Forwarded from Hyperborean Radio (Uncensored)
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The Compassion of Othin
Othin does not test... He does not judge... He is the God of the Hanged Man. God of the Downtrodden. God of the Disabused. God of the Miserable and of the Invisible.
Who would he be were he to judge or test the worth of a mans heart? No... he reveals. Though he may use lies and misdirections he will expose the truth, he does so to reveal what truly lies within a mans heart.
Claim to be generous he will expose to you your greed, claim to be kind he will show to you your cruelty. This is not to make you a "BETTER" man no no no, he has no interest in such things, he does not care about that. No indeed it is to make you an HONEST man, honest with yourself, honest with the world. All so that you might be the most you, you could possibly be.
"Remember even though all of this is true it is all a lie! A lie to show you, to reveal to you, it is not about you. It is about them..."-Othin, The Beggar King
Hyperborean Radio (Uncensored)
Othin does not test... He does not judge... He is the God of the Hanged Man. God of the Downtrodden. God of the Disabused. God of the Miserable and of the Invisible.
Who would he be were he to judge or test the worth of a mans heart? No... he reveals. Though he may use lies and misdirections he will expose the truth, he does so to reveal what truly lies within a mans heart.
Claim to be generous he will expose to you your greed, claim to be kind he will show to you your cruelty. This is not to make you a "BETTER" man no no no, he has no interest in such things, he does not care about that. No indeed it is to make you an HONEST man, honest with yourself, honest with the world. All so that you might be the most you, you could possibly be.
"Remember even though all of this is true it is all a lie! A lie to show you, to reveal to you, it is not about you. It is about them..."-Othin, The Beggar King
Hyperborean Radio (Uncensored)
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Forwarded from Tartaria & History Channel (Jeanne Roman)
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Nike (Winged Victory) of Samothrace
Standing at the top of a staircase in the Musรฉe du Louvre in Paris, the Nike of Samothrace looks down over her admiring crowds. One of the most revered artworks of Hellenistic Greek art, the Nike has been on display in the Louvre since 1866. The statue was brought to France by Charles Champoiseau, who found it in pieces during excavations on the island of Samothrace in 1863. Champoiseau was serving as vice-consul in the Ottoman city of Adrianople (modern Edirne, in Turkey), and visited Samothrace specifically to look for antiquities.
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Standing at the top of a staircase in the Musรฉe du Louvre in Paris, the Nike of Samothrace looks down over her admiring crowds. One of the most revered artworks of Hellenistic Greek art, the Nike has been on display in the Louvre since 1866. The statue was brought to France by Charles Champoiseau, who found it in pieces during excavations on the island of Samothrace in 1863. Champoiseau was serving as vice-consul in the Ottoman city of Adrianople (modern Edirne, in Turkey), and visited Samothrace specifically to look for antiquities.
Partnership with @ITORUS
Join us now
Channel:
https://tttttt.me/TartariaHistoryChannel
Chat:
https://tttttt.me/TartarianEnglishGroup
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Forwarded from Arkham Farms (Hollis)
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Middle Earth and The Industrial Age
Stolen History | The Destruction of The Old World
Tolkien wrote down his story rooted in Germanic mythology during the first world war at exactly the time that can be recognized as the destruction of the old magical world.
World War 1 marked the beginning of the decent into soulless modernity.
Perhaps Tolkien had to write down his vision of middle earth because the human psyche cannot survive without a connection to reality, even if this connection is maintained via supposedly fictional stories.
It's interesting to note... that fantasy stories are also an invention of the industrial age.
Could it be that people were not interested in dissociative worlds as long as life itself was full of meaning and conveyed a higher purpose?
๐ฌ๐๐๐๐๐ ๐ฑ๐๐๐๐
Stolen History | The Destruction of The Old World
Tolkien wrote down his story rooted in Germanic mythology during the first world war at exactly the time that can be recognized as the destruction of the old magical world.
World War 1 marked the beginning of the decent into soulless modernity.
Perhaps Tolkien had to write down his vision of middle earth because the human psyche cannot survive without a connection to reality, even if this connection is maintained via supposedly fictional stories.
It's interesting to note... that fantasy stories are also an invention of the industrial age.
Could it be that people were not interested in dissociative worlds as long as life itself was full of meaning and conveyed a higher purpose?
๐ฌ๐๐๐๐๐ ๐ฑ๐๐๐๐
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In the old days of Egypt, Wadjet, the Eye of the Goddess, was both the sun and the moon. She took her rightful place, in her fiery solar form, as the right eye of the male sun gods. Together they lived in partnership and balance. However, as time passed the sun god grew more arrogant and powerful. One day the god Atum realized that he had lost his children. He had taken his eye off them, so to speak, and they had wandered into the darkness of the underworld. The Eye Goddess went down to retrieve them, shining her light into the dark abyss, birthing the light of the first dawn.
When she returned, rather than being praised and honored, she was shocked to find that Atum had discarded her, and replaced her instead with an artificial new masculine eye in an attempt to bring himself glory. In a fury she exiled herself to the wild deserts and, like Lilith of Mesopotamian myth, became "The Distant Goddess" or the lost feminine goddess. Humanity is born from her tears of grief and anger.
Quickly, the sun god Atum becomes vulnerable and "blind" without his feminine eye. He realizes he cannot live without her and pleads for her return. She eventually agrees, and he reinstates her on his forehead as the Uraeus serpent of feminine vision and power, at the third eye chakra of the Vedic traditions. From this time forward all kings would wear the Uraeus serpent headdress โ the feminine eye of the moon โ as a symbol of sovereignty, authority, and divine power granted by the goddess Wadjet.
