Forwarded from IO SONO ANIMA - sentiero di consapevolezza 🐬✨🕉 (Iara)
🇮🇹 L'antica città di Petra in Giordania.
Una città rupestre misteriosa e insolita, di cui i saggi dell'antichità scrissero più di una volta e fu menzionata nella Bibbia. Al confine del IV-III millennio aC, i nomadi arabi nabatei decisero di stabilirsi in questa zona, e costruirono la loro capitale, la città di Petra, in un luogo remoto.
Era infatti difficile entrare in città, poiché c'era un solo ingresso attraverso una stretta gola. I più famosi dei nostri tempi sono i templi-palazzi di El-Khazneh e Ad-Deir scavati nella roccia. I templi ellenistici sono edifici monumentali interamente scavati nella roccia. Lo scopo esatto delle strutture non è del tutto chiaro. Si presume che il tempio El-Khazneh fosse originariamente un tempio della dea Iside.
🇦🇺 The ancient city of Petra in Jordan
A mysterious and unusual rock city, which the sages of antiquity wrote about more than once and was mentioned in the Bible. At the border of the 4th-3rd millennium BC, the Nabataean Arab nomads decided to settle in this area, and built their capital, the city of Petra, in a remote location.
It was indeed difficult to enter the city, as there was only one entrance through a narrow gorge. The most famous of our times are the rock-hewn temples of El-Khazneh and Ad-Deir. Hellenistic temples are monumental buildings carved entirely out of rock. The exact purpose of the structures is not entirely clear. It is assumed that the El-Khazneh temple was originally a temple of the goddess Isis.
🇧🇷 A antiga cidade de Petra, na Jordânia
Uma cidade rochosa misteriosa e incomum, sobre a qual os sábios da antiguidade escreveram mais de uma vez e que foi mencionada na Bíblia. Na fronteira entre o 4º e o 3º milênio a.C., os nômades árabes nabateus decidiram se estabelecer nessa área e construíram sua capital, a cidade de Petra, em um local remoto.
De fato, era difícil entrar na cidade, pois havia apenas uma entrada por um estreito desfiladeiro. Os mais famosos de nossa época são os templos escavados na rocha de El-Khazneh e Ad-Deir. Os templos helenísticos são edifícios monumentais esculpidos inteiramente na rocha. O objetivo exato das estruturas não é totalmente claro. Supõe-se que o templo de El-Khazneh tenha sido originalmente um templo da deusa Ísis.
🇫🇷 L'ancienne ville de Petra en Jordanie
Une ville rocheuse mystérieuse et insolite, dont les sages de l'Antiquité ont parlé plus d'une fois et qui est mentionnée dans la Bible. À la limite du 4e-3e millénaire avant J.-C., les nomades arabes nabatéens décidèrent de s'installer dans cette région et construisirent leur capitale, la ville de Pétra, dans un endroit isolé.
Il était en effet difficile de pénétrer dans la ville, car il n'y avait qu'une seule entrée par une gorge étroite. Les plus célèbres de nos jours sont les temples taillés dans le roc d'El-Khazneh et d'Ad-Deir. Les temples hellénistiques sont des édifices monumentaux entièrement taillés dans le roc. Leur fonction exacte n'est pas tout à fait claire. On suppose que le temple d'El-Khazneh était à l'origine un temple de la déesse Isis.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
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@TARTARIAthetruth
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https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Una città rupestre misteriosa e insolita, di cui i saggi dell'antichità scrissero più di una volta e fu menzionata nella Bibbia. Al confine del IV-III millennio aC, i nomadi arabi nabatei decisero di stabilirsi in questa zona, e costruirono la loro capitale, la città di Petra, in un luogo remoto.
Era infatti difficile entrare in città, poiché c'era un solo ingresso attraverso una stretta gola. I più famosi dei nostri tempi sono i templi-palazzi di El-Khazneh e Ad-Deir scavati nella roccia. I templi ellenistici sono edifici monumentali interamente scavati nella roccia. Lo scopo esatto delle strutture non è del tutto chiaro. Si presume che il tempio El-Khazneh fosse originariamente un tempio della dea Iside.
🇦🇺 The ancient city of Petra in Jordan
A mysterious and unusual rock city, which the sages of antiquity wrote about more than once and was mentioned in the Bible. At the border of the 4th-3rd millennium BC, the Nabataean Arab nomads decided to settle in this area, and built their capital, the city of Petra, in a remote location.
It was indeed difficult to enter the city, as there was only one entrance through a narrow gorge. The most famous of our times are the rock-hewn temples of El-Khazneh and Ad-Deir. Hellenistic temples are monumental buildings carved entirely out of rock. The exact purpose of the structures is not entirely clear. It is assumed that the El-Khazneh temple was originally a temple of the goddess Isis.
