A stylish young man leaning casually against the
front of a black scorpio s11. He is wearing a black
oversized hoodie, black baggy jeans, and clean white
sneakers. His hands are in his pockets, posture
relaxed and confident, and is wearing dark
sunglasses. Shot from a slightly elevated top-angle perspective. The car is parked on a light stone-paved driveway with green grass on the edges and palm leaves partially visible in the foreground. Natural daylight, soft shadows, luxury

A wide-angle landscape selfie captured with an extended arm holding the camera.The central person, wearing heavy winter clothing and
gloves, is positioned between two othersTo the left, a jolly Santa Claus in a traditional red velvet suit with white fur trim and a thick white beard leans in. To the right, Rudolph the reindeer
features a distinctively glossy, bright red nose that is highly reflective but does not emit any internal light or glow, wearing a leather harness and looking

Generate A realistic, high-detail photograph of the interior of an Indian police station. In the center, a beautiful young girl,stands with her head bowed and a somber expression; she is wearing metal handcuffs. A female Indian police officer in a khaki uniform is holding her arm, escorting her. In the background, a prominent blue sign reads 'POLICE STATION - NEW DELHI ' in English and Hindi script. A barred gate labeled 'DETENTION AREA' is visible behind them, along with stacks of office files and other police officers in uniform. Authentic fluorescent lighting, cinematic documentary style, 8k resolution."

Generate A realistic, high-detail photograph of the interior of an Indian police station. In the center, a handsome young boy with dark curly hair having mysterious looks, stands with his head bowed and a somber expression; he is wearing metal handcuffs. A male Indian police officer in a khaki uniform with a mustache is holding his arm, escorting him. In the background, a prominent blue sign reads 'POLICE STATION - NEW DELHI ' in English and Hindi script. A barred gate labeled 'DETENTION AREA' is visible behind them, along with stacks of office files and other police officers in uniform. Authentic fluorescent lighting, cinematic documentary style, 8k resolution."

Nighttime cinematic scene filmed from a
fixed extreme low-angle SIDE VIEW
camera placed directiv on an Indian
asphalt road. The camera is positioned perpendicular to the road, capturing only left-to-right movement. Strictly side profile view only. No front-facing or
head-on shots."Environment Rough Indian road texture with dust and tire marks. A harsh white Indian streetlight behind the scene creates strong
starburst lens flares. Dim Indian
apartment buildings, shop lights, and decorative LEDs glow softly in the background. Start Scene A quiet Indian street at night. The camera remains static and low. Truck Movement (Side Profile Only) A large Indian commercial truck (Tata/Ashok Leyland style), dull brown-orange with yellow reflective strips, moves from left to right across the frame. Wheels show motion blur Suspension movement visible Dust and
wind move horizontally Camera does not pan or rotate Human Motion (IMPLIED, NOT EXPLICIT) As the truck passes the center of the frame, a human figure from the reference image appears to lose
balance near the rear. The figure moves suddenly into the frame from the truck's side Momentum carries the body
forward and downward Natural
gravity-driven fall with realistic physics
Contact with the road is suggested
through motion, dust, and body
positioning A short forward slide follows,
slowing naturally Final Position The
figure comes to rest matching the
reference image. Face-down stretched
out Dark clothing with subtle red accents
Fully visible in side profile End Shot The
truck exits frame to the right. The
camera holds on the still fiqure under the harsh streetlight. Cold night tones, gritty realism, grounded Indian street
atmosphere. Cinematic but restrained
and realistic.

Create an ultra realistic photograph of this Bike under water in the ocean. bike submerged underwater, resting in a deep, dark ocean environment. bike ko water me dubta huva rakho ,pani me hawa me. The bike interior same rakho as image. Sunlight filters down from above, creating soft light rays that cut through the water and highlight the vehicle's contours. Small air bubbles rise around the car, enhancing the sense of depth and stillness. The vehicle's sleek, high-performance design contrasts sharply with its weathered, corroded condition, suggesting it has been underwater for a long time. The overall mood feels mysterious, cinematic, and melancholic, like a forgotten relic or a symbol of lost luxury.

Ultra-realistic underwater cinematic scene.
The exact same motorcycle from the reference image is already partially submerged and slowly sinking deeper into the water.
The bike moves extremely slowly, as if affected by heavy water pressure and gravity.
The motorcycle gently tilts to one side while descending, with very minimal and smooth rotation, almost unnoticeable.
No dramatic movement, no sharp curves — only natural underwater drifting motion.
The camera remains mostly stable, slowly shifting angle by a few degrees to the side, creating subtle realism instead of cinematic exaggeration.
Realistic underwater light rays from the surface, soft diffused lighting, natural color absorption of water.
Tiny realistic air bubbles escape slowly from small parts of the bike and float upward.
Water particles, floating dust, and micro debris move naturally with slow underwater currents.
The motorcycle feels heavy, abandoned, and silent, sinking deeper into the depths.
No stylized effects, no fantasy lighting — purely realistic underwater physics.
Documentary-style realism, cinematic but grounded, physically accurate motion.
Ultra-realistic water simulation, natural refraction, soft shadows, realistic depth fade.
Extremely smooth slow-motion movement, no jitter, no shaking.
4K realism, film-grade underwater photography.