๐ ๐๐๐๐ ๐ฐ๐ ๐๐๐๐๐๐๐ - ๐ฐ๐ฃ๐๐ & ๐๐๐๐๐ ๐ฑ๐๐๐๐๐๐๐
โค ๐๐๐๐ช๐ง๐๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐๐ค๐๐๐๐จ๐จ ๐๐๐๐๐๐ฉ. ๐๐ณ๐ฐ๐ฏ๐ป๐ฆ, ๐ธ๐ผ๐ต๐ฉ ๐๐บ๐ฏ๐ข๐ด๐ต๐บ, ๐ค๐ช๐ณ๐ค๐ข ๐ผ๐ผ๐บ-๐ป๐ธ๐ป ๐.๐.
@explorationoftruth
When she returned, rather than being praised and honored, she was shocked to find that Atum had discarded her, and replaced her instead with an artificial new masculine eye in an attempt to bring himself glory. In a fury she exiled herself to the wild deserts and, like Lilith of Mesopotamian myth, became "The Distant Goddess" or the lost feminine goddess. Humanity is born from her tears of grief and anger.
Quickly, the sun god Atum becomes vulnerable and "blind" without his feminine eye. He realizes he cannot live without her and pleads for her return. She eventually agrees, and he reinstates her on his forehead as the Uraeus serpent of feminine vision and power, at the third eye chakra of the Vedic traditions. From this time forward all kings would wear the Uraeus serpent headdress โ the feminine eye of the moon โ as a symbol of sovereignty, authority, and divine power granted by the goddess Wadjet.
๐ ๐๐๐๐ ๐ฐ๐ ๐๐๐๐๐๐๐ - ๐ฐ๐ฃ๐๐ & ๐๐๐๐๐ ๐ฑ๐๐๐๐๐๐๐
โค ๐๐๐๐ช๐ง๐๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐๐ค๐๐๐๐จ๐จ ๐๐๐๐๐๐ฉ. ๐๐ณ๐ฐ๐ฏ๐ป๐ฆ, ๐ธ๐ผ๐ต๐ฉ ๐๐บ๐ฏ๐ข๐ด๐ต๐บ, ๐ค๐ช๐ณ๐ค๐ข ๐ผ๐ผ๐บ-๐ป๐ธ๐ป ๐.๐.
@explorationoftruth
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US8487484.pdf
2.8 MB
Permanent magnet drive apparatus and operational method
https://patents.google.com/patent/US8487484B1/
https://patents.google.com/patent/US8487484B1/
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Glass perfume/cosmetic birds, 1st century
https://www.metmuseum.org/art/collection/search/249377
https://archaeologicalmuseum.jhu.edu/class-projects/archaeology-of-daily-life/female-beauty/glass-bird-bottle-neck/
@explorationoftruth ๐๏ธ
Bottles of this type were made with their contents (either liquid perfume or cosmetic powder) sealed inside. The tip of the tail had thus to be broken to remove the contents.
https://www.metmuseum.org/art/collection/search/249377
Bird-shaped glass vessels, used as perfume bottles, have been found in different far-flung regions of the Roman Empire. The scented oils were sealed inside the glass vessels, and the owner would break off the tail to access them.
https://archaeologicalmuseum.jhu.edu/class-projects/archaeology-of-daily-life/female-beauty/glass-bird-bottle-neck/
@explorationoftruth ๐๏ธ
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Mandela effect โ
Not new age garbage of shifting timelines, but psyops. Psyops upon psyops upon psyops. Theyโre fucking with us.
The human mind is incredibly susceptible to alteration and programming and they are masters at it. A necessary tool for resets.
@explorationoftruth ๐๏ธ
Not new age garbage of shifting timelines, but psyops. Psyops upon psyops upon psyops. Theyโre fucking with us.
The human mind is incredibly susceptible to alteration and programming and they are masters at it. A necessary tool for resets.
@explorationoftruth ๐๏ธ
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Forwarded from ๐The Enigma Realm๐ - What the actual?? ๐
A Board With A Hermetic Astrological Dragon Shape - 1646 by Athanasius Kircher. Illustration drawn from the work Ars Magna Lucis Art Of Great Light. The table in the shape of a dragon or snake was used to calculate the solar and lunar eclipses; according to ancient legends, the eclipses were caused by a dragon devouring and then spitting out celestial bodies.- Source
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Join us @EnigmaRealm
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Love is respect for otherness and for identity: for unity and for difference. If only otherness and external objects were real, then no communion would be possible. We would be marooned in separation and in ultimate incommunicability. And if the only reality were that of identity-sameness, then no relationship would be possible, only a kind of fusion-mixture. Difference, otherness, is the very space that makes relationship possible. If I were not other than you, how could I ever love you, and go beyond myself in this love?
๐ ๐โ๐ ๐บ๐๐ ๐๐๐ ๐๐ ๐โ๐๐๐๐
@explorationoftruth
๐ ๐โ๐ ๐บ๐๐ ๐๐๐ ๐๐ ๐โ๐๐๐๐
@explorationoftruth
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Aesopโs Fables. With Instructive Morals and Reflections, Abstracted from all Party Considerations. Adapted To All Capacities; and design'd to promote Religion, Morality, and Universal Benevolence. Containing Two Hundred and Forty Fables, with a Cut Engrav'd on Copper to each Fable. And the Life of Aesop prefixed, Circa 1760
โง ๐๐๐๐๐๐ - ๐๐๐๐ ๐๐๐ข ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐
@explorationoftruth
โง ๐๐๐๐๐๐ - ๐๐๐๐ ๐๐๐ข ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐
@explorationoftruth
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