🇧🇷 A antiga cidade de Petra, na Jordânia
Uma cidade rochosa misteriosa e incomum, sobre a qual os sábios da antiguidade escreveram mais de uma vez e que foi mencionada na Bíblia. Na fronteira entre o 4º e o 3º milênio a.C., os nômades árabes nabateus decidiram se estabelecer nessa área e construíram sua capital, a cidade de Petra, em um local remoto.
De fato, era difícil entrar na cidade, pois havia apenas uma entrada por um estreito desfiladeiro. Os mais famosos de nossa época são os templos escavados na rocha de El-Khazneh e Ad-Deir. Os templos helenísticos são edifícios monumentais esculpidos inteiramente na rocha. O objetivo exato das estruturas não é totalmente claro. Supõe-se que o templo de El-Khazneh tenha sido originalmente um templo da deusa Ísis.
🇫🇷 L'ancienne ville de Petra en Jordanie
Une ville rocheuse mystérieuse et insolite, dont les sages de l'Antiquité ont parlé plus d'une fois et qui est mentionnée dans la Bible. À la limite du 4e-3e millénaire avant J.-C., les nomades arabes nabatéens décidèrent de s'installer dans cette région et construisirent leur capitale, la ville de Pétra, dans un endroit isolé.
Il était en effet difficile de pénétrer dans la ville, car il n'y avait qu'une seule entrée par une gorge étroite. Les plus célèbres de nos jours sont les temples taillés dans le roc d'El-Khazneh et d'Ad-Deir. Les temples hellénistiques sont des édifices monumentaux entièrement taillés dans le roc. Leur fonction exacte n'est pas tout à fait claire. On suppose que le temple d'El-Khazneh était à l'origine un temple de la déesse Isis.
✨✨✨🙏✨✨✨
https://tttttt.me/ioanima
https://tttttt.me/galliactica
https://tttttt.me/orgoniteitalia
@TARTARIAthetruth
https://tttttt.me/tartariabrazil
https://tttttt.me/Du_Labyrinthe_aux_Hypotheses
https://tttttt.me/TARTARIAITALIACHANNEL
Forwarded from TARTARIA HISPANICA
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🇪🇸 La Roca del León ️ ️ ️
El Sigirîya o Simhagîri significa la "roca del león", se encuentra en el mismo centro de Sri Lanka a 370 metros de altura y alberga un yacimiento arqueológico.
El ascenso a la cima de Sigirîya es grandioso. Para llegar es necesario subir más de 1300 escalones.
Este sitio es conocido por sus frescos rupestres y sus impresionantes patas de león, talladas en la roca... ¡sin mencionar la espectacular vista que tenemos estando arriba!
Parece un tocón gigante petrificado, ¿verdad?
🇬🇧 The Lion's Rock ️
The Sigirîya or Simhagîri means the "lion rock", is located in the very center of Sri Lanka at 1214 ft high and houses an archaeological site.
The ascent to the top of Sigirîya is great. To get there it is necessary to climb more than 1300 steps.
This site is known for its cave frescoes and its impressive lion paws, carved into the rock... not to mention the spectacular view we have being upstairs!
It looks like a giant petrified stump, doesn't it?
Join us
@Du Labyrinthe aux Hypothèses 🇫🇷
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The copyright of the music belongs to Mak Jun-Hung.
El Sigirîya o Simhagîri significa la "roca del león", se encuentra en el mismo centro de Sri Lanka a 370 metros de altura y alberga un yacimiento arqueológico.
El ascenso a la cima de Sigirîya es grandioso. Para llegar es necesario subir más de 1300 escalones.
Este sitio es conocido por sus frescos rupestres y sus impresionantes patas de león, talladas en la roca... ¡sin mencionar la espectacular vista que tenemos estando arriba!
Parece un tocón gigante petrificado, ¿verdad?
🇬🇧 The Lion's Rock ️
The Sigirîya or Simhagîri means the "lion rock", is located in the very center of Sri Lanka at 1214 ft high and houses an archaeological site.
The ascent to the top of Sigirîya is great. To get there it is necessary to climb more than 1300 steps.
This site is known for its cave frescoes and its impressive lion paws, carved into the rock... not to mention the spectacular view we have being upstairs!
It looks like a giant petrified stump, doesn't it?
Join us
@Du Labyrinthe aux Hypothèses 🇫🇷
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
The copyright of the music belongs to Mak Jun-Hung.
Forwarded from TARTARIA HISPANICA
🇪🇸 Pieterburen, Holanda
Una "iglesia" SIN cruz
Quizás estos edificios llamados ahora iglesias y catedrales antes eran usados con otros fines, como captar energía del éter, en lugar de amontonar creyentes para rezar a un ser imaginario y autoculparse por todo y contarle sus errores a un tipo vestido con un vestido largo negro.
