Daan Rietbergen
Rosdar – brothers (2020, "broers", typeface: Rosdar, wheatpaste, Utrecht 5x2,5m)

https://daanrietbergen.com

Clarence Holbrook Carter
Over and Above No. 8 (ca. 1963, oil on canvas, 175.3 × 135.9 cm)

https://www.artsy.net/artist/clarence-holbrook-carter/works-for-sale

Gerd Bannuscher
Be in the moment ( -, acrylic on canvas, 80 x 100 cm)

https://www.bannuscher-arts.de

Lukas Kandl
Face to face ( -, oil on canvas, 195 x 162 cm)

https://www.kandl.net

Tobias Kwan
Flower Girl II (2013, - )

https://www.tobiaskwan.com

Eric Houck
Alone on a hill (2019, photo, three shot composite)

Marta Lech
Untitled (2003/2004,100x140cm)

https://martalech.wordpress.com/portfolio/

Tom Björklund
Neanderthal girl (2018, digital painting)

twitter.com/tombjorklundart

Ink-Yami
Guests (2019)

https://www.deviantart.com/ink-yami

https://ink-yami.tumblr.com

Andrey Dareev
Work is done (2018, oil on canvas, 130х160 cm)

http://dareev.ru/picture/

Sergio Cerchi
Trophy ( - , oil on canvas, 31,5x31,5'')

http://www.sergiocerchi.it

Lucia Dovičáková
Madonna (2013)

http://www.krokusgaleria.sk/sites/default/files/umelci/lucia-dovicakova_documentation_2014_0.pdf

http://www.atelierxiii.com/exhibited-artists/portfolio/lucia-dovicakova/

Zeen Chin
SteamilK (2017, digital painting)

https://www.artstation.com/zeen

Anastasi Ivashchenko
Three yolks (2017, pastel on paper, 100 x 100 cm)

https://www.artstation.com/cheshire0cat

apron55
Collision Course (2020, digital painting)

https://www.furaffinity.net/gallery/apron55

André Papillon
Broken Glass (c. 1950, photo)

http://www.artnet.com/artists/andré-papillon/

Georges Valmier
Compositions (1930, From "Collection décors et couleurs - Album no.1", gouache on vellum, 44 x 34 cm)

http://www.artnet.com/artists/georges-valmier/

Yoshitoshi Kanemaki
Caprice Figurative 01 (2019, painted wood carving)

https://www.behance.net/gold44104

https://www.facebook.com/kanemaki.yoshitoshi

Iness Rychlik
Innocence Lost (2020, "I suffer from a hyper-sensitive skin condition. As a teenager, I would often attempt to cover it up; I resented being asked if I had accidentally burnt myself. Throughout the years, I have learnt to see my skin as a canvas of expression, rather than an ugly inconvenience that should be kept hidden. ", photo)

inessrychlik.com/portfolio

Richard Ahnert
Heavy Town (2019, oil on canvas, 26 x 36”)

https://richardahnertart.bigcartel.com/products