Paying close attention to the hand gestures of each of the disciples you would see that each one shows representation of a celestial zodiac sign. Starting with Aries at the head of the table and ending with Pisces. The only female in the Zodiac is the Virgo and is portrayed by Mary Magdalene the only female in the Last Supper.

Mary (meaning high priestess) Magdalene (means tower of knowledge) and Jesus (Zeus) Christ (gold) also make a trinity, which is the human connection to GOD. Traditionally the trinity is Father, Son, and Holy Spirit. What happen to the woman? How can she not exist in this equation? It is Man, Woman, Holy Spirit or GOD that is clearly depicted in all Alchemical drawings and in the mystical jewish “Cabala” as Chokmah (understanding/female) and Binah (wisdom/male) unite to get to Kether (crown/holy spirit). This theology/physics can be applied both inner and outer. Balancing of right (female) and left (male) brain hemispheres to get to higher consciousness individually and as separate matching counterparts of male and female that are equally evolved, attract and unite. In physics everything has a negative- and a positive+. The color blue is associated with the female and red is associated with the male. Looking at Da Vinci’s painting of Jesus who wears a red garment with a blue cloak and Mary Magdalene wears a blue garment with a red cloak, they are representing the balancing of both left and right hemispheres. Clearly his knowledge is so carefully encoded in many of his works.

In addition you can see how Da Vinci also grouped the disciples by the 4 seasons. Jesus in the middle of the 12 zodiac signs represents the SUN.

All throughout history we have 12 portrayed in all ancient cultures. Shiva and Shakti, is androgynous man and woman, there are 3 stages to this Hindu God/Goddess and the last stage is portrayed with 11 body parts including the male/female body 12 with sun/halo. It is the same zodiac clock.

The number 12 became a number revered by mathematicians and early astronomers. So the skies were divided into 12 portions, as were the months of year, reflecting the annual movement of heavenly bodies. Superstitions and religious beliefs were piled on top of respect for the number 12 and were adopted by multiple early civilizations. The sky, divided into 12, has each portion ruled by a god, a divine being, a teacher, a prophet or a son of the sun.

Odin, or Norse mythology, sat on a chair that overlooked all of creation, and had 12 sons. The Babylonians had the longest lasting influence upon our calendars, times, mathematics and religions, all of which emphasize the number 12. The ancient Zoroastrians had twelve commanders on the side of light (light being a symbol for the sun), and in Judaism and the Hebrew Scripture there are many references to the 12 tribes ofIsrael. The Greeks had 12 Gods on mount Olympus. Mithras’s, and then Christians believed that their savior had 12 disciples. Shi’a Muslims list 12 ruling Imams following Muhammad. In Buddhism there are 12 life stages.

Such holy persons are depicted with a bright solar light around their heads, which occurs when any object approaches the sun and stands in front of it. Although many ancient religions such as the Gnostics (Greek for Knowledge) understood things like the twelve disciples of Mithras to be symbolic of the stages of the waning and waxing sun throughout the year, later religions took it literally and believed in an actual 12 disciples – and some still do.

We have been taught the savior is coming. Well he is here, he has always been here and he resides in each and every one of us. The problem is that most do not want to do the alchemical work within which starts at the heart (our electrical battery) as portrayed by Jesus who represents our god given rights- Christ (Greek for Gold/Sun within).

Knowledge is Power and Applied Knowledge is Freedom.

Queen of England, Matilda 'of Blessed Memory' Dunkeld
(29th Gma.) 1080 - 1118 🪦


~ 'Biographical Sketches of The Queens of England' 1851,
Mary Howitt. Portrait by William H. Mote.

La misteriosa isola di Thule

L'antico viaggiatore greco Pitea fece un viaggio nel Nord Europa nel IV secolo a.C. e, al ritorno, raccontò per la prima volta ai suoi concittadini dell'isola di Tula.

Le sue storie su
l'aurora boreale, il mare con i blocchi di ghiaccio e la notte polare sembravano finzioni della popolazione. Così l'isola di Thule e altre "favole" di Pitea furono dimenticate per secoli.

Quando i Vichinghi scoprirono l'Islanda nel IX secolo, confrontarono le caratteristiche naturali e geografiche del paesaggio con la descrizione dell'isola di Thule, divenne chiaro che l'Islanda era la stessa isola mitica che Pitea aveva visitato una volta.

Codice Genesi
https://tttttt.me/httpR2aVkMTA0

“Increasingly, thoughtful persons graciously accept that the Western process of acquiring knowledge is insufficient and problematic. It has ingrained limitations – as well as some perturbing defects. At the same time, a chronic loss of meaning to life gnaws at the hearts of millions in Europe and America and the nations under their sway. This emptiness, despite the racehorse pace of modern society, has inspired the curious to explore how other cultures attempted the puzzle of life. Particularly appealing are ancient civilizations that approached the world holistically – that is, they adhered to a “whole systems” or “living systems” view of the cosmos. We may gingerly allow ourselves a quiet appreciation of these cultures, which envisioned the universe and nature as a unified living system – pregnant with meaning in every aspect.”

Very interesting bit of Youth reading for the 1893 Chicago World's fair. There are some beautiful images in the book and perhaps a bit of propaganda for the youths attending the start of the new world on display. Fascinating the amount of verbiage and details for a youths book. Maybe the youth were a bit more developed during that period than we have been led to believe.

The Triumph of a Potuan, whose Reform Proposal has been Approved, by Nicolai Abraham Abildgaard 1785-7

The Last Judgment triptych (left panel), by Hans Memling, c. 1467-1471.

The Last Judgment triptych (central panel), by Hans Memling, c. 1467-1471.

The Last Judgment triptych (right panel), by Hans Memling, c. 1467-1471.