Ahora todos estos edificios tienen una cruz. Es bastante probable que antes tuvieran antenas como la que se ve en estas imágenes, y ninguna cruz. Ni señores con vestidos largos recopiladores de los errores de la gente.
🇬🇧 Pieterburen, The Netherlands
A "church" WITHOUT a cross
Perhaps these buildings now called churches and cathedrals used to be used for other purposes, such as harnessing energy from the ether, instead of piling up believers to pray to an imaginary being and blame themselves for everything and tell their mistakes to a guy dressed in a long black dress.
Now all these buildings have a cross. It is quite likely that they used to have antennas like the one seen in these images, and no cross. Nor gentlemen in long dresses who collect people's mistakes.
Join us
@TARTARIA The Netherlands 🇳🇱
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Una "iglesia" SIN cruz
Quizás estos edificios llamados ahora iglesias y catedrales antes eran usados con otros fines, como captar energía del éter, en lugar de amontonar creyentes para rezar a un ser imaginario y autoculparse por todo y contarle sus errores a un tipo vestido con un vestido largo negro.
Ahora todos estos edificios tienen una cruz. Es bastante probable que antes tuvieran antenas como la que se ve en estas imágenes, y ninguna cruz. Ni señores con vestidos largos recopiladores de los errores de la gente.
🇬🇧 Pieterburen, The Netherlands
A "church" WITHOUT a cross
Perhaps these buildings now called churches and cathedrals used to be used for other purposes, such as harnessing energy from the ether, instead of piling up believers to pray to an imaginary being and blame themselves for everything and tell their mistakes to a guy dressed in a long black dress.
Now all these buildings have a cross. It is quite likely that they used to have antennas like the one seen in these images, and no cross. Nor gentlemen in long dresses who collect people's mistakes.
Join us
@TARTARIA The Netherlands 🇳🇱
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Forwarded from Electroculture farming (E T)
@Electroculturefarming
https://plantsurge.com/?ref=Etan
Stack Plantsurge with Electroculture to achieve amazing results !
https://sherpa-life.com
https://plantsurge.com/?ref=Etan
Stack Plantsurge with Electroculture to achieve amazing results !
https://sherpa-life.com
Forwarded from TARTARIA HISPANICA
🇪🇸 Maqueta de la Roma Imperial, siglo IV d.C.
El Museo de la Civilización Romana alberga una de las maquetas más impresionantes de la ciudad jamás construidas.
Conocida como el Plastico di Roma Imperiale, fue creada por el arqueólogo italiano Italo Gismondi, que tardó más de 35 años en acabarlo.
Se derivó de la Forma Urbis Romae, tiene una escala de 1:250 y está hecho de yeso.
🇬🇧 Model of Imperial Rome, 4th century A.D.
The Museum of Roman Civilization houses one of the most impressive models of the city ever built.
Known as the Plastico di Roma Imperiale, it was created by the Italian archaeologist Italo Gismondi, who took more than 35 years to finish it.
It was derived from the Forma Urbis Romae, has a scale of 1:250 and is made of plaster.
Join us
@Antworten Aus Dem Universum 🇩🇪
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
El Museo de la Civilización Romana alberga una de las maquetas más impresionantes de la ciudad jamás construidas.
Conocida como el Plastico di Roma Imperiale, fue creada por el arqueólogo italiano Italo Gismondi, que tardó más de 35 años en acabarlo.
Se derivó de la Forma Urbis Romae, tiene una escala de 1:250 y está hecho de yeso.
🇬🇧 Model of Imperial Rome, 4th century A.D.
The Museum of Roman Civilization houses one of the most impressive models of the city ever built.
Known as the Plastico di Roma Imperiale, it was created by the Italian archaeologist Italo Gismondi, who took more than 35 years to finish it.
It was derived from the Forma Urbis Romae, has a scale of 1:250 and is made of plaster.
Join us
@Antworten Aus Dem Universum 🇩🇪
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Forwarded from TARTARIA HISPANICA
🇪🇸 Muchos capítulos de nuestra historia han sido eliminados deliberadamente
Esta carta proviene de un juego llamado Minchiate, un juego de cartas de principios del siglo XVI. En ella se puede ver el Gran Imperio Tártaro.
Gracias a las profundidades de Internet y a los dedicados investigadores, podemos reconstruir los fragmentos de la historia borrada.
Puede que nunca sepamos toda la verdad, pero podemos salvar y preservar lo que encontremos.
🇬🇧 Many chapters of our history has been deliberately removed
This card come from a game called Minchiate, it is a card game from the early 16th century.
On this card you see a glimpse of the Grand Tartarian Empire.
