I punti di vista nella narrazione. E varie altre considerazioni. Interessante.

Money quote: "When I teach intro to literature classes to undergraduates, I open the first class going over the five types of POV. (This may seem overly basic, but most of my students are not humanities majors and are unfamiliar with such things.) Each time I teach the traditional POV taxonomy, I feel it isn’t the most useful one from a fiction writing, uh, point of view.

Here’s a quick refresher. The alleged five forms of POV are as follows: First-person (“I do this”), second-person (“you do that”), and third-person (“he/she/they/it do the other thing”). However, third-person POV is broken down into three types: third-person objective (no interiority), third-person limited (one character’s interiority and perspective), third-person omniscient (unlimited interiority and perspective). Those are your five."

https://countercraft.substack.com/p/there-are-more-than-five-povs

Giochini alternativi

Money quote: "I always felt a little bad for the ghosts in Pac-Man. They patrol the maze, they corner the guy, and then he eats a glowing pellet and suddenly they're the ones running for their lives. So I built a small game where you finally get to play the other side.

Pac-Man has its own AI, and your job is to catch him before he clears the maze. The twist is the same one that always ruined my day as a ghost: if he eats a power pellet, the tables flip and he hunts you for a few seconds. Then you run."

https://garrit.xyz/posts/2026-06-13-pac-man-but-you-re-the-ghost

E se, anziché di "felicità" parlassimo più semplicemente di "gratificazione"? Cioè di una forma di contentezza derivata dalle esperienze sensoriali nella vita quotidiana, al contrario i sensazioni ben più sfuggenti e basate su un territorio impossibile da dominare?

Money quote: "My hippy ex-boyfriend used to call that "taking a picture with your heart". We made fun of it then, but I find myself taking pictures with my heart all the time: some of it's trying to root myself in the present, but it's also often about trying to feel the world around me: the smell, the touch, the sounds, all the little stuff that makes a moment gratifying."

https://www.patreon.com/CultureStudy/posts/how-to-fall-back-164373561

Il mito dello strumento che rende produttivi

Money quote: "Bob opens his laptop and launches… vanilla Sublime Text. It doesn’t even have proper syntax highlighting and half of the code is colored incorrectly. Bob doesn’t use live reloading. He doesn’t use the debugger. Instead he sprinkles some printf around the code and patiently waits for logs.

I was shocked. How the hell is he so prolific?"

https://frantic.im/mirage/

Ecco Mostly Weekly 390: il gusto non lo fa l’algoritmo. E poi Confucio, Infinite Jest, Mogol e Leopardi, gli orologi meccanici, il ramen, il latino, i nuovi strumenti per scrivere con l’AI e una ricerca del MIT che mette in discussione il rapporto tra immagini generate e dati di addestramento. Tanta roba, anche a fine agosto

https://antoniodini.com/weekly/390/

Letture per la domenica

Uno dei problemi dell'interazione agente-agente è che può scappare rapidamente di mano. Molto rapidamente.

Money quote: "“The volume of agent-agent interaction could plausibly exceed that of human-human and human-agent interactions before the world understands the conditions for making such interactions go well,” the study reads. “Benign behavioral quirks at the individual level might compound into unwanted global outcomes.”"

https://techcrunch.com/2026/08/13/anthropic-set-ai-agents-loose-on-the-same-task-they-started-a-turf-war/