area, Mugla
The rock tombs in the Fethiye area, Mugla, are ancient tombs carved into the rock. They are located in the city of Fethiye, in the province of Mugla, on the Turkish coast of the Aegean Sea.
🇧🇷 Túmulos rupestres na região de Fethiye, Mugla
Os túmulos rupestres na região de Fethiye, Mugla, são túmulos antigos escavados na rocha. Eles estão localizados na cidade de Fethiye, na província de Mugla, na costa turca do Mar Egeu.
🇫🇷 Tombeaux rupestres dans la région de Fethiye, Mugla
Les tombeaux rupestres de la région de Fethiye, Mugla, sont des tombes anciennes creusées dans la roche. Ils se trouvent dans la ville de Fethiye, dans la province de Mugla, sur la côte turque de la mer Égée.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Le tombe rupestri nella zona di Fethiye, Mugla, sono tombe antiche scavate nella roccia. Si trovano nella città di Fethiye, nella provincia di Mugla, sulla costa turca del Mar Egeo.
🇭🇲 Rock tombs in the Fethiye area, Mugla
The rock tombs in the Fethiye area, Mugla, are ancient tombs carved into the rock. They are located in the city of Fethiye, in the province of Mugla, on the Turkish coast of the Aegean Sea.
🇧🇷 Túmulos rupestres na região de Fethiye, Mugla
Os túmulos rupestres na região de Fethiye, Mugla, são túmulos antigos escavados na rocha. Eles estão localizados na cidade de Fethiye, na província de Mugla, na costa turca do Mar Egeu.
🇫🇷 Tombeaux rupestres dans la région de Fethiye, Mugla
Les tombeaux rupestres de la région de Fethiye, Mugla, sont des tombes anciennes creusées dans la roche. Ils se trouvent dans la ville de Fethiye, dans la province de Mugla, sur la côte turque de la mer Égée.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
❤6👍3
Forwarded from Historia Occulta
The Emerald Device and the Color of Deception
Oz was never just a children’s fantasy. Its structure bears too close a resemblance to esoteric initiation to be accidental. L. Frank Baum, a Theosophist steeped in occult study, set Dorothy on the Yellow Brick Road as more than a child’s journey—it is the initiate’s trial. Her departure from Kansas is not escape but rupture: the moment when the veil lifts and archetype takes over.
At the road’s end rises the Emerald City, dazzling yet hollow. In alchemy and esoteric masonry, green marks the middle stage—the realm of illusion where seekers often stop short, mistaking spectacle for truth. The City glows only through lenses provided, its Wizard projecting power through ritual smoke and glass. He is not savior but distraction, the false light meant to be seen through.
The real key rests on Dorothy’s feet. In Baum’s original text, her shoes are silver—lunar metal walking the golden path, moon and sun together. Her companions—Scarecrow, Tin Man, Lion—are mind, heart, and will, fractured aspects of herself. Only when reunited does the way home appear. The lesson is not ascent to higher realms, but return with clarity: that what was sought was already within reach.
Follow @historiaocculta
Oz was never just a children’s fantasy. Its structure bears too close a resemblance to esoteric initiation to be accidental. L. Frank Baum, a Theosophist steeped in occult study, set Dorothy on the Yellow Brick Road as more than a child’s journey—it is the initiate’s trial. Her departure from Kansas is not escape but rupture: the moment when the veil lifts and archetype takes over.
At the road’s end rises the Emerald City, dazzling yet hollow. In alchemy and esoteric masonry, green marks the middle stage—the realm of illusion where seekers often stop short, mistaking spectacle for truth. The City glows only through lenses provided, its Wizard projecting power through ritual smoke and glass. He is not savior but distraction, the false light meant to be seen through.
The real key rests on Dorothy’s feet. In Baum’s original text, her shoes are silver—lunar metal walking the golden path, moon and sun together. Her companions—Scarecrow, Tin Man, Lion—are mind, heart, and will, fractured aspects of herself. Only when reunited does the way home appear. The lesson is not ascent to higher realms, but return with clarity: that what was sought was already within reach.
Follow @historiaocculta
👍7❤6⚡5🤔1
Forwarded from HISTORIA MUNDI© (LEGATVS LEGIONIS)
Bathu-ki-Ladi – Versunkene Tempel
Ihr außergewöhnliches Merkmal: Acht Monate im Jahr liegen die Tempel vollständig unter Wasser. Sie wurden in den 1970er-Jahren durch die Flutung des Maharana Pratap Sagar, einem künstlichen Stausee, überflutet – entstanden infolge des Baus des Pong-Damms. Während der etwa viermonatigen Trockenzeit (Februar bis Mai) sind die Tempel zu Fuß erreichbar; in der übrigen Zeit (Juni bis Januar), während der Monsun- und Hochwasserperioden, bringen Boote Besucher vom Festland in die Nähe des Tempelkomplexes.
Die Bathu-ki-Ladi-Tempel befinden sich im Kangra-Distrikt des nordindischen Bundesstaates Himachal Pradesh.
🏛️ HISTORIA MUNDI 🏛️
Ihr außergewöhnliches Merkmal: Acht Monate im Jahr liegen die Tempel vollständig unter Wasser. Sie wurden in den 1970er-Jahren durch die Flutung des Maharana Pratap Sagar, einem künstlichen Stausee, überflutet – entstanden infolge des Baus des Pong-Damms. Während der etwa viermonatigen Trockenzeit (Februar bis Mai) sind die Tempel zu Fuß erreichbar; in der übrigen Zeit (Juni bis Januar), während der Monsun- und Hochwasserperioden, bringen Boote Besucher vom Festland in die Nähe des Tempelkomplexes.
Die Bathu-ki-Ladi-Tempel befinden sich im Kangra-Distrikt des nordindischen Bundesstaates Himachal Pradesh.
🏛️ HISTORIA MUNDI 🏛️
👍7❤3
Forwarded from Dystopia Now!
Beaux Arts - just an excuse. I don't buy the Art 'movement' thing. Did everyone just die in WW2 who had any ART skills whatsoever? No chance of Beaux Arts, Art Deco or Art Nouveau post-war but everything was easy before? Nope. Don't buy it. No one has any reason to.
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