Thanks to the depths of the internet and devoted researchers, we can piece together the fragments of our erased history.
We may never know the whole truth but we can save and preserve what we find.
Join us
@The Doctors TARDIS 🇬🇧
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Esta carta proviene de un juego llamado Minchiate, un juego de cartas de principios del siglo XVI. En ella se puede ver el Gran Imperio Tártaro.
Gracias a las profundidades de Internet y a los dedicados investigadores, podemos reconstruir los fragmentos de la historia borrada.
Puede que nunca sepamos toda la verdad, pero podemos salvar y preservar lo que encontremos.
🇬🇧 Many chapters of our history has been deliberately removed
This card come from a game called Minchiate, it is a card game from the early 16th century.
On this card you see a glimpse of the Grand Tartarian Empire.
Thanks to the depths of the internet and devoted researchers, we can piece together the fragments of our erased history.
We may never know the whole truth but we can save and preserve what we find.
Join us
@The Doctors TARDIS 🇬🇧
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
Forwarded from Slavic World
Bronisław Piłsudski (1866-1918) was a Polish ethnographer specialising in the Nivkh, Oroks and Ainu.
The younger brother of Józef Piłsudski was arrested by the Tsarist police in 1887 and sentenced to 15 years of forced labour on Sakhalin. There he initially had to do hard physical labour, but soon became a teacher and met Lev Yakovlevich Sternberg, who introduced him to ethnography. In 1902, he was commissioned by the Imperial Russian Academy of Sciences to collect ethnographic artefacts on Sakhalin. In the Ainu village of Ai, he married Chuhsamma, the niece of the chief.
After the Russo-Japanese War in 1906, he went to Japan, where he met Shimei Futabatei and founded the Japanese-Polish Society. He was befriended by Ōkuma Shigenobu, Futabatei Shimei, Torii Ryūzō and Katayama Sen, among others.
He returned to Poland in 1906, while his wife and children remained in Japan. Several descendants of Bronisław Piłsudski currently live in Japan.
👉Slavic World
The younger brother of Józef Piłsudski was arrested by the Tsarist police in 1887 and sentenced to 15 years of forced labour on Sakhalin. There he initially had to do hard physical labour, but soon became a teacher and met Lev Yakovlevich Sternberg, who introduced him to ethnography. In 1902, he was commissioned by the Imperial Russian Academy of Sciences to collect ethnographic artefacts on Sakhalin. In the Ainu village of Ai, he married Chuhsamma, the niece of the chief.
After the Russo-Japanese War in 1906, he went to Japan, where he met Shimei Futabatei and founded the Japanese-Polish Society. He was befriended by Ōkuma Shigenobu, Futabatei Shimei, Torii Ryūzō and Katayama Sen, among others.
He returned to Poland in 1906, while his wife and children remained in Japan. Several descendants of Bronisław Piłsudski currently live in Japan.
👉Slavic World
Forwarded from TARTARIA HISPANICA
🇪🇸 Descubriendo a la guardiana de Egipto
La Esfinge estaba enterrada totalmente bajo la arena, menos su rostro, despejada al comienzo del siglo XIX.
Estas fotografías dan testimonio del proceso de excavación llevado a cabo desde entonces, así como de los templos y catacumbas sepultados de alrededor.
Se tiene constancia de que, al menos, la Esfinge se ha desenterrado de la arena en tres ocasiones, la última en 1925.
🇬🇧 Discovering the Guardian of Egypt
The Sphinx was completely buried under the sand, except for her face, cleared at the beginning of the nineteenth century.
These photographs testify to the excavation process carried out since then, as well as the buried temples and catacombs around.
It is recorded that, at least, the Sphinx has been unearthed from the sand on three occasions, the last one in 1925.
Join us
@Notre Mystérieuse Histoire.. 🇫🇷
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰
La Esfinge estaba enterrada totalmente bajo la arena, menos su rostro, despejada al comienzo del siglo XIX.
Estas fotografías dan testimonio del proceso de excavación llevado a cabo desde entonces, así como de los templos y catacumbas sepultados de alrededor.
Se tiene constancia de que, al menos, la Esfinge se ha desenterrado de la arena en tres ocasiones, la última en 1925.
🇬🇧 Discovering the Guardian of Egypt
The Sphinx was completely buried under the sand, except for her face, cleared at the beginning of the nineteenth century.
These photographs testify to the excavation process carried out since then, as well as the buried temples and catacombs around.
It is recorded that, at least, the Sphinx has been unearthed from the sand on three occasions, the last one in 1925.
Join us
@Notre Mystérieuse Histoire.. 🇫🇷
Únete 🇪🇸&🇬🇧 Join
@TARTARIA HISPANICA
@TARTARIA in my CITY